Ernst Grosse and the "ethnological method" in art theory

Philosophy and Literature 34 (2):302-312 (2010)
Why are the Germans good at music, whereas the Dutch excel in painting? What are the reasons for the outstanding draftsmanship of Australian Aboriginals, and why does this skill seem absent among West African peoples, who appear concerned rather with sculpture? Could it be that the Japanese do not share the European preference for symmetry in decorative art? Moreover, why do tastes in the visual arts, music, and literature change so noticeably throughout history? Is it possible that, despite differences across time and space, there are features that each of humanity's arts share?These are some of the questions that in the late nineteenth-century were going through the mind of the German scholar Ernst Grosse ..
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DOI 10.1353/phl.2010.0003
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