Hearing Musicians Making Music: A Critique of Roger Scruton on Acousmatic Experience
Journal of Aesthetics and Art Criticism 70 (2):223-230 (2012)
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Nick Zangwill (2010). Scruton's Musical Experiences. Philosophy 85 (1):91-104.
Rob van Gerwen (2008). Expression as Success. The Psychological Reality of Musical Performance. Estetika 45 (1).
Roger Scruton (2007). New Issues. Music and Electro-Sonic Art / Gordon Graham ; Thoughts on Rhythm. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Roger Scruton (1999). The Aesthetics of Music. Oxford University Press.
Joseph Nathan Straus (2011). Extraordinary Measures: Disability in Music. Oxford University Press.
George C. Schuetze (2005). Convergences in Music and Art: A Bibliographic Study. Harmonie Park Press.
Roger Scruton (2007). Thoughts on Rhythm. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Malcolm Budd (2005). Aesthetic Realism and Emotional Qualities of Music. British Journal of Aesthetics 45 (2):111-122.
Alessandro Arbo (2009). Some Remarks on “Hearing-as” and its Role in the Aesthetics of Music. Topoi 28 (2).
Paul A. Boghossian (2002). On Hearing the Music in the Sound: Scruton on Musical Expression. Journal of Aesthetics and Art Criticism 60 (1):49–55.
Malcolm Budd (2003). Musical Movement and Aesthetic Metaphors. British Journal of Aesthetics 43 (3):209-223.
Rafael De Clercq (2007). Melody and Metaphorical Movement. British Journal of Aesthetics 47 (2):156-168.
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