Critical Theory and Film: Rethinking Ideology in Cinema
Continuum (2012)
| Abstract | Introduction -- The dialectic's narrow margin: film noir between Adorno and Hegel -- On critical theory's dialectical dilemma -- a configuration pregnant with tension: Fritz Lang for critical theory -- Coda: the enjoyment of film in theory. | |||||||||
| Keywords | Film noir History and criticism Motion pictures Philosophy Critical theory | |||||||||
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| Call number | PN1995.9.F54.V55 2012 | |||||||||
| ISBN(s) | 9781441111425 | |||||||||
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Matthew Flisfeder (2012). The Symbolic, the Sublime, and Slavoj Žižek's Theory of Film. Palgrave Macmillan.
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Christian Metz (1974/1991). Film Language: A Semiotics of the Cinema. University of Chicago Press.
Jenny Chamarette (2013). Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French Cinema. Palgrave Macmillan.
J. Remes (2012). Motion(Less) Pictures: The Cinema of Stasis. British Journal of Aesthetics 52 (3):257-270.
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