1. Alberto Voltolini, Ficta Versus Possibilia.
    There have been few attempts to draw a distinction between ficta (mythical and literary characters, and fictional creations in general) and unactualized possibilia (objects of unrealized assemblages, of false but coherent scientific theories, of unfulfilled plans) qua respective alleged referents of singular terms occurring in sentences apparently talking of them. Both have indeed been indistinctly rejected as belonging to the perverse domain of the non-existent. Those singular terms purporting to refer to them have consequently been considered as empty non-denoting terms or, at least sometimes in the case of fictional reference, as being used in contexts of pretended reference. This referential peculiarity seems to have been necessary in order to save the apparent truth of sentences belonging to fictional contexts. This policy, however, has the effect of blurring the ontological distinction between ficta and possibilia. On the one hand, ficta are a particular kind of abstract objects, namely constructed abstract objects. Moreover, they are essentially incomplete abstract entities, in that they are correlates of finite sets of properties. On the other hand, possibilia are concrete objects as well as realia, which are ultimately nothing but actualized possibilia. In fact, possible objects are objects that, even though they do not actually exist, might have existed, in the particular, Platonic-Kantian, sense of the firstorder concept of existence here involved, namely that of being effective, i.e. being involved in the causal order. Thus, being a possible unactualized object is tantamount to being possibly involved in the causal order. Besides, as an object existent in this sense may legitimately be qualified as complete, the incompleteness which pertains to possible objects may be said to be contingent, that is, to regard them only with respect to the worlds in which they do not exist. With ficta and possibilia two different notions of completeness are therefore brought into play, the former referring to a predicative, the latter to a propositional, concept of negation..
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