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- Alberto Voltolini, Ficta Versus Possibilia.There have been few attempts to draw a distinction between ficta (mythical and literary characters, and fictional creations in general) and unactualized possibilia (objects of unrealized assemblages, of false but coherent scientific theories, of unfulfilled plans) qua respective alleged referents of singular terms occurring in sentences apparently talking of them. Both have indeed been indistinctly rejected as belonging to the perverse domain of the non-existent. Those singular terms purporting to refer to them have consequently been considered as empty non-denoting terms or, at least sometimes in the case of fictional reference, as being used in contexts of pretended reference. This referential peculiarity seems to have been necessary in order to save the apparent truth of sentences belonging to fictional contexts. This policy, however, has the effect of blurring the ontological distinction between ficta and possibilia. On the one hand, ficta are a particular kind of abstract objects, namely constructed abstract objects. Moreover, they are essentially incomplete abstract entities, in that they are correlates of finite sets of properties. On the other hand, possibilia are concrete objects as well as realia, which are ultimately nothing but actualized possibilia. In fact, possible objects are objects that, even though they do not actually exist, might have existed, in the particular, Platonic-Kantian, sense of the firstorder concept of existence here involved, namely that of being effective, i.e. being involved in the causal order. Thus, being a possible unactualized object is tantamount to being possibly involved in the causal order. Besides, as an object existent in this sense may legitimately be qualified as complete, the incompleteness which pertains to possible objects may be said to be contingent, that is, to regard them only with respect to the worlds in which they do not exist. With ficta and possibilia two different notions of completeness are therefore brought into play, the former referring to a predicative, the latter to a propositional, concept of negation..No categories
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Most philosophers would say that fictional characters lack spatiotemporal location simply because such entities do not exist. However, even prominent believers in ficta hold that they must lack location. I here focus on the views of one such believer, Amie Thomasson, and her Artifactual Theory. The fundamentals of her ontology seem correct, but I argue that the view implies that ficta do have location. I provide a diagnosis of an argument Thomasson gives for the contrary, and then suggest a way for the Artifactual Theory to account for the locations of ficta. I conclude by discussing some potential applications of this contribution to other areas of philosophy.
The claim that photographs are fictionally incompetent (i.e. that they can only depict those particulars they are appropriately causally related to) is argued by Noël Carroll, Gregory Currie, and Nigel Warburton to be falsified by cinematic works of fiction. In response I firstly argue that it does not follow from cinema's having a capacity for the representation of ficta that photography has a capacity for the representation of ficta. Secondly, and inspired by the work of Roger Scruton, I develop an account of how it is that cinema represents ficta on which this is fundamentally a matter of dramatic/theatrical representation. I argue that in cinematic fiction photography delivers a pre-existent representation of ficta rather than creating or generating fictional content. With this being so, the claim that photography is fictionally incompetent is compatible with cinematic fiction. 1.
There has recently been considerable interest in accounts of fiction which treat fictional characters as abstract objects. In this paper I argue against this view. More precisely I argue that such accounts are unable to accommodate our intuitions that fictional negative existentials such as “Raskolnikov doesn’t exist” are true. I offer a general argument to this effect and then consider, but reject, some of the accounts of fictional negative existentials offered by abstract object theorists. I then note that some of the sort of data invoked by the abstract object theorist in fact cuts against her position. I concludle that we should not regard fictional characters as abstract objects but rather should adopt a make-believe theoretic account of fictional characters along the lines of those developed by Ken Walton and others.
The problem with model-theoretic modal semantics is that it provides only the formal beginnings of an account of the semantics of modal languages. In the case of non-modal language, we bridge the gap between semantics and mere model theory, by claiming that a sentence is true just in case it is true in an intended model. Truth in a model is given by the model theory, and an intended model is a model which has as domain the actual objects of discourse, and which relates these objects in an appropriate manner. However, the same strategy applied to the modal case seems to require an intended modal model whose domain includes mere possibilia.Building on recent work by Christopher Menzel (Nous 1990), I give an account of model-theoretic semantics for modal languages which does not require mere possibilia or intensional entities of any kind. Menzel has offered a representational account of model-theoretic modal semantics that accords with actualist scruples, since it does not require possibilia. However, Menzel's view is in the company of other actualists who seek to eliminate possible worlds, but whose accounts tolerate other sorts of abstract, intensional entities, such as possible states of affairs. Menzel's account crucially depends on the existence of properties and relations in intension.
Are there, in addition to the various actual objects that make up the world, various possible objects? Are there merely possible people, for example, or merely possible electrons, or even merely possible kinds? We certainly talk as if there were such things. Given a particular sperm and egg, I may wonder whether that particular child which would result from their union would have blue eyes. But if the sperm and egg are never in fact brought together, then there is no actual object that my thought is about.1 Or again, in the semanti cs for modal logic we presuppose an ontology of possibilia twice over.2 For first, we coutenance various possible worlds, in addition to the actual world; and second, each of these worlds is taken to be endowed with its own domai n of objects. These will be the actual objects of the world in question, but they need not be actual simpliciter, i.e., actual objects of our world. W ha t a r e w e t o m a k e o f such discourse? There are four options: (i) the discourse is taken to be unintelligible; (ii) it is taken to be intelligible but nonfactual, i.e. as not in the business of stating facts; (iii) it is taken to be factual but reducible to discourse involving no reference to possibilia; (iv) it is taken to be both factual and irreducible.3 These options range from a fullblooded form of actualism at one extreme to a full-blooded form of possibilism at the other. The two intermediate positions are possibilist in that they accept the intelligibility of possibilist discourse but actualist in that they attempt to dispense with its prima facie commitment to possibilia. All four positions have found advocates in the literature. Quine, in his less irenic moments, favours option (i); Forbes ([85], p. 94) advocates option (ii), at least for certain parts of possibilist discourse; many philosophers, including Adams [74] and myself, opt for (iii); while Lewis [86] and Stalnaker [75] have endorsed versions of (iv), that differ in how full-blooded they take the possible objects to be. My focus in the present article is on the third option..
No categories
Are there, in addition to the various actual objects that make up the world, various possible objects? Are there merely possible people, for example, or merely possible electrons, or even merely possible kinds? We certainly talk as if there were such things. Given a particular sperm and egg, I may wonder whether that particular child which would result from their union would have blue eyes. But if the sperm and egg are never in fact brought together, then there is no actual object that my thought is about.1 Or again, in the semanti cs for modal logic we presuppose an ontology of possibilia twice over.2 For first, we coutenance various possible worlds, in addition to the actual world; and second, each of these worlds is taken to be endowed with its own domai n of objects. These will be the actual objects of the world in question, but they need not be actual simpliciter, i.e., actual objects of our world. W ha t a r e w e t o m a k e o f such discourse? There are four options: (i) the discourse is taken to be unintelligible; (ii) it is taken to be intelligible but nonfactual, i.e. as not in the business of stating facts; (iii) it is taken to be factual but reducible to discourse involving no reference to possibilia; (iv) it is taken to be both factual and irreducible.3 These options range from a fullblooded form of actualism at one extreme to a full-blooded form of possibilism at the other. The two intermediate positions are possibilist in that they accept the intelligibility of possibilist discourse but actualist in that they attempt to dispense with its prima facie commitment to possibilia. All four positions have found advocates in the literature. Quine, in his less irenic moments, favours option (i); Forbes ([85], p. 94) advocates option (ii), at least for certain parts of possibilist discourse; many philosophers, including Adams [74] and myself, opt for (iii); while Lewis [86] and Stalnaker [75] have endorsed versions of (iv), that differ in how full-blooded they take the possible objects to be..
The purpose of this article is to try to get a clearer picture of a criterion which may be used to distinguish between genuine names of objects and pseudo-names, between names of existent and non-existent objects, between facts and fictitious states of affairs. Meinong's idea of incomplete objects serves as the theoretical notion for the description of fictitious objects. The distinction between imported (immigrant) and native objects in fiction is denied and a necessary connection between fictious and real objects maintained.
No categories
Creationism with respect to fictional entities, i.e., the position according to which ficta are creations of human practices, has recently become the most popular realist account of fictional entities. For it allows one to hold that there are fictional entities while simultaneously giving such entities a respectable metaphysical status, that of abstract artifacts. In this paper, I will draw what are the ontological and semantical consequences of this position, or at least of all its forms that are genuinely creationist. For some people, these consequences will sound as plagues against the position; for some others, especially realists on ficta, they are welcome results. Although I hold that all forms of genuine creationism have these consequences, I will conclude by explaining why I take moderate creationism, according to which ficta are created by means of a reflexive stance on the make-believe practice grounding them, to be the best of these forms.
No categories
In the camp of the believers in fictional entities, two main paradigms nowadays face each other: the neo-Meinongian and the artifactualist.1 Both parties agree on the idea that ficta are abstract entities, i.e. things that exist (at least in the actual world) even though in a non-spatiotemporal way. Yet according to the former paradigm, ficta are entities of a Platonic sort: either sets of properties (or at least ‘one-one’ correlates of such sets) or generic objects. According to the latter paradigm instead, fictional beings are abstract artifacts, in the sense that they are cultural constructions like games, laws and institutions. Traditionally, these paradigms conceive themselves as mutually exclusive. In what follows, however, I will try to show that this conception is ungrounded. For a fictional entity is a compound entity made both of a property set and of the cultural practice-type that makes its own existence possible. This makes a fictum at least a ‘many-one’ correlate of a set, insofar as different practice-types may turn the same set of properties into different fictional individuals. In this sense, the present proposal is ontologically syncretistic, for it attempts at combining the neo-Meinongian and the artifactualist paradigm. Yet it is even more conciliatory than that. Recent disbelievers in ficta have maintained that as far as fiction is concerned, there is nothing more than fictional discourse itself, which consists in nothing but make-believe linguistic acts in which we pretend that there are things like fictional beings. Yet I take this make-believe practice precisely as the cultural practice such that a fictum not only depends on it but also is partially constituted by it.
No categories
Within the general framework of the theory of direct reference, there is no agreement as to whether unactualised possible objects (from now on, possibilia) can be referred to by means of directly referential singular terms (from now on, DR terms). While some have maintained that such a direct reference can be established e.g. via some fixing-reference description (Kaplan, Salmon, and perhaps Kripke himself), others have denied any such possibility. In what follows, I will scrutinise such denials by attempting at the same time to provide some counterarguments to them. Indeed, I believe that possibilia can be referred to directly, primarily if the appropriate fixing-reference description is provided.
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