Graduate studies at Western
Oxford University Press (2008)
|Abstract||The twelve essays by Kendall Walton in this volume address a broad range of issues concerning the arts. Walton introduces an innovative account of aesthetic value, and explores relations between aesthetic value and values of other kinds. His classic 'Categories of Art' is included, as is 'Transparent Pictures', his controversial account of what is special about photographs. A new essay investigates the fact that still pictures are still, although some of them depict motion. New postscripts have been added to several of the reprinted essays.|
|Keywords||Aesthetics Art Philosophy Photography Philosophy|
|Categories||categorize this paper)|
|Buy the book||$14.20 used (44% off) $19.44 new (23% off) $23.70 direct from Amazon (6% off) Amazon page|
|Call number||BH39.W328 2008|
|ISBN(s)||9780195177947 9780195177954 0195177959|
|Through your library||Configure|
Similar books and articles
Aaron Meskin (2004). On the Epistemic Value of Photographs. Journal of Aesthetics and Art Criticism 62 (2):197 - 210.
Walter Benjamin (2008). The Work of Art in the Age of its Technological Reproducibility, and Other Writings on Media. Belknap Press of Harvard University Press.
Philip Alperson (ed.) (1992). The Philosophy of the Visual Arts. Oxford University Press.
Jerrold Levinson (2006). Contemplating Art: Essays in Aesthetics. Oxford University Press.
Mikael Pettersson (2011). Depictive Traces: On the Phenomenology of Photography. Journal of Aesthetics and Art Criticism 69 (2):185-196.
Kendall L. Walton (1993). How Marvelous! Toward a Theory of Aesthetic Value. Journal of Aesthetics and Art Criticism 51 (3):499-510.
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