David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Oxford University Press (2008)
The twelve essays by Kendall Walton in this volume address a broad range of issues concerning the arts. Walton introduces an innovative account of aesthetic value, and explores relations between aesthetic value and values of other kinds. His classic 'Categories of Art' is included, as is 'Transparent Pictures', his controversial account of what is special about photographs. A new essay investigates the fact that still pictures are still, although some of them depict motion. New postscripts have been added to several of the reprinted essays.
|Keywords||Aesthetics Art Philosophy Photography Philosophy|
|Categories||categorize this paper)|
|Buy the book||$14.78 used (46% off) $19.36 new (29% off) $24.09 direct from Amazon (11% off) Amazon page|
|Call number||BH39.W328 2008|
|ISBN(s)||9780195177947 9780195177954 0195177959|
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Citations of this work BETA
Diarmuid Costello & Dawn M. Phillips (2009). Automatism, Causality and Realism: Foundational Problems in the Philosophy of Photography. Philosophy Compass 4 (1):1-21.
Dan Cavedon-Taylor (2013). Photographically Based Knowledge. Episteme 10 (3):283-297.
Similar books and articles
Kendall L. Walton (1993). How Marvelous! Toward a Theory of Aesthetic Value. Journal of Aesthetics and Art Criticism 51 (3):499-510.
Mikael Pettersson (2011). Depictive Traces: On the Phenomenology of Photography. Journal of Aesthetics and Art Criticism 69 (2):185-196.
Jerrold Levinson (2006). Contemplating Art: Essays in Aesthetics. Oxford University Press.
Philip Alperson (ed.) (1992). The Philosophy of the Visual Arts. Oxford University Press.
Walter Benjamin (2008). The Work of Art in the Age of its Technological Reproducibility, and Other Writings on Media. Belknap Press of Harvard University Press.
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