An Invitation to Play: A Response to Patrick Schmidt's “What We Hear is Meaning Too: Deconstruction, Dialogue, and Music”
Philosophy of Music Education Review 20 (1):82-86 (2012)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,672 |
| External links |
|
| Through your library | Configure |
Patrick Schmidt (2012). What We Hear is Meaning Too: Deconstruction, Dialogue, and Music. Philosophy of Music Education Review 20 (1):3-24.
Ruud Welten (2009). What Do We Hear When We Hear Music? Studia Phaenomenologica 9:269-286.
Patrick K. Schmidt (2007). In Search of a Reality-Based Community: Illusion and Tolerance in Music, Education, and Society. Philosophy of Music Education Review 15 (2):160-167.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
Randall Everett Allsup, Estelle R. Jorgensen, Patrick K. Schmidt & Julia Eklund Koza (2007). Symposium: Philosophy, Music Education, and World Engagement. Philosophy of Music Education Review 15 (2):143-144.
Leonard B. Meyer (1956). Emotion and Meaning in Music. [Chicago]University of Chicago Press.
Daniel K. L. Chua (1999). Absolute Music and the Construction of Meaning. Cambridge University Press.
J. Steven Moore (2011). Play It From the Heart: What You Learn From Music About Success in Life. Rowman & Littlefield Education.
Joyce Eastlund Gromko (2005). In Dialogue: Response to Alexandra Kertz-Wezel, ?The Magic of Music? Philosophy of Music Education Review 13 (1):117-120.
Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.) (2006). Music, Meaning and Media. University of Helsinki.
C. Victor Fung (2005). In Dialogue: Response to Eva Alerby and Cecilia Ferm, ?Learning Music: Embodied Experience in the Life-World? Philosophy of Music Education Review 13 (2):206-207.
Christine Brown (2005). In Dialogue: Response to Eva Alerby and Cecilia Ferm, ?Learning Music: Embodied Experience in the Life-World? Philosophy of Music Education Review 13 (2):208-210.
Michael Talbot (ed.) (2000). The Musical Work: Reality or Invention? Liverpool University Press.
Monthly downloads
Sorry, there are not enough data points to plot this chart.
|
Added to index2012-04-28Total downloads2 ( #232,382 of 549,065 )Recent downloads (6 months)1 ( #63,185 of 549,065 )How can I increase my downloads? |

