David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Studia Phaenomenologica 9:269-286 (2009)
In this contribution I want to sketch a phenomenology of music, expounding and expanding the philosophy of Michel Henry. In the work of Henry, several approaches to a phenomenology of music are made. The central question of the contribution is: “What do we hear when we hear music?” It is argued that there is an unbridgeable divide between the intentional sphere of the world and its sounds and what in Henry’s philosophy is understood as Life. Music is the language of Life itself and cannot be merely considered a composition of sound. Music does not imitate nor even represent the world, but is the inner movement of life itself. In this respect, Henry is close to Schopenhauer’s view on music, in which the Will is sharply contrasted to representation. However Schopenhauer’s thought needs a phenomenological elaboration in order to understand music as an immediate experience. In the article, music is compared to painting, since this is a recurring methodological theme in Henry’s thoughts on music.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Michael Talbot (ed.) (2000). The Musical Work: Reality or Invention? Liverpool University Press.
W. A. Mathieu (2010). Bridge of Waves: What Music is and How Listening to It Changes the World. Shambhala.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
Patrick Schmidt (2012). What We Hear is Meaning Too: Deconstruction, Dialogue, and Music. Philosophy of Music Education Review 20 (1):3-24.
R. Murray Schafer (1977/1994). The Soundscape: Our Sonic Environment and the Tuning of the World. Distributed to the Book Trade in the United States by American International Distribution Corp..
Jerrold Levinson (2009). Philosophy and Music. Topoi 28 (2):119-123.
Andrew Kania, The Philosophy of Music. Stanford Encyclopedia of Philosophy.
Iannis Xenakis (1971). Formalized Music. Bloomington,Indiana University Press.
Patrice Madura Ward-Steinman (2012). An Invitation to Play: A Response to Patrick Schmidt's “What We Hear is Meaning Too: Deconstruction, Dialogue, and Music”. Philosophy of Music Education Review 20 (1):82-86.
Kathleen Marie Higgins (2012). The Music Between Us: Is Music a Universal Language? The University of Chicago Press.
Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.) (2006). Music, Meaning and Media. University of Helsinki.
Robin Maconie (1990). The Concept of Music. Oxford University Press.
Added to index2011-12-02
Total downloads258 ( #5,037 of 1,727,148 )
Recent downloads (6 months)243 ( #1,621 of 1,727,148 )
How can I increase my downloads?