Literature and philosophy: Emotion and knowledge?
Philosophy 79 (2):215-245 (2004)
| Abstract | Nussbaum attempts to undermine the sharp distinction between literature and philosophy by arguing that literary texts (tragic poetry particularly) distinctively appeal to emotion and imagination, that our emotional response itself is cognitive, and that Aristotle thought so too. I argue that emotional response is not cognitive but presupposes cognition. Aristotle argued that we learn from the mimesis of action delineated in the plot, not from our emotional response. The distinctions between emotional and intellectual writing, poetry and prose, literature and philosophy, the imaginative and the unimaginative do not cut along the same lines. That between literature and philosophy is not hard and fast: philosophy can be dramatic (eg Plato's dialogues) and drama can be philosophical (eg some of Shakespeare's plays), but whether either is emotional or not, or written in poetry or prose, are other questions. | |||||||||
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Xiaomang Deng (2010). The Phenomenological Ontology of Literature. Frontiers of Philosophy in China 5 (4):621-630.
Susan Feagin (2010). Giving Emotions Their Due. British Journal of Aesthetics 50 (1):89-92.
Joseph T. Palencik (2008). Emotion and the Force of Fiction. Philosophy and Literature 32 (2):pp. 258-277.
Jenefer Robinson (2007). Deeper Than Reason: Emotion and its Role in Literature, Music, and Art. Clarendon Press.
Iris M. Yob (1997). The Cognitive Emotions and Emotional Cognitions. Studies in Philosophy and Education 16 (1/2):43-57.
Bijoy H. Boruah (1988). Fiction and Emotion: A Study in Aesthetics and the Philosophy of Mind. Oxford University Press.
Katrin Pahl (2011). Tropes of Transport: Hegel and Emotion. Northwestern University Press.
Paul R. Thagard (2002). The Passionate Scientist: Emotion in Scientific Cognition. In The Cognitive Basis of Science. Cambridge: Cambridge University Press.
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