Abstract

This essay traces the notion of abstraction through the works of Gillian Howie as a means of thinking through the nature of critique within philosophy of religion. In particular, it argues that Howie’s recovery of a more productive conception of abstraction in her late Between Feminism and Materialism is closely linked to the resurgence of real abstraction in recent Marxist theory. From these shifts, one can derive both an enriched conception of religion as real abstraction and a method of critical history that offers a genuine alternative within the contemporary study of philosophy of religion