David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
Cambridge Scholars (2009)
This edited collection had its origins in a two-day conference held at the Tate Britain, organised collaboratively by research staff and students at Middlesex University and the London Consortium in order to celebrate the 250th Anniversary of the publication of Edmund Burke's famous book on the sublime. The conference was funded by Middlesex University, the London Consortium and the Tate Britain's AHRC-funded "Sublime Object: Nature, Art and Language" research project. The conference set out to critically examine the legacy of the sublime in contemporary art, culture and society and to assess the value and the dangers of this concept as it is articulated in current thought and practice. The book selected from and expanded on the papers delivered at the conference in order to pursue this goal further. It was broken into themed sections (each of which had an introduction), each exploring an different issue around contemporary uses of the sublime. The sections were: 1. Nature, Ecology and the Sublime; 2. The Sublime After Kant; 3. Capitalism, Terror, Art and the Sublime; 4. Baroque and Beyond: Art, Sex and the Sublime; 5. The Cinematic Sublime. The volume reflects the interdisiplinarity of the concept of the sublime today, and includes essays whose appraoches come from aesthetics and ethics, ecological and political thought, psychoanalysis, feminism, film studies, literary studies, art history and popular culture. It includes papers by internationally renowned authors from the UK, America and Europe alongside the new voices of younger academics. The contributors were: Jane Bennett (Johns Hopkins University), Mark Bould (University of the West of England), Eu Jin Chua (London Consortium), Gudrun Filipska (Middlesex University), Cornelia Klinger (Institute for Human Sciences, Vienna / University of Tübingen, Germany), Esther Leslie (Birkbeck), William McDonald (Middlesex Univeristy), Laura Mulvey (Birkbeck), Claire Pajaczkowska (Royal College of Art), Griselda Pollock (University of Leeds), Gene Ray (Geneva University of Art and Design), Bettina Reiber (Central St. Martins), Jan Rosiek (University of Copenhagen), Sherryl Vint (Brock University, Canada), and Luke White (Middlesex University)
|Keywords||Sublime, The Sublime, The, in art Sublime, The, in literature Sublime, The History Civilization, Modern|
|Categories||categorize this paper)|
|Buy the book||$53.08 used (38% off) $53.09 new (38% off) $84.99 direct from Amazon Amazon page|
|Call number||BH301.S7.S835 2009|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Paul Crowther (1989). The Kantian Sublime: From Morality to Art. Oxford University Press.
C. E. Emmer (2008). Crowther and the Kantian Sublime in Art. In Valerio Rohden, Ricardo R. Terra & Guido A. de Almeida (eds.), Recht und Frieden in der Philosophie Kants: Akten des X. Internationalen Kant-Kongresses [Right and Peace in Kant's Philosophy: Proceedings of the 10th International Kant Congress] 5 vols. Walter de Gruyter
Jerome Carroll (2008). The Limits of the Sublime, the Sublime of Limits: Hermeneutics as a Critique of the Postmodern Sublime. Journal of Aesthetics and Art Criticism 66 (2):171–181.
Tadeusz Rachwal & Tadeusz Slawek (eds.) (1994). The Most Sublime Act: Essays on the Sublime. Wydawnictwo Universytetu Śląskiego.
James Kirwan (2005). Sublimity: The Non-Rational and the Irrational in the History of Aesthetics. Routledge.
Gabriele Tomasi (2005). Kant on Painting and the Representation of the Sublime. Croatian Journal of Philosophy 5 (3):545-567.
Edmund Burke (1759/2008). A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful. Dover Publications.
Samuel Holt Monk (1935). The Sublime: A Study of Critical Theories in Xviii-Century England. New York, Modern Language Association of America.
Philip Shaw (2006). The Sublime. Routledge.
Timothy M. Costelloe (ed.) (2012). The Sublime: From Antiquity to the Present. Cambridge University Press.
Added to index2010-05-19
Total downloads48 ( #87,029 of 1,796,164 )
Recent downloads (6 months)7 ( #117,415 of 1,796,164 )
How can I increase my downloads?