Abstract

Henry James and the Philosophical Novel breaks fresh ground by examining James's unique position as a philosophical novelist, closely associated with the climate of ideas generated by his brother William. It considers storytelling as a mode of philosophical enquiry, showing how a range of distinguished thinkers have relied on fictional narrative as a technique for formulating and clarifying their ideas; and investigates (with close reference to his novels) the affiliations between James's practice as a novelist and contemporary epistemological, moral, and linguistic concerns.