Robert Carsen's production of Les contes d'Hoffmann : an exercise in theatrical self-reflection
In Walter Bernhart & Werner Wolf (eds.), Self-Reference in Literature and Other Media. Rodopi (2010)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
Download options| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,875 |
| External links | This entry has no external links. Add one. |
| Through your library | Configure |
Similar books and articlesRoald Hoffmann (2012). Roald Hoffmann on the Philosophy, Art, and Science of Chemistry. Oxford University Press.
Paulette Carrive (2006). La Philosophie de l'Histoire de R. G. Collingwood: Les Contes de Fées. Archives de Philosophie 69:475-796.
James R. Hamilton (2009). Pretense and Display Theories of Theatrical Performance. Organon F:632-654.
Roger Pearson (1993). The Fables of Reason: A Study of Voltaire's "Contes Philosophiques". Oxford University Press.
Peter Sandøe (2011). Facilitating Ethical Reflection Among Scientists Using the Ethical Matrix. Science and Engineering Ethics 17 (3):425-445.
Beatrix W. Alsanius, Klara Löfkvist, Göran Kritz & Adrian Ratkic (2008). Reflection on Reflection in Action: A Case Study of Growers Conception of Irrigation Strategies in Pot Plant Production. AI and Society 23 (4):545-558.
Ted Nannicelli (2011). Instructions and Artworks: Musical Scores, Theatrical Scripts, Architectural Plans, and Screenplays. British Journal of Aesthetics 51 (4):399-414.
Karsten Jensen, Ellen-Marie Forsberg, Christian Gamborg, Kate Millar & Peter Sandøe (2011). Facilitating Ethical Reflection Among Scientists Using the Ethical Matrix. Science and Engineering Ethics 17 (3):425-445.
D. W. Lucas (1960). Ancient Theatrical Production Peter D. Arnott: An Introduction to the Greek Theatre. Pp. Xvi+240; 7 Plates. London: Macmillan, 1959. Cloth, 21s. Net. [REVIEW] The Classical Review 10 (03):207-209.
Paul Hoffmann (1995). Signification du Personnage de Sélim Dans "Les Bijoux Indiscrets". Diderot Studies 26:171 - 181.
Robert Champigny (1959). The Theatrical Aspect of the Cogito. The Review of Metaphysics 12 (3):370 - 377.
James R. Hamilton (2007). Theatrical Space. Journal of Dramatic Theory and Criticism 31 (2):21-47.
Robert N. Anderson (forthcoming). The Theatrical Code of Oswald de Andrade's O Rei Da Vela. Semiotics:97-106.
Anthony Freeman (2006). Mirror, Mirror: Editorial Reflection. Journal of Consciousness Studies 13 (4):37-38.
Analytics
Monthly downloads
Sorry, there are not enough data points to plot this chart.
|
Added to index2011-05-22Total downloads0Recent downloads (6 months)0How can I increase my downloads? |
My notes
Discussion
