Role Playing and Identity: The Limits of Theatre as Metaphor

Indiana University Press (1982)
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Abstract

"[Wilshire] establishes a phenomenology of theatre, a theory of enactment, and a theory of appearance, none of which American theatre... has ever had." —Performing Arts Journal "... Wilshire makes unique contributions to understanding major aspects of the human condition in its necessary search for selfhood." —Process Studies "It is one of the American classics." —Human Studies

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Citations of this work

Embodied Collective Reflexivity: Peircean Performatives.Tobin Nellhaus - 2017 - Journal of Critical Realism 16 (1):43-69.
Multiple Realities: The Changing Life Worlds of Actors.Charlotte L. Doyle - 2016 - Journal of Phenomenological Psychology 47 (2):107-133.
Convention, Audience, and Narrative: Which Play is the Thing?Leslie A. Howe - 2011 - Journal of the Philosophy of Sport 38 (2):135-148.
Bakhtin and the actor (with constant reference to Shakespeare).Caryl Emerson - 2015 - Studies in East European Thought 67 (3):183-207.

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