David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Classical Quarterly 27 (02):278- (1977)
The Birds of Aristophanes is unique among his extant plays in that it employs a chorus in which each member has an individual identity, that is, in which each chorus-member represents a different kind of bird. The consequent variety of costume must have been a great visual embellishment to the play, and one is led to wonder how commonly the device employed in Birds featured in Old Comedy in general. Two parallels are frequently cited in the choruses of Eupolis' and Ameipsias' , both of which will be considered below, but, although those plays do indeed provide our best evidence outside Birds, I wish to argue here that we may reasonably suspect that some other old comedies known to us had choruses of the type in question, which I designate ‘individualized’ or ‘multiform’ choruses
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Gregory W. Dobrov (2007). Comedy and the Satyr-Chorus. Classical World: A Quarterly Journal on Antiquity 100 (3):251-265.
D. M. Macdowell (1974). The Chorus in Old Comedy G. M. Sifakis: Parabasis and Animal Choruses. Pp. Xiv+150; 8 Plates. London: Athlone Press, 1971. Cloth, £4. [REVIEW] The Classical Review 24 (02):198-199.
James Diggle (1982). The Sophoclean Chorus R. W. B. Burton: The Chorus in Sophocles' Tragedies. Pp. 302. Oxford: Clarendon Press, 1980. £16.50. [REVIEW] The Classical Review 32 (01):12-14.
Cyril Latimer (1998). The Chorus Scheme: Representation or Isomorphism, Holistic or Analytic? Behavioral and Brain Sciences 21 (4):476-477.
D. Mervyn Jones (1960). Middle Comedy J. M. Edmonds: The Fragments of Attic Comedy. Vol. Ii: Middle Comedy. Pp. 683. Leiden: Brill, 1959. Cloth, Fl. 70. [REVIEW] The Classical Review 10 (03):202-204.
E. W. Whittle (1972). The Dramatic Chorus Maarit Kaimio: The Chorus of Greek Drama Within the Light of the Person and Number Used. (Commentationes Humanarum Litterarum, 46.) Pp. 276. Helsinki: Societas Scientiarum Fennica, 1970. Paper, Mk.28. [REVIEW] The Classical Review 22 (03):361-363.
M. J. Tovée (1998). A Neural Basis for the Chorus Model? Behavioral and Brain Sciences 21 (4):481-481.
D. Mervyn Jones (1958). Fragments of Attic Comedy J. M. Edmonds: The Fragments of Attic Comedy. Vol. I: Old Comedy. Pp. 1028. Leyden: Brill, 1957. Cloth, Fl. 98. [REVIEW] The Classical Review 8 (3-4):237-241.
Eric Postma, Jaap van den Herik & Patrick Hudson (1998). Attentional Dynamics and a Chorus of Geons. Behavioral and Brain Sciences 21 (4):479-479.
A. J. Podlecki (2009). The Tragic Chorus (G.) Ley The Theatricality of Greek Tragedy. Playing Space and Chorus. Pp. Xx + 226, Ills. Chicago and London: The University of Chicago Press, 2007. Cased, £25.50, US$40. ISBN: 978-0-226-47757-. [REVIEW] The Classical Review 59 (01):27-.
Morton Gurewitch (1975). Comedy: The Irrational Vision. Cornell University Press.
A. W. Gomme (1948). The Social Outlook of New Comedy Paul Shaner Dunkin: Post-Aristophanic Comedy. Studies in the Social Outlook of Middle and New Comedy at Both Athens and Rome. (Illinois Studies in Language and Literature, Vol. Xxxi, Nos. 3–4.) Pp. 192. Urbana: University of Illinois Press, 1946. Paper, $2.50. [REVIEW] The Classical Review 62 (01):18-20.
Netta Zagagi (1986). New Comedy R. L. Hunter: The New Comedy of Greece and Rome. Pp. X + 183. Cambridge University Press, 1985. £22.50 (Paper, £7.95). [REVIEW] The Classical Review 36 (02):252-254.
A. W. Pickard-Cambridge (1924). Aristotle on Comedy. With an Adaptation of the Poetics, and a Translation of the Tractatus Coislinianus. An Aristotelian Theory of Comedy. By Lane Cooper. Pp. Xii + 323. [REVIEW] The Classical Review 38 (7-8):209-.
H. D. R. W. (1910). University Plays Hymenaeus: A Comedy Acted at St. John's College, Cambridge. Probably Written by Robert Ward. Now First Printed with Introduction and Notes by G. C. Moore Smith. 1908. Fucus Histriomastix: A Comedy Acted at Queens' College, Cambridge, in Lent, 1623. By the Same. 1909. Laelia: A Comedy Acted at Queens' College Probably on March 1, 1595. By the Same. 1910. [REVIEW] The Classical Review 24 (05):159-161.
Added to index2010-12-09
Total downloads2 ( #496,871 of 1,696,461 )
Recent downloads (6 months)0
How can I increase my downloads?