Online research in philosophy

A clarification of Husserl's changing conceptions of imaginary consciousness ( phantasy ) and memory, especially at the level of auto-affective time-consciousness, suggests an interpretation of Freud's concept of the Unconscious. Phenomenology of consciousness can show how it is possible that consciousness can bring to present appearance something unconscious, that is, something foreign or absent to consciousness, without incorporating it into or subordinating it to the conscious present. This phenomenological analysis of Freud's concept of the Unconscious leads to a partial critique of Freud's metapsychological determination of the Unconscious as a simple, internally unperceived representational consciousness. It also suggests an account of how a reproductive inner consciousness can free the subject from the experience of anxiety by allowing for possibilities of self-distanciation and symbolic self-representation that protect the subject from traumatic affection by and through its own instinctual drives.

This paper argues that Hitchcock's so-called 'Freudian' films (esp. Spellbound, Psycho, and Marnie) pay tribute to the cultural magnetism of Freud's ideas whist being critical of the tehories themselves.

It is common knowledge that the notion of the unconscious is an essential part of psychoanalytic theory. In recent years, however, Arthur Pap and A. C. MacIntyre have argued that Freud's theory of the unconscious is not explanatory. But a close examination of Pap's and MacIntyre's arguments reveals that they are invalid. If one wishes to show that the theory of the unconscious is unexplanatory, different arguments will be necessary.

Machine generated contents note: Introduction: the historiography of the unconscious; Part I. The Subject Before the Unconscious: 1. A general science of the I: Fichte and the crisis of self-identification; 2. Natural autonomy: Schelling and the divisions of freedom; Part II. The Romantic Unconscious: 3. Divining the individual: towards a metaphysics of the unconscious; 4. The historical unconscious; 5. Post-idealism and the Romantic psyche; Part III. The Psychoanalytic Unconscious: 6. Freud: the Geist in the machine; 7. The liberal unconscious; Conclusion.

In this paper I investigate the notion of an unconscious intention as it is discussed and defended in Freud's A General Introduction to Psychoanalysis. I am concerned with two issues: first, whether the evidence that Freud adduces supports his conclusion that there are unconscious intentions, and, second, whether the notion of an unconscious intention is coherent. I call into question some of Freud's arguments to support the notion, and I present a case for the incoherence of the notion. Finally, I suggest how one might begin to reconcile my argument for its incoherence with an argument for the existence of unconscious intentions.