David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Journal of Scottish Philosophy 9 (1):17-35 (2011)
In his essay ‘‘Of the Standard of Taste,’’ Hume argues that artworks with morally flawed outlooks (including Homer's poems) are, to some extent, aesthetically flawed. While Hume's remarks regarding the relationship between art and morality have influenced contemporary aestheticians, Hume's own position has struck many people as incoherent. For Hume appears to entangle himself in two separate contradictions. First, Hume seems to claim both that true judges should not enter into vicious sentiments and that true judges should adopt the standpoint of an artwork's intended audience. But The Iliad, say, was obviously intended for an audience that shared Homer's flawed moral outlook. Second, Hume appears to claim that our moral sentiments are both highly resistant to change and extremely fragile. This essay defends Hume against these two objections by drawing increased attention to the role that Hume's aesthetics assigns to the faculty of good sense or sound reason
|Keywords||Hume Aesthetics Morality|
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References found in this work BETA
Noël Carroll (2006). Ethics and Aesthetics: Replies to Dickie, Stecker, and Livingston. British Journal of Aesthetics 46 (1):82-95.
Noël Carroll (1996). Moderate Moralism. British Journal of Aesthetics 36 (3):223-238.
Noel Carroll (1998). Moderate Moralism Versus Moderate Autonomism. British Journal of Aesthetics 38 (4):419-424.
Timothy M. Costelloe (2004). Hume's Aesthetics. Hume Studies 30 (1):87-126.
Timothy M. Costelloe (2004). Hume's Aesthetics: The Literature and Directions for Research. Hume Studies 30 (1):87-126.
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