"What else can I do but write?" Discursive disruption and the ethics of style in Virginia Woolf's
Hypatia 18 (4):236-257 (2003)
| Abstract | : This essay suggests that to understand the pacifist position Woolf takes in her critique of fascism and patriarchy, it is essential to recognize how, not only why, she explores the relationship between narrative and political authority. Creating an intersection between a feminist conceptualization of Woolf's narrative technique and philosophical notions about ethical forms of representation, it argues that Woolf fragments the locus of narrative authority in Three Guineas to model a stylistic resistance to linguistic practices she thinks support totalitarian ideology | |||||||||
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Rebecca Nagel (2002). Virginia Woolf on Reading Greek. Classical World 96 (1).
Jane Duran (2004). Virginia Woolf, Time, and the Real. Philosophy and Literature 28 (2):300-308.
Alex Neill (1992). Who's Afraid of Virginia Woolf? Ratio 5 (1):94-97.
Derek Matravers (1991). Who's Afraid of Virginia Woolf? Ratio 4 (1):25-37.
Catherine N. Parke (1988). Virginia Woolf. Thought 63 (4):358-377.
Joanne A. Wood (1994). Lighthouse Bodies: The Neutral Monism of Virginia Woolf and Bertrand Russell. Journal of the History of Ideas 55 (3):483-502.
Heidi Storl (2008). Heidegger in Woolf's Clothing. Philosophy and Literature 32 (2):pp. 303-314.
Paul Kintzele (2010). Voyaging Out. Journal of Philosophy: A Cross-Disciplinary Inquiry 5 (12):41-52.
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