Key, temperament and musical expression
Journal of Aesthetics and Art Criticism 49 (3):235-242 (1991)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | No keywords specified (fix it) | |||||||||
| Categories | ||||||||||
| Options |
|
|||||||||
Download options| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,653 |
| External links |
 |
| Through your library | Configure |
Similar books and articlesAndrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Vincent Bergeron & Dominic Mciver Lopes (2009). Hearing and Seeing Musical Expression. Philosophy and Phenomenological Research 78 (1):1-16.
Roger Scruton (2004). Wittgenstein and the Understanding of Music. British Journal of Aesthetics 44 (1):1-9.
Erich Sorantin (1932). The Problem of Musical Expression. Nashville, Tenn.,Marshall & Bruce Co..
John Hospers (1971). Artistic Expression. New York,Appleton-Century-Crofts.
David J. Elliott (2005). Musical Understanding, Musical Works, and Emotional Expression: Implications for Education. Educational Philosophy and Theory 37 (1):93–103.
J. Javier Goldáraz (1998). EI Temperamento Igual. Una Indagación Histórica (Equal Temperament: A Historical Research). Theoria 13 (3):571-584.
Aaron Ridley (2007). Musical Expression. Expression in Music / Derek Matravers ; Explaining Musical Experience / Paul Boghossian ; Persona Sometimes Grata : On the Appreciation of Expressive Music. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Analytics
Monthly downloads |
Added to index2009-01-28Total downloads17 ( #70,994 of 548,984 )Recent downloads (6 months)2 ( #37,320 of 548,984 )How can I increase my downloads? |
My notes
Discussion
