David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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International Journal of Philosophical Studies 17 (2):221 – 231 (2009)
This paper explores the various available forms of relativism concerning aesthetic judgement and contrasts them with aesthetic absolutism. Two important distinctions are drawn. The first is between subjectivism (which relativizes judgements to an individual's sentiments or feelings) and the relativization of aesthetic judgements to intersubjective standards. The other is between relativism about aesthetic properties and relativism about the truth-values of aesthetic judgements. Several plausible forms of relativism about aesthetic properties are on offer, but relativism about the truth-values of aesthetic judgements is more elusive. In particular, John MacFarlane's approach to relativism is shown not to result in relativism about the truth-values of aesthetic judgements.
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References found in this work BETA
John MacFarlane (2005). Making Sense of Relative Truth. Proceedings of the Aristotelian Society 105 (3):321–339.
John MacFarlane (2003). Future Contingents and Relative Truth. Philosophical Quarterly 53 (212):321–336.
Michael Dummett (2004). Truth and the Past. Columbia University Press.
David K. Lewis (1998). Papers in Philosophical Logic. Cambridge University Press.
Julian Dodd (2007). Works of Music: An Essay in Ontology. Oxford University Press.
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