The ontology of musical works: A philosophical pseudo-problem

Frontiers of Philosophy in China 6 (2):284-297 (2011)
Abstract
A bewildering array of accounts of the ontology of musical works is available. Philosophers have held that works of music are sets of performances, abstract, eternal sound-event types, initiated types, compositional action types, compositional action tokens, ideas in a composer’s mind and continuants that perdure. This paper maintains that questions in the ontology of music are, in Rudolf Carnap’s sense of the term, pseudo-problems. That is, there is no alethic basis for choosing between rival musical ontologies. While we have no alethic basis for choosing any ontology of music, pragmatic reasons can be given for favoring certain ontologies of musical works over others.
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References found in this work BETA
Ben Caplan & Carl Matheson (2006). Defending Musical Perdurantism. British Journal of Aesthetics 46 (1):59-69.
Rudolf Carnap (1950). Empiricism, Semantics, and Ontology. Revue Internationale de Philosophie 4 (2):20--40.
Julian Dodd (2000). Musical Works as Eternal Types. British Journal of Aesthetics 40 (4):424-440.

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