Music, Essential Metaphor, and Private Language
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
American Philosophical Quarterly 48 (1):1 (2011)
Music is elusive. describing it is problematic. In particular its aesthetic properties cannot be captured in literal description. Beyond very simple terms, they cannot be literally described. In this sense, the aesthetic description of music is essentially nonliteral. An adequate aesthetic description of music must have resort to metaphor or other nonliteral devices. I maintain that this is because of the nature of the aesthetic properties being described. I defend this view against an apparently simple objection put by Malcolm Budd. dealing with this objection will take us into some surprising terrain. We are led to consider issues concerning privacy and the language for describing sensations. In the light of these considerations, I develop the essentially nonliteralist thesis and explore some of its consequences.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Nick Zangwill (2007). Music, Metaphor, and Emotion. Journal of Aesthetics and Art Criticism 65 (4):391–400.
Nick Zangwill (2007). Music, Emotion and Metaphor. Journal of Aesthetics and Art Criticism 65 (4):391-400.
Nick Zangwill (2009). Appropriate Musical Metaphors. Nordic Journal of Aesthetics 20 (38).
Malcolm Budd (2008). Aesthetic Essays. Oxford University Press.
Naomi Helen Cumming (1987). Analytical and Aesthetic Concepts in the Work of Leonard B. Meyer. Dissertation, Dissertation
Michael Spitzer (2004). Metaphor and Musical Thought. University of Chicago Press.
Kathleen Marie Higgins (2012). The Music Between Us: Is Music a Universal Language? The University of Chicago Press.
Nick Zangwill (2010). Scruton's Musical Experiences. Philosophy 85 (1):91-104.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
Rafael de Clercq (2005). Aesthetic Terms, Metaphor, and the Nature of Aesthetic Properties. Journal of Aesthetics and Art Criticism 63 (1):27–32.
Malcolm Budd (2005). Aesthetic Realism and Emotional Qualities of Music. British Journal of Aesthetics 45 (2):111-122.
Andy Hamilton (2007). Music and the Aural Arts. British Journal of Aesthetics 47 (1):46-63.
Robin Maconie (2002). The Second Sense: Language, Music, & Hearing. Scarecrow Press.
James Grant (2011). Metaphor and Criticism BSA Prize Essay, 2010. British Journal of Aesthetics 51 (3):237-257.
Added to index2011-02-02
Total downloads80 ( #26,139 of 1,699,575 )
Recent downloads (6 months)38 ( #14,731 of 1,699,575 )
How can I increase my downloads?