David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Philosophy 85 (1):91-104 (2010)
Roger Scruton’s account of the nature of music and our experience of it foregrounds the imagination. It is a particularly interesting and promising ‘non-realist’ view in the aesthetics of music, in the sense that it does not postulate aesthetic properties of music that we represent in musical experience. In this paper I critically examine both Scruton’s view and his main argument for it.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Ruth Herbert (2011). Everyday Music Listening: Absorption, Dissociation and Trancing. Ashgate Pub. Co..
Malcolm Budd (2005). Aesthetic Realism and Emotional Qualities of Music. British Journal of Aesthetics 45 (2):111-122.
Malcolm Budd (2003). Musical Movement and Aesthetic Metaphors. British Journal of Aesthetics 43 (3):209-223.
Rob van Gerwen (2008). Expression as Success. The Psychological Reality of Musical Performance. Estetika 45 (1):24-40.
Roger Scruton (2004). Musical Movement: A Reply to Budd. British Journal of Aesthetics 44 (2):184-187.
Roger Scruton (2004). Wittgenstein and the Understanding of Music. British Journal of Aesthetics 44 (1):1-9.
Paul A. Boghossian (2002). On Hearing the Music in the Sound: Scruton on Musical Expression. Journal of Aesthetics and Art Criticism 60 (1):49–55.
Roger Scruton (1999). The Aesthetics of Music. Oxford University Press.
Added to index2010-02-07
Total downloads38 ( #46,119 of 1,102,977 )
Recent downloads (6 months)3 ( #120,763 of 1,102,977 )
How can I increase my downloads?