David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Consciousness and Cognition 13 (1):173-196 (2004)
One of the primordial functions of the brain is the acquisition of knowledge. The apparatus that it has evolved to do so is flexible enough to allow it to acquire knowledge about unambiguous conditions on the one hand , and about situations that are capable of two or more interpretations, each one of which has equal validity with the others. However, in the latter instance, we can only be conscious of one interpretation at any given moment. The study of ambiguity thus gives us some insights into how activity at different stations of the brain can result in a micro-consciousness for an attribute, and also tell us something about interactions between different cerebral areas that result in several potential micro-conscious correlates, though only one predominates at any given time. Finally, the study of ambiguity also gives us insights into the neurological machinery that artists have tapped to create the ambiguity that is commonly a hallmark of great works of art
|Keywords||*Brain *Consciousness States *Neurology *Uncertainty|
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Citations of this work BETA
Peer F. Bundgaard (forthcoming). Feeling, Meaning, and Intentionality—a Critique of the Neuroaesthetics of Beauty. Phenomenology and the Cognitive Sciences:1-21.
Alessia Pannese (2012). A Gray Matter of Taste: Sound Perception, Music Cognition, and Baumgarten's Aesthetics. Studies in History and Philosophy of Science Part C 43 (3):594-601.
M. ToMmaso, M. Sardaro & P. Livrea (2008). Aesthetic Value of Paintings Affects Pain Thresholds☆. Consciousness and Cognition 17 (4):1152-1162.
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