David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
Learn more about PhilPapers
Radical Philosophy Review 12 (1/2):289-313 (2009)
I address the question of the origins and historical meaning of art. Analyzing suggestions from Marx, Derrida, Winnicott, and Todorov, I claim that art doesn’t simply represent conscious, historical events but is also the continuing presentation of the prehistorical break-up of our “original” human family. Indeed, perpetuating yet distancing this archaic scene of community and violence in tension, art performs this mediation not just in history but also as history, as a secretive historiography of splitting and meaning-making. To this end, I analyze some tribal tattooing and scarring practices. Literally carving a world of symbolic significance out of our disidentification with mother nature and with each other in turn, art speaks hieroglyphically of persistent primitive loss.
|Keywords||art aesthetics continental philosophy psychoanalysis violence development loss|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Victor Yelverton Haines (2004). Recursive Chaos in Defining Art Recursively. British Journal of Aesthetics 44 (1):73-83.
Joseph A. DiNoia (1992). Nature, Grace, and Experience. Philosophy and Theology 7 (2):115-126.
John W. Dixon (1964). Nature and Grace in Art. Chapel Hill, University of North Carolina Press.
Denis Dutton (1993). Tribal Art and Artifact. Journal of Aesthetics and Art Criticism 51 (1):13-21.
Risto Pitkänen (2010). Art and its History. Nordic Journal of Aesthetics 21 (39).
Laurie Adams (2006). The Making and Meaning of Art. Pearson/Prentice Hall.
Christopher Cullen (2011). Bonaventure on Nature Before Grace. American Catholic Philosophical Quarterly 85 (1):161 - 176.
Cristian Hainic (2011). A Few Uses of Phenomenology Within Art History. Journal for Communication and Culture 1 (1):70-78.
Arthur Coleman Danto (1998). The Wake of Art: Essays: Criticism, Philosophy and the Ends of Taste. G+B Arts Int'l.
Giorgio Agamben (1999). The Man Without Content. Stanford University Press.
S. K. Wertz (2013). The End of Art Revisited. Journal of Aesthetic Education 46 (4):13-19.
Added to index2011-01-09
Total downloads12 ( #287,172 of 1,902,049 )
Recent downloads (6 months)3 ( #281,247 of 1,902,049 )
How can I increase my downloads?