David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Critical Horizons 11 (3):443 - 461 (2011)
Melancholia is a hybrid concept, deployed in feminist and philosophical theories politics and aesthetics, but ‘properly” belonging to neither. This heterogeneity of melancholia as both an aesthetic and a political category allows us to interrogate the interrelationship between gender politics and aesthetics without, however, abolishing their differences. Reinterpreted in the context of a feminist aesthetics, melancholia not only points to art’s origin in the unjust and gendered division of labor and power but also to the ethical and political task of art to bear witness to the mute suffering of women cut off from the signifying possibilities of language. Moving beyond the entrenched oppositions between historicism/subjectivism, subject/object, or formalism /materialism, my own approach to an aesthetics of melancholia in women’s modern novels stresses unpredictable, conflicting migrations of pain between subjects and objects, political oppression and autonomous art, language and affect
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Robin James (2011). &Quot;feminist Aesthetics, Popular Music, and the Politics of the 'Mainstream'&Quot;. In L. Ryan Musgrave (ed.), Feminist Aesthetics and Philosophy of Art. Springer.
L. Ryan Musgrave (2003). Liberal Feminism, From Law to Art: The Impact of Feminist Jurisprudence on Feminist Aesthetics. Hypatia 18 (4):214-235.
Kelly Oliver (1993). Julia Kristeva's Feminist Revolutions. Hypatia 8 (3):94 - 114.
Giorgio Agamben (1999). The Man Without Content. Stanford University Press.
Curtis Brown (2002). Art, Oppression, and the Autonomy of Aesthetics. In Alex Neill & Aaron Ridley (eds.), Arguing about Art, Second Edition. Routledge.
Eric S. Nelson (2012). Aesthetics, Ethics and Nature in Adorno. In Jerome / Giles Carroll (ed.), Aesthetics and Modernity from Schiller to the Frankfurt School. Peter Lang.
Claudia Leeb (2009). The Im-Possibility of a Feminist Subject. Social Philosophy Today 25:47-60.
Herta Nagl-Docekal (2004). Feminist Philosophy. Westview Press.
Christine Battersby (1989/1990). Gender and Genius: Towards a Feminist Aesthetics. Indiana University Press.
Joan B. Landes (ed.) (1998). Feminism, the Public and the Private. Oxford University Press.
Stacey Young (1997). Changing the Wor(L)D: Discourse, Politics, and the Feminist Movement. Routledge.
Added to index2011-02-07
Total downloads22 ( #81,803 of 1,099,914 )
Recent downloads (6 months)2 ( #190,037 of 1,099,914 )
How can I increase my downloads?