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  1. Art In Realist Perspective.Nicholas Wolterstorff - 1985 - Idealistic Studies 15 (2):87-99.
    In his well-known Art & Illusion, E. H. Gombrich reproduces a brush and ink drawing entitled “Cows in Derwentwater” of a scene in the English Lake Country. The drawing was done by a certain Chiang Yee, whom Gombrich describes as “a Chinese writer and painter of great gifts and charm”. On the page opposite this reproduction Gombrich reproduces a lithograph of a similar scene in the Lake Country, this one an anonymous “‘picturesque’ rendering from the Romantic period” and dated 1826. (...)
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  • The art symbol.Eva Schaper - 1964 - British Journal of Aesthetics 4 (3):228-239.
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  • Language and Myth.Ernest Cassirer - 1947 - Philosophical Review 56:335.
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  • Cassirer’s Metaphysics of Symbolic Forms. [REVIEW]Charlie Huenemann - 2002 - Philosophical Review 111 (3):447-449.
    This book is a commentary on volume four of Cassirer’s Philosophy of Symbolic Forms. Cassirer had not completed this volume at the time of his death. The texts related to Cassirer’s preliminary work on it have been assembled and translated recently by John Michael Krois and Donald Phillip Verene. Bayer’s book is a commentary on these texts, and since it is meant only as a commentary, as Verene notes in his introduction, “Bayer does not propose to solve problems that may (...)
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  • Symbol, Myth, and Culture. Essays and Lectures of Ernst Cassirer 1935-1945.Ernst Cassirer & Donald Phillip Verene - 1979 - Philosophy and Rhetoric 15 (1):61-65.
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  • The philosophy of symbolic forms.Ernst Cassirer, Ralph Manheim & Charles W. Hendel - 1957 - Les Etudes Philosophiques 12 (4):399-399.
     
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