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  1. Reading Sibley.George Dickie - 2004 - British Journal of Aesthetics 44 (4):408-412.
    Haydar claim that Frank Sibley offers a criterion for distinguishing aesthetically valenced from non-aesthetically valenced properties. I argue that they have misunderstood what Sibley was doing and that he never even intended to offer any such criterion. They also argue that Sibley was wrong to claim that inherently aesthetic merits are reversible. They claim that aesthetic merits—for example, elegance—are irreversible and offer some arguments for their view. I produce a counterexample to their claim about elegance and suggest that such counterexamples (...)
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  • Beardsley, Sibley, and critical principles.George Dickie - 1987 - Journal of Aesthetics and Art Criticism 46 (2):229-237.
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  • Aesthetic principles.Oliver Conolly & Bashshar Haydar - 2003 - British Journal of Aesthetics 43 (2):114-125.
    We give reasons for our judgements of works of art. (2) Reasons are inherently general, and hence dependent on principles. (3) There are no principles of aesthetic evaluation. Each of these three propositions seems plausible, yet one of them must be false. Illusionism denies (1). Particularism denies (2). Generalism denies (3). We argue that illusionism depends on an unacceptable account of the use of critical language. Particularism cannot account for the connection between reasons and verdicts in criticism. Generalism comes in (...)
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  • General criteria and reasons in aesthetics.Frank Sibley - 1983 - In Monroe C. Beardsley & John Fisher (eds.), Essays on Aesthetics: Perspectives on the Work of Monroe C. Beardsley. Temple University Press. pp. 3--20.
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