In these fifteen essays, one Of Germany's most distinguished philosophers of history invokes an extraordinary array of witnesses and texts to explore the concept of historical time. The witnesses include politicians, philosophers, theologians, and poets, and the texts range from Renaissance paintings to the dreams of German citizens in the 1930s. Using these remarkable materials, Koselleck investigates the relationship of history to language, and of language to the deeper movements of human understanding.Reinhart Koselleck is Professor of the Theory of History (...) at the University of Bielefeld. (shrink)

TRANSLATORS PREFACE THE PRESENT TRANSLATION OF GEORG SIMMEL'S Schopen- hauer und Nietzsche: Ein Vortragszyklus (1907), ...

This innovative - and pessimistic - view has proved powerfully influential upon philosophy and art, directly affecting the work of Nietzsche, Wittgenstein and ...

In this paper I shall deal with a new form of Optimism. Rationalists once believed that it was mistaken to suppose that a world without God is a meaningless one; material progress along with the improvement of men and their institutions, indefinitely protracted, ensured that life was meaningful. More recently it has become fashionable to claim that the pessimist, the cosmic mourner, is not mistaken at all, but rather incoherent. It is not that there is no answer to his question (...) but rather that no sensible question has been asked—at least in the terms in which he poses it. The latter qualification is necessary, for no one is denying that people's lives may either possess or lack meaning. Rather what is being denied is that life as a whole, tout court and without limitation, can be said either to have or not to have sense. One cannot, it is argued, regret what could not, logically, be otherwise, and since nothing could possibly count as endowing the cosmos as a whole with meaning it is not logically possible for the cosmos as a whole to have, or not to have, meaning. The regret evinced by the pessimist becomes, therefore, a pseudo-regret. ‘… it is perverse writes Ayer, ‘to see tragedy in what could not conceivably be otherwise.’ Just as a pseudo-problem is one for which there could, logically, be no solution, so a pseudo-regret is one in which there can be no assuagement of the regretted situation. None of this is to deny, of course, that a man can experience a state of mind which might be described as ‘cosmic anguish’, but such an experience has no cognitive value: it is a state of mind, no doubt painful for the possessor, which tells us nothing about the world beyond it. That people have confused this state of mind with a judgement about the world is understandable, but mistaken. (shrink)

As composer Richard Wagner noted, with Schopenhauer one may finally give voice to the secretly held belief that the world is bad. This blunt honesty was Schopenhauer's trademark. Perhaps no philosopher equaled him in relatinf metaphysical speculation to the seemingly random events of everyday life. This volume includes " On Thinking for Oneself," "On the Affirmation of the Will-to-Live," "On Suicide," "The World as Will: Second Aspect," "On the Fundamental View of Idealism," "On the Metaphysics of Music," "The Foundation of (...) Ethics," and other essential writings. (shrink)

Jean Starobinski, one of Europe's foremost literary critics, examines the life that led Rousseau, who so passionately sought open, transparent communication with others, to accept and even foster obstacles that permitted him to withdraw into himself. First published in France in 1958, Jean-Jacques Rousseau remains Starobinski's most important achievement and, arguably, the most comprehensive book ever written on Rousseau. The text has been extensively revised for this edition and is published here along with seven essays on Rousseau that appeared between (...) 1962 and 1970. (shrink)