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  1. Considered Judgment.Catherine Z. Elgin - 1999 - Princeton University Press.
    Philosophy long sought to set knowledge on a firm foundation, through derivation of indubitable truths by infallible rules. For want of such truths and rules, the enterprise foundered. Nevertheless, foundationalism's heirs continue their forbears' quest, seeking security against epistemic misfortune, while their detractors typically espouse unbridled coherentism or facile relativism. Maintaining that neither stance is tenable, Catherine Elgin devises a via media between the absolute and the arbitrary, reconceiving the nature, goals, and methods of epistemology. In Considered Judgment, she argues (...)
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  • Introduction.Johan van Benthem, Theo Kuipers & Henk Visser - 2011 - Synthese 179 (2):203-206.
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  • Experiments, nature and aesthetic experience in the eighteenth century.Alexander Rueger - 1997 - British Journal of Aesthetics 37 (4):305-322.
  • The phenomenology of mathematical beauty.Gian-Carlo Rota - 1997 - Synthese 111 (2):171-182.
    It has been observed that whereas painters and musicians are likely to be embarrassed by references to the beauty in their work, mathematicians instead like to engage in discussions of the beauty of mathematics. Professional artists are more likely to stress the technical rather than the aesthetic aspects of their work. Mathematicians, instead, are fond of passing judgment on the beauty of their favored pieces of mathematics. Even a cursory observation shows that the characteristics of mathematical beauty are at variance (...)
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  • The epistemic significance of appreciating experiments aesthetically.Glenn Parsons & A. Rueger - 2000 - British Journal of Aesthetics 40 (4):407-423.
  • Beauty, a road to the truth.Theo A. F. Kuipers - 2002 - Synthese 131 (3):291-328.
    In this article I give a naturalistic-cum-formal analysis of therelation between beauty, empirical success, and truth. The analysis is based on the onehand on a hypothetical variant of the so-called `mere-exposure effect'' which has been more orless established in experimental psychology regarding exposure-affect relationshipsin general and aesthetic appreciation in particular (Zajonc 1968; Temme 1983; Bornstein 1989;Ye 2000). On the other hand it is based on the formal theory of truthlikeness andtruth approximation as presented in my From Instrumentalism to Constructive Realism (...)
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  • Beauty, A Road To The Truth.Theo A. F. Kuipers - 2002 - Synthese 131 (3):291-328.
    In this article I give a naturalistic-cum-formal analysis of therelation between beauty, empirical success, and truth. The analysis is based on the onehand on a hypothetical variant of the so-called `mere-exposure effect' which has been more orless established in experimental psychology regarding exposure-affect relationshipsin general and aesthetic appreciation in particular (Zajonc 1968; Temme 1983; Bornstein 1989;Ye 2000). On the other hand it is based on the formal theory of truthlikeness andtruth approximation as presented in my From Instrumentalism to Constructive Realism (...)
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  • Imagination and the science-based aesthetic appreciation of unscenic nature.Robert S. Fudge - 2001 - Journal of Aesthetics and Art Criticism 59 (3):275–285.
  • Biology is beautiful.Maura C. Flannery - 1991 - Perspectives in Biology and Medicine 35 (3):422-435.
  • Quantum field theories and aesthetic disparity.Gideon Engler - 2001 - International Studies in the Philosophy of Science 15 (1):51 – 63.
    The theoretical physicist Paul Dirac rejected, explicitly on aesthetic grounds, a successful theory known as quantum electrodynamics (QED), which is the prototype for the family of theories known as quantum field theories (QFTs). Remarkably, the theoretical physicist Steven Weinberg, also largely on aesthetic grounds, supports QED and other QFTs. In order to evaluate these opposing aesthetic views a short introduction to the physical properties of QFTs is presented together with a detailed analysis of the aesthetic claims of Dirac and Weinberg. (...)
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  • Considered Judgment.Catherine Z. Elgin - 1996 - Princeton: New Jersey: Princeton University Press.
    The book contains a unique epistemological position that deserves serious consideration by specialists in the subject."--Bruce Aune, University of Massachusetts.
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  • Considered Judgment. [REVIEW]Bruce Aune - 2000 - Philosophy and Phenomenological Research 60 (3):724-726.
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  • Considered Judgement.Bruce Aune - 2000 - Mind 109 (434):334-337.
    Philosophy long sought to set knowledge on a firm foundation, through derivation of indubitable truths by infallible rules. For want of such truths and rules, the enterprise foundered. Nevertheless, foundationalism's heirs continue their forbears' quest, seeking security against epistemic misfortune, while their detractors typically espouse unbridled coherentism or facile relativism. Maintaining that neither stance is tenable, Catherine Elgin devises a via media between the absolute and the arbitrary, reconceiving the nature, goals, and methods of epistemology. In Considered Judgment, she argues (...)
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  • L'esthétique scientifique : Commentaire sur la Grande Unification.Stéphane Durand - 1994 - Horizons Philosophiques 5 (1):31-46.
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  • Explaining the splendour of science.Henk W. de Regt - 1998 - Studies in History and Philosophy of Science Part A 29 (1):155-165.
  • McAllister's aesthetics in science: A critical notice.David Davies - 1998 - International Studies in the Philosophy of Science 12 (1):25 – 32.
    In Beauty and Revolution in Science, James McAllister argues that a sophisticated rationalist image of science can accommodate two prominent features of actual scientific practice, namely, appeals to “aesthetic” criteria in theory choice, and the occurrence of scientific “revolutions”. The aesthetic criteria to which scientists appeal are, he maintains, inductively grounded in the empirical record of competing theories, and scientific revolutions involve changes in aestheic criteria bu continuity in empirical criteria of theory choice. I raise difficulties for McAllister's account concerning: (...)
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  • The beauty of general relativity.Wu Zhong Chao - 1997 - Foundations of Science 2 (1):61-64.
    The author proposes to add another dichotomy to the list of essential tensions proposed by Professor Duda, namely beauty and ugliness. Physicists believe that only beautiful theories describe the world correctly, and that General Relativity is one of the most beautiful physical theories. The author explains why physicists regard this theory as beautiful.
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  • Picturing Knowledge: Historical and Philosophical Problems Concerning the Use of Art in Science.Brian Scott Baigrie (ed.) - 1996 - University of Toronto Press.
    List of Illustrations Introduction 1 The Didactic and the Elegant: Some Thoughts on Scientific and Technological Illustrations in the Middle Ages and Renaissance 3 2 Temples of the Body and Temples of the Cosmos: Vision and Visualization in the Vesalian and Copernican Revolutions 40 3 Descartes’s Scientific Illustrations and ’la grande mecanique de la nature’ 86 4 Illustrating Chemistry 135 5 Representations of the Natural System in the Nineteenth Century 164 6 Visual Representation in Archaeology: Depicting the Missing-Link in Human (...)
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  • Insights of genius: imagery and creativity in science and art.Arthur I. Miller - 1996 - Cambridge, Mass.: MIT Press.
     
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  • The scenes of inquiry: on the reality of questions in the sciences.Nicholas Jardine - 1991 - New York: Oxford University Press.
    This book advocates a radical shift of concern in philosophical, historical, and sociological studies of the sciences, and explores the consequences of such a shift. The historically-oriented first part of the work deals with the ways in which ranges of questions become real and cease to be real for communities of inquirers. The more philosophically-oriented second part of the work introduces the notion of absolute reality of questions, and addresses doubt about the claims of the sciences to have accumulated absolutely (...)
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  • Wonders and the Order of Nature 1150–1750.Lorraine Daston - 1998 - Zone Books.
    Wonders and the Order of Nature is about the ways in which European naturalists from the High Middle Ages through the Enlightenment used wonder and wonders, the passion and its objects, to envision themselves and the natural world. Monsters, gems that shone in the dark, petrifying springs, celestial apparitions---these were the marvels that adorned romances, puzzled philosophers, lured collectors, and frightened the devout. Drawing on the histories of art, science, philosophy, and literature, Lorraine Daston and Katharine Park explore and explain (...)
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  • Soft Logic: The Epistemic Role of Aesthetic Criteria.Joseph Grünfeld - 2000 - Upa.
    Soft Logic is a fascinating study that links scientific and mathematical reasoning to literature and the arts. In this work, Joseph Grünfeld argues that justification by resemblance is more common in science than is generally recognized. That is, symbolic and metaphorical modes of thinking, which are largely analogical, often play a significant role in the interpretation of formal systems. Noting that twentieth century non-Aristotelian forms of reasoning have greatly expanded our understanding of what constitutes logic, Grünfeld explores a wide range (...)
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  • The Cognitive Basis of Science.Paul R. Thagard - 2002 - Cambridge: Cambridge University Press.
     
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  • The elusive synthesis: aesthetics and science.Alfred I. Tauber (ed.) - 1996 - Boston: Kluwer Academic Publishers.
    This collection of essays ranges from phenomenological descriptions of the beautiful in science to analytical explorations of the philosophical conjunction of ...
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  • Beauty & revolution in science.James William McAllister - 1996 - Ithaca: Cornell University Press.
  • Is Beauty a Sign of Truth in Scientific Theories?J. W. McAllister - unknown
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  • Mathematical Beauty and the Evolution of the Standards of Mathematical Proof.J. W. McAllister - unknown
  • Beauty and Revolution in Science.James W. Mcallister - 1999 - Philosophical Quarterly 49 (194):125-128.
  • The aesthetic construction of Darwin's theory.David Kohn - 1996 - In Alfred I. Tauber (ed.), The Elusive Synthesis: Aesthetics and Science. Kluwer Academic Publishers. pp. 13--48.
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  • Looking at embryos: the visual and conceptual aesthetics of emerging form.Scott F. Gilbert & Marion Faber - 1996 - In Alfred I. Tauber (ed.), The Elusive Synthesis: Aesthetics and Science. Kluwer Academic Publishers. pp. 125--151.
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  • Form and function in the molecularization of biology.Sahotra Sarkar - 1996 - In Alfred I. Tauber (ed.), The Elusive Synthesis: Aesthetics and Science. Kluwer Academic Publishers. pp. 153--168.
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  • From Descartes' Dream to Husserl's Nightmare.Alfred I. Tauber - 1996 - In The Elusive Synthesis: Aesthetics and Science. Kluwer Academic Publishers. pp. 289--312.
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