- Coming to Terms: The Rhetoric of Narrative in Fiction and Film.Seymour Chatman - 1992 - Journal of Aesthetics and Art Criticism 50 (3):253-254.details
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Transparency and twist in narrative fiction film.George Wilson - 2006 - Journal of Aesthetics and Art Criticism 64 (1):81–95.details
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Narration in Light: Studies in Cinematic Point of View.Jerrold Levinson - 1989 - Journal of Aesthetics and Art Criticism 47 (3):290-292.details
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Le Grand Imagier Steps Out.George M. Wilson - 1997 - Philosophical Topics 25 (1):295-318.details
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Elusive narrators in literature and film.George M. Wilson - 2007 - Philosophical Studies 135 (1):73 - 88.details
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Transparent Pictures: On the Nature of Photographic Realism.Kendall L. Walton - 1984 - Critical Inquiry 11 (2):246-277.details
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Mimesis as make-believe: on the foundations of the representational arts.Kendall L. Walton - 1990 - Cambridge, Mass.: Harvard University Press.details
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Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. Walton - 1990 - Journal of Aesthetics and Art Criticism 49 (2):161-166.details
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Art and intention: a philosophical study.Paisley Livingston - 2005 - New York: Oxford University Press.details
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Art and Intention.Paisley Nathan Livingston - 2005 - Tijdschrift Voor Filosofie 68 (2):414-415.details
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Art and Intention: A Philosophical Study.Paisley Nathan Livingston - 2005 - Journal of Aesthetics and Art Criticism 65 (3):299-305.details
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On not expecting too much from narrative.Peter Lamarque - 2004 - Mind and Language 19 (4):393–408.details
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Mindscreen: Bergman, Godard, and first-person film.Bruce F. Kawin - 1978 - Rochester, New York: Dalkey Archive Press.details
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Against the ubiquity of fictional narrators.Andrew Kania - 2005 - Journal of Aesthetics and Art Criticism 63 (1):47–54.details
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The philosophy of the movies : Cinematic narration.Berys Gaut - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Oxford, UK: Blackwell. pp. 230--253.details
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Image and Mind: Film, Philosophy, and Cognitive Science.Berys Gaut & Gregory Currie - 1998 - Philosophical Review 107 (1):138.details
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Unreliability refigured: Narrative in literature and film.Gregory Currie - 1995 - Journal of Aesthetics and Art Criticism 53 (1):19-29.details
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Story and Discourse: Narrative Structure in Fiction and Film.Seymour Chatman - 1979 - Journal of Aesthetics and Art Criticism 38 (2):207-208.details
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Narrative closure.Noël Carroll - 2007 - Philosophical Studies 135 (1):1 - 15.details
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Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film.Edward R. Branigan - 1987 - Journal of Aesthetics and Art Criticism 45 (3):309-312.details
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The Rhetoric of Fiction.Wayne C. Booth - 1964 - Journal of Aesthetics and Art Criticism 22 (4):487-488.details
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Narration in the fiction film.David Bordwell - 1985 - Madison, Wis.: University of Wisconsin Press.details
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Film language: a semiotics of the cinema.Christian Metz - 1974 - Chicago: University of Chicago Press.details
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The Philosophy of Motion Pictures.Noël Carroll - 2007 - Oxford: Wiley-Blackwell.details
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Image and Mind: Film, Philosophy and Cognitive Science.Gregory Currie - 1995 - New York, NY: Cambridge University Press.details
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Narrative.Paisley Livingston - 2000 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.details
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Film Music and Narrative Agency.Jerrold Levinson - 1996 - In David Bordwell Noel Carroll (ed.), Post-Theory: Reconstructing Film Studies. U Wisconsin Press.details
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Narrative.George Wilson - 2003 - In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press. pp. 392--407.details
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Film authorship and collaboration.Berys Gaut - 1997 - In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press. pp. 149--172.details
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Cinematic Authorship.Paisley Livingston - 1997 - In Richard Allen & Murray Smith (eds.), Film Theory and Philosophy. Oxford University Press.details
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