In this paper I provide a semantic analysis of non-specific uses of indexical expressions, such as "you" in typical utterances of "you just can't tell". My treatment employs independently motivated conceptual tools, such as the treatment of generics within Discourse Representation Theory, and the distinction between context of utterance and context of interpretation.
In Lange 2004a, I argued that 'scientific essentialism' [Ellis 2001 cannot account for the characteristic relation between laws and counterfactuals without undergoing considerable ad hoc tinkering. In recent papers, Brian Ellis 2005 and Toby Handfield 2005 have defended essentialism against my charge. Here I argue that Ellis's and Handfield's replies fail. Even in ordinary counterfactual reasoning, the 'closest possible world' where the electron's electric charge is 5% greater may have less overlap with the actual world in its fundamental natural kinds (...) than a 'more distant possible world' where the electron's charge is 5% greater. But more importantly, essentialism's flexibility in being able to accommodate virtually any relation between laws and counterfactuals is a symptom of essentialism's explanatory impotence as far as that relation is concerned. (shrink)
Twentieth century philosophy and psychology have been peculiarly averse to mental images. Throughout nearly two and a half millennia of philosophical wrangling, from Aristotle to Hume to Bergson, images (perceptual and quasi-perceptual experiences), sometimes under the alias of "ideas", were almost universally considered to be both the prime contents of consciousness, and the vehicles of cognition. The founding fathers of experimental psychology saw no reason to dissent from this view, it was commonsensical, and true to the lived experience of conscious (...) thinking. However, early in this century, just about when the behaviorist revolution in psychology was loudly declaring the scientific illegitimacy of any attempt to study consciousness, and the concomitant non-existence of imagery (Watson, 1913; see Thomas, 1989), philosophy was undergoing its "linguistic turn", a turn to seeing philosophy as essentially about language rather than the world, even the 'inner' world. For decades, the very concept of the mental image was suspect, and it was certainly banished from playing any major role in theories of mind and of thinking. Ralph Ellis' Questioning Consciousness, together with the recent speculations of certain influential neuroscientists (Edelman, 1992; Damasio, 1994), may be signaling the end this unusual era. (shrink)
Albert Ellis is widely recognized as one of the most influential psychologists in the history of psychology. However, his importance as a pioneer of applied philosophy is not as widely acknowledged. This paper, in memoriam, pays tribute to Ellis’s contributions to applied philosophy. In particular it discusses his revolutionarily important applications of philosophy to the field of psychology and briefly discusses his influence on the emerging field of philosophical counseling.
Albert Ellis is widely recognized as one of the most influential psychologists in the history of psychology. However, his importance as a pioneer of applied philosophy is not as widely acknowledged. This paper, in memoriam, pays tribute to Ellis’s contributions to applied philosophy. In particular it discusses his revolutionarily important applications of philosophy to the field of psychology and briefly discusses his influence on the emerging field of philosophical counseling.
How can one examine the sources of people's beliefs, tastes, and preferences without falling into the self?refuting determinism that has so often characterized the most systematic theory of preferences, Marxism? Cultural Theory's attempt to do so posits five anthropologically derived, competing ?ways of life"? individualism, egalitarianism, hierarchism, fatalism, and withdrawal from social life?that are intended to apply to all forms of culture and, therefore, to provide a universal framework for explaining people's preferential biases. Richard Ellis's defense of Cultural Theory, however, (...) does not adequately address the concerns expressed in my critique of it. Ellis fails to instance a single case of a premodern culture containing the five ways of life; he does not show that exclusivist premodern versions of ?individualism? and ?egalitarianism? are more than superficially comparable to the inclusive modern variants of these alleged universals; and he adds new evidence to support my claim that in modern societies, people's preferences are largely unlinked to the particular social relations identified by Cultural Theory. While Ellis overtly denies that Cultural Theory is deterministic, his search for links between preferences and social relations shows that this denial cannot be sustained. Cultural Theory's reductionism stems from its neglect of historically contingent cultural traditions that thwart a priori attempts to predict culture. This ahistori?cism transforms a myopic view of American politics as a battle of egalitarianism against individualism into a timeless truth, providing ideological self?affirmation for ?individualists? but diminishing the prospects for being able to explain or criticize individualism?or any other political preference. (shrink)
The development of the typical cladomothallus of the red algae Antithaminion plumula (Ellis) Le Jolis [= Pterothamnion plumula (Ellis) Nägcli], (Rhodophyceae, Ceramiales) is simulated with the help of a formal language called L-systems. Two types of uniseriate filaments are distinguished: axial filaments of cladomes with indefinite growth and branching and pleuridia with definite growth and branching. The rythmical acropetal formation of secondary axes with basitonic arrangement contrasts with the intercalary basitonic formation of pleuridia, resulting in an acrotonic arrangement within an (...) axial segment. Five types of cells and two types of cell divisions intervene in the system. In addition, for the graphical representations, some morphological particularities of A. plumula are taken into account: the curvature of axial filaments, the extension of growth zones, variable cell generation times, and segment length variability along an axis. The incidence of these variables on the generated thallus form is emphasized, pointing to the singularities of A. plumula. (shrink)
In Naming and Necessity Kripke accuses Frege of conflating two notions of meaning (or sense), one is meaning proper, the other is determining of reference (p. 59). More precisely, Kripke argues that Frege conflated the question of how the meaning of a word is given or determined with the question of how its reference is determined. The criterial mark of meaning determination, according to Kripke, is a statement of synonymy: if we give the sense of “a” by means of “b”, (...) then the two expressions must be synonymous. The criterial mark of reference-determination is knowledge, typically a priori, of the truth of their identity: If the reference of “a” is given by “b”, then we know a priori that a is b. Kripke then argues that Frege’s conceptions of both meaning-determination and of reference determination were wrong, and proposes an alternative picture of reference determination. (shrink)
The meaning of words, according to Wittgenstein, is grounded in their use – in the ways they are used. This does not mean only that in order to know the meaning of a word we should look at its use; it is not only a practical recommendation for the linguist or the learner. It is rather a philosophical thesis about the very notion of meaning, according to which use is what constitutes meaning, and about what the very ascription of meaning (...) to a word amounts to. This position calls for a deep investigation of the notion of use – an investigation that preoccupied Wittgenstein throughout his career: What is the notion of use involved here and in what concepts should it be conceived? What are its constituents and what is its extension? How is a word connected with a particular kind of use that constitutes its meaning? What is the nature of the knowledge and the human capacity that are involved in understanding a word and knowing its use? (shrink)
Chapter: Sense and Intentionality A: Reference and Sense — Preliminary Remarks Few people during Frege's lifetime paid due attention to his work and its ...
I doubt whether these three theses, which characterize basic features of Davidson's conception of meaning, are coherent. The narrow sense of (1) has (2) as an obvious corollary. The wider sense of (1), or some aspects of it, is partly explicated by (3). But this doesn’t seem to cohere with (2). When theory of meaning is taken in the wider sense to include an account of how one could come to know that such a theory of truth was true (for (...) a given language), and when the full force of the marriage between meaning and belief, as in (3), is appreciated, (2) seems to me doubtful. (shrink)
Important aspects of its philosophical basis, and its significance for the foundations of mathematics, appeared in The Foundations of Mathematics (FA, 1884). Six years later, at the beginning of the 1890s, Frege published three articles that mark significant changes in his conception: "Function and Concept" (FC, 1891), "On Sense and Reference" (SR, 1892) and "Concept and Object" (1892). Notable among these changes are: (a) The systematic distinction between the sense and the reference of expressions as two separate ingredients of their (...) meaning. (b) The extension and generalization of the notion of function to include the conception of concepts and relations as functions to truth-values, and the corresponding conception of the two truth-values as objects. These changes were immediately incorporated in the mature, authoritative exposition of his logic in his magnum opus: Basic Laws of Arithmetic (BL), whose first volume appeared in 1893. (shrink)
The paper sketches an ontological solution to an epistemological problem in the philosophy of science. Taking the work of Hilary Kornblith and Brian Ellis as a point of departure, it presents a realist solution to the Humean problem of induction, which is based on a scientific essentialist interpretation of the principle of the uniformity of nature. More specifically, it is argued that use of inductive inference in science is rationally justified because of the existence of real, natural kinds of things, (...) which are characterized as such by the essential properties which all members of a kind necessarily possess in common. The proposed response to inductive scepticism combines the insights of epistemic naturalism with a metaphysical outlook that is due to scientific realism. (shrink)
This paper largely engages with Brian Ellis’s description of categorical dimensions as put forward in his paper in this volume. The New Essentialism advocated by Ellis posits the ontologically-robust existence of both dispositional and categorical properties. I have argued that the distinction that Ellis draws between the two is unpersuasive, and that the causal role of categorical dimensions—what they do—is inseparable from what they are. This observation is reinforced by the fact that absolute physical quantities permit re-interpretations of measurement that (...) remove a clear differentiation between categoricity and dispositionality. Distinguishing between ‘pure power’ and ‘dispositionality’, I further argue that: i) there are no ontologically-robust categorical properties, although their apparent existence is explicable as higher-order and supervenient; ii) that the fundamental ingredients of the world may be accounted for in terms of pure-power that is neither categorical nor dispositional; and iii) that the categorical-dispositional distinction arises only at the higher-order level of objects, and does not in any case constitute ontologically-robust partitioning of reality. -/- . (shrink)
Based on a conception that a musical composition is constituted by normative properties, it is argued that every such composition has one ideal performance—a performance that fulfils all the aesthetic-normative properties that the composition determines. A performance is conceived of (and evaluated) as inherently and essentially ‘intentionalistic’—being, by its very nature, a performance of a certain composition. This conception allows for various different performances, none of which is preferable over the others. The properties concerned are conceived of broadly as comprising (...) not only the tones themselves and various ‘theoretical’ features such as thematic relations, harmonic progressions, rhythmical structures, but also descriptive, emotive, and ‘rhetorical’ properties, which are ‘objective’ properties of the composition. It is further claimed that these are indicated in the score when properly understood in the light, inter alia, of pertinent conventions, which are the business of theoreticians and musicologists to determine. The main significance of the result lies both in highlighting some important implications of the intentionalistic character of a performance, and in the style of conceptual connection it indicates between a musical composition, its aesthetic-normative properties, and features of performance or ways of fulfilling them. (shrink)
A musical work is an organized system of notes and of higher musical units such as motives, themes, harmonies, etc. We shall here confine ourselves to notes. A note is not just a physical event (an acoustic disturbance, a passage of wave energy), but a musical entity with functional properties sensitive to context. Roughly, it can be described as an acoustic event under a particular description (“tonic”, “dominant”, “leading tone”, “appoggiatura”, “upper voice of a septachord”, etc.). Are pauses genuine notes (...) in this sense? Surely they are indicated by written signs in the score; but, is that sufficient for regarding them as notes? And are they audible notes? Although this may seem a strange, and, some would say plainly false, idea, we shall see in the sequel that there is much to be said in its favor. (shrink)
