Urging readers of the Harry Potter series to dig deeper than wizards, boggarts, and dementors, the authors of this unique guide collect the musings of seventeen ...

In this article, I analyze how the Harry Potter novels bring to awareness two fundamental aspects of the human condition: the importance of one’s choices and the inevitability of one’s mortality. These are highlighted through the contrast of the characters of Harry Potter and Lord Voldemort.

The primary aim of this paper is to provide a plausible fictional creationist explanation of when and how a fictional object comes into existence without a successful creative intention, focusing on the problem posed by Stuart Brock’s nominalist author scenario. I first present some intuitions about parallel scenarios for fictional objects and concrete artifacts as data to be explained. Then I provide a sufficient condition for the existence of artifacts that can explain both cases. An important upshot of this is (...) that there is an overlooked way to bring artifacts into existence that should merit serious consideration, and this leads to a version of the mind-dependence, but not the intention-dependence, view of artifacts. (shrink)

René Girard and his mimetic theory have undergone an interesting development with respect to the category of sacrifice. While the early Girard saw sacrifice as a development within the scapegoat mechanism, he later came to distinguish two types of sacrifice: one being part of scapegoating and belonging to pre-Biblical religion; the other being the sacrifice of self-offering and conforming to the act of Jesus of Nazareth. That way Girard could uphold his earlier analyses about pre-Christian sacrifice and still accept the (...) Christian teaching that Jesus' death was indeed a sacrifice, yet of a different kind. As it happens, the popular Harry Potter series of novels, which was concluded in July 2007 with the publication of the seventh volume, is suffused with the language of sacrifice, beginning with Harry's mother giving her life for her son and ending with Harry "self-sacrificing" in order to end the reign of the evil Lord Voldemort. The question is, what type of sacrifice do the popular novels espouse? Are they pre-Christian, Christian, or a syncretism of any kind? Presupposing Girard's developed idea of sacrifice, I will argue that J. K. Rowling's novels do propagate a Christian conception of sacrifice, while depicting perversions of it as well. I will look at the novels from a theological perspective. By illustrating conceptions of sacrifice with pivotal scenes from the novels, I will argue that these novels indeed espouse a late-Girardian—or, if you will, Christian—view of sacrifice. (shrink)

J. K. Rowling's dragons follow in the lineage of legendary creatures as they have been remembered in the medieval novels: they are large reptiles with wings that breathe fire. In addition, they often keep a treasure. These dragons are often aggressive with humans. However, even though they are aggressive, they are not evil in Harry Potter. Besides, Voldemort and his Death Eaters are only indirectly associated with a dragon. They are aggressive because they are wild animals. Man should not (...) try to tame them. We must understand them and protect them by adopting an ecological approach to the preservation of dragons. (shrink)

A philosophical exploration of the entire seven-book _Harry Potter_ series _Harry Potter_ has been heralded as one of the most popular book series of all time and the philosophical nature of Harry, Hermione, and Ron's quest to rid the world of its ultimate evil is one of the many things that make this series special. _The Ultimate Harry Potter and Philosophy _covers all seven titles in J.K. Rowling's groundbreaking_ _series and takes fans back to Godric's Hollow to discuss (...) life after death, to consider what moral reasoning drove Harry to choose death, and to debate whether Sirius Black is a man or a dog. With publication timed to coincide with the release of the movie _Harry Potter and the Deathly Hallows, _this book will be the definitive guide for all fans looking to appreciate the series on a deeper level. Covers a range of intriguing topics such as the redemption of Severus Snape, the power of love, and destiny in the wizarding world Gives you a new perspective on _Harry Potter_ characters, plot lines, and themes Makes a perfect companion to the _Harry Potter _books and movies Packed with interesting ideas and insights, _The Ultimate Harry Potter and Philosophy _is an ideal companion for anyone interested in unraveling the subtext and exploring the greater issues at work in the story. (shrink)

Linda Zagzebski's theory of moral exemplarity emphasizes the importance of admiration in developing ethical behavior. This essay argues that admiration involves wonder and distance and is best evoked by mixed or flawed characters; it demonstrates this through discussion of the characters in J. R. R. Tolkien's The Lord of the Rings and J. K. Rowling's Harry Potter series. Using Paul Ricoeur's taxonomy of prefiguration, configuration, and refiguration in narrative work, it discerns a self-reflexivity in the protagonists of these fantasy (...) novels, which is echoed by that of the readers, who are brought to realize their own emplotment in larger narratives. Features in Tolkien and Rowling that aid this exploratory reading include the length and depth of the novels, the decentering of the reader's own reality, and their open endings, which offer an invitational role to further interpretation. Virtue is viewed more teleologically than in Zagzebski, for moral realism is woven into the metaphysics of these novels, which allows mimesis of flawed characters to be ethically productive. (shrink)

In Harry Potter, Hagrid is written as the “animal lover” who appreciates all creatures. Analyzing Hagrid’s interactions with animals is a unique approach to theorizing animal ethics at Hogwarts. This article problematizes Hagrid’s characterization within the “animal lover” trope. Many of Hagrid’s actions are imperialist toward animals as collectible, exploitable, and only valuable insofar as they provide something for humans, which contradicts the definition of moral status. The potential for “animal lovers” to relate to Hagrid suggests a need to (...) more closely examine this trope in other works of fiction to avoid perpetuating unethical standards of animal care. (shrink)

Souls play a huge part in the Harry Potter story. Voldemort creates six Horcruxes, thereby dividing his own soul into seven parts, and Harry must destroy all of the Horcruxes before Voldemort can die. At different points in the books, several main characters (Harry, Sirius, and Dudley) narrowly avoid having their souls sucked out of them by a dementor; Barty Crouch, Jr., does not escape this fate. So what is the soul? In Harry Potter’s world, it (...) is clear that people have souls, and that these souls generally survive bodily death. But it is not entirely obvious how souls work and what their nature is. Over the centuries, philosophers and theologians have proposed various different accounts of the soul, and have argued about which is an accurate picture. In this chapter, I will survey some of the major philosophical accounts of the soul before turning to the question of how souls work in Rowling’s books and whether her picture of the soul is plausible. (shrink)

This paper attempts to unravel how a reader embraces the idea of moral education while enjoying the aesthetic pleasure of the Harry Potter series. It develops a view on moral education through literary experience, which is intrinsically intertwined with aesthetic experience. The amalgamation of reality and fantasy in the Harry Potter novels creates an authenticity that can easily capture the moral attention of a reader by which his/her self-realized valuable emotional intelligence takes place. The well-knit plot encourages reader's (...) self-efficacy (“I” reactive attitude) that triggers the sui-generis, first-personal sense of morality and gradually develops the third-personal “we” attitude. Finally, based on an empirical study, the article explains how the Harry Potter series is productive in building the reader's positive moral psychology through different applications like moral agency, moral point of view, and moral judgment. (shrink)

The study combines theories of myth, popular culture, structuralism and poststructuralism to explain the enormous appeal of Star Wars and Harry Potter. Although much research already exists on both stories individually, this book is the first to explicitly bring them together in order to explore their set-up and the ways in which their structures help produce ideologies on gender and ethnicity. Hereby, the comparison yields central insights into the workings of modern myth and uncovers structure as integral to the (...) success of the popular genre. It addresses academic audiences and all those wishing to approach the tales from a fresh angle. (shrink)

Economic organization of the imaginary worlds depicted in popular literary works may be viewed as a mirror to public opinion on the economic organization of life. If a book becomes a best-seller, it is because the book conveys messages, feelings, and events the readers can relate to. In other words, the book's readers identify with the set of norms and rules that govern the development of the plot and the actions of its heroes. Therefore, a best seller, as a book (...) that successfully relates to readers of its time, can teach us about the norms and beliefs of its audience. Following this line of thought, we use the method of deconstruction to analyze the highly successful J.K. Rowlings' Harry Potter series. Studying the books within their social context allows us to learn about people's norms and attitudes, and their perceptions of issues such as the role of government, the structure of financial markets, poverty and inequality, etc. Thus, by looking at the Potterian economy through magnifying glasses, we obtain a perspective on what people might view as a normal or perhaps as an ideal economic structure. In other words, we argue, that the economic and organizational structure of the imaginary Potterian economy can be viewed as an economic model. By studying the social and the economic structure of the Potterian model and its assumptions, we hope to obtain some insights on people's attitudes towards various social and economic issues. The Potterian economic model, we conclude, is not a coherent model that fits neatly one of the standard economic models. Instead, it appears to combine ingredients from various economic models. (shrink)

Gottlob Frege (1848-1925) was unquestionably one of the most important philosophers of all time. He trained as a mathematician, and his work in philosophy started as an attempt to provide an explanation of the truths of arithmetic, but in the course of this attempt he not only founded modern logic but also had to address fundamental questions in the philosophy of language and philosophical logic. Frege is generally seen (along with Russell and Wittgenstein) as one of the fathers of the (...) analytic method, which dominated philosophy in English-speaking countries for most of the twentieth century. His work is studied today not just for its historical importance but also because many of his ideas are still seen as relevant to current debates in the philosophies of logic, language, mathematics and the mind. The Cambridge Companion to Frege provides a route into this lively area of research. (shrink)