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Arnold Berleant [53]A. Berleant [8]
  1. Arnold Berleant (forthcoming). Notes for a Phenomenology of Musical Performance. Philosophy of Music Education Review.
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  2. A. Berleant (2013). The Art in Knowing a Landscape. Diogenes 59 (1-2):52-62.
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  3. Arnold Berleant (2011). Evolutionärer Naturalismus Und Das Ende des Dualismus. In Wolfgang Welsch, Christian Tewes & Klaus Vieweg (eds.), Natur Und Geist: Über Ihre Evolutionäre Verhältnisbestimmung. Akademie Verlag. 21.
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  4. Arnold Berleant & Jeanne Delbaere-Garant (2011). L'art de connaître un paysage. Diogène 233 (1):74.
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  5. Arnold Berleant (2010). Reconsidering Scenic Beauty. Environmental Values 19 (3):335 - 350.
    Attempts to justify the objectivity and universality of aesthetic judgment have traditionally rested on unsupported assumptions or mere assertion. This paper offers a fresh consideration of the problem of judgments of taste. It suggests that the problem of securing universal agreement is false and therefore insoluble since it imposes an inappropriate logical criterion on the extent of agreement, which is irrevocably empirical. The variability of judgments of taste actually forms a subject ripe for inquiry by sociologists, psychologists, historians and anthropologists, (...)
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  6. Isis Brook, Katie Mcshane, Clive L. Spash, Nina Witoszek, Elisa Aaltola, Maniklal Adhikary, Samrat Chowdhury, Kevin Behrens, Arnold Berleant & Catherine Butler (2010). Index to Environmental Values Volume 19, 2010. Environmental Values 19:553-556.
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  7. Arnold Berleant (2009). Art, Terrorism and the Negative Sublime. Contemporary Aesthetics 7.
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  8. Arnold Berleant (2009). Making Theory, Making Sense: Comments on Ronald Moore'sNatural Beauty. Ethics, Place and Environment 12 (3):337-341.
  9. Arnold Berleant (2007). Aesthetics and Environment Reconsidered: Reply to Carlson. British Journal of Aesthetics 47 (3):315-318.
    Allen Carlson finds three central problems in my book, Aesthetics and Environment: that it lacks a criterion of the aesthetic itself, that my proposal, aesthetic engagement, is excessively subjective, and that we cannot therefore distinguish between ‘easy’ and ‘serious’ beauty. I respond by uncovering the metaphysical assumptions on which his critique rests and offer more plausible alternatives. I argue, further, that their implications are not only acceptable but fully satisfactory.
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  10. Arnold Berleant (2007). A Rose by Any Other Name. Filozofski Vestnik 2 (2):151 - +.
    This is an essay on the tasks and capacities of aesthetic theory and the pitfalls that beset it. I want to show that aesthetics can be enlightening by revealing and studying the facets and dimensions of experiences we call aesthetic, experience that is expansive and revelatory. This kind of experience can also clarify the relation of aesthetics to other areas of knowledge, such as cultural studies, and conversely, the bearing of other disciplines on our aesthetic understanding. Aesthetic theory, however, is (...)
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  11. Arnold Berleant (2007). The Soft Side of Stone. Environmental Philosophy 4 (1/2):49-58.
    Stone represents the firmness and intransigence of the world within which we live and act. But beyond the perception and appropriations of stone, diverse meanings lie hidden between the hardness of stone and its uses. At the same time meaning must be grounded in the stabilizing presence of a common world. Yet if all that can be said is not about stone simpliciter but only an aesthetics of its perception, uses, and meanings, have we not gained the whole world but (...)
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  12. Arnold Berleant & Allen Carlson (eds.) (2007). The Aesthetics of Human Environments. Broadview Press.
    The Aesthetics of Human Environments is a companion volume to Carlson's and Berleant's The Aesthetics of Natural Environments. Whereas the earlier collection focused on the aesthetic appreciation of nature, The Aesthetics of Human Environments investigates philosophical and aesthetics issues that arise from our engagement with human environments ranging from rural landscapes to urban cityscapes. Our experience of public spaces such as shopping centers, theme parks, and gardens as well as the impact of our personal living spaces on the routine activities (...)
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  13. Arnold Berleant (2005). Aesthetics and Environment: Variations on a Theme. Ashgate Pub. Ltd..
    I: Environmental aesthetics -- A phenomenological aesthetics of environment -- Aesthetic dimensions of environmental design -- Down the garden path -- The wilderness city : a study of metaphorical experience -- Aesthetics of the coastal environment -- The world from the water -- Is there life in virtual space? -- Is greasy lake a place? -- Embodied music -- II: Social aesthetics -- The idea of a cultural aesthetic -- The social evaluation of art -- Subsidization of art as social (...)
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  14. B. Adam, G. Anders, H. Arendt, U. Beck, C. Bell, M. M. Bell, S. Benhabib, A. Berleant, T. Berry & Biodiversity Action Plan (2004). Bachelard, G. 193 Barnes, T. 142, 143 Barth, F. 126. ARGUMENT 192 (195):196.
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  15. Allen Carlson & Arnold Berleant (2004). Introduction: The Aesthetics of Nature. In Allen Carlson & Arnold Berleant (eds.), The Aesthetics of Natural Environments. Broadview Press. 11--42.
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  16. Allen Carlson & Arnold Berleant (eds.) (2004). The Aesthetics of Natural Environments. Broadview Press.
    The Aesthetics of Natural Environments is a collection of essays investigating philosophical and aesthetics issues that arise in our appreciation of natural environments. The introduction gives an historical and conceptual overview of the rapidly developing field of study known as environmental aesthetics. The essays consist of classic pieces as well as new contributions by some of the most prominent individuals now working in the field and range from theoretical to applied approaches. The topics covered include the nature and value of (...)
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  17. Arnold Berleant (2003). The Idea of a Cultural Aesthetic. Dialogue and Universalism 13 (11-12):113-122.
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  18. Arnold Berleant (2003). The Muses. International Studies in Philosophy 35 (2):165-166.
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  19. Arnold Berleant & Ronald Hepburn (2003). An Exchange on Disinterestedness. Contemporary Aesthetics 1.
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  20. Arnold Berleant (2002). Introduction: Art, Environment, and the Shaping of Experience. In , The Environment and the Arts. Ashgate Press. 1--22.
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  21. Arnold Berleant (ed.) (2002). The Environment and the Arts. Ashgate Press.
  22. Arnold Berleant (1999). Mothering and Metaphor. Journal of Aesthetics and Art Criticism 57 (3):363-365.
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  23. Arnold Berleant & Allen Carlson (1998). Introduction. Journal of Aesthetics and Art Criticism 56 (2):97-100.
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  24. Arnold Berleant (1997). Andrew Light and Jonathan M. Smith, Eds., Philosophy and Geography I: Space, Place, and Environmental Ethics Reviewed By. [REVIEW] Philosophy in Review 17 (5):342-345.
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  25. Arnold Berleant (1995). Naturalism and Aesthetic Experience. Journal of Speculative Philosophy 9 (3):237 - 240.
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  26. Arnold Berleant (1994). The Critical Aesthetics of Disney World. Journal of Applied Philosophy 11 (2):171-180.
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  27. Arnold Berleant (1994). Aesthetics and Community. Journal of Value Inquiry 28 (2):257-272.
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  28. Arnold Berleant (1994). Beyond Disinterestedness. British Journal of Aesthetics 34 (3):242-254.
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  29. Arnold Berleant (1994). The Persistence of Dogma in Aesthetics. Journal of Aesthetics and Art Criticism 52 (2):237-239.
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  30. Rudolf Arnheim, Charles Gauss, Richard Kuhns, Avrum Stroll, Selma Jeanne Cohen, Gordon Epperson, Arnold Berleant, Hilde Hein & Charles Hartshorne (1993). Reminiscences. Journal of Aesthetics and Art Criticism 51 (2):279-289.
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  31. Arnold Berleant (1992). Basic Issues In Aesthetics. Idealistic Studies 22 (3):222-223.
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  32. Arnold Berleant (1992). Lawrence Ferrara, Philosophy and the Analysis of Music: Bridges to Musical Sound, Form and Reference Reviewed By. Philosophy in Review 12 (5):320-322.
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  33. Arnold Berleant (1991). Art and Engagement. Temple University Press.
    In this book Arnold Berleant develops a bold alternative to the eighteenth-century aesthetic of disinterestedness.
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  34. Arnold Berleant (1990). Ben-Ami Scharfstein, Of Birds, Beasts and Other Artists; An Essay on the Universality of Art Reviewed By. Philosophy in Review 10 (1):37-39.
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  35. A. Berleant (1989). The Eighteenth Century Assumptions of Analytic Aesthetics. In T. Z. Lavine & V. Tejera (eds.), History and Anti-History in Philosophy. Transaction Publishers. 256--274.
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  36. A. Berleant (1988). The Environment as an Aesthetic Paradigm in Art and Philosophy: Mutual Connections and Inspirations. Dialectics and Humanism 15 (1-2):95-106.
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  37. Arnold Berleant (1988). The Environment as an Aesthetic Paradigm'. Dialectics and Humanism 1 (2):95.
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  38. Arnold Berleant (1987). Does Art Have a Spectator? Journal of Aesthetics and Art Criticism 45 (4):411-412.
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  39. Arnold Berleant (1987). Exigences esth tiques d'une cologie urbaine. Diogenes 2:004.
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  40. A. Berleant (1986). Cultivating an Urban Aesthetic. Diogenes 34 (136):1-18.
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  41. Arnold Berleant (1986). Experience and Theory in Aesthetics. In Michael H. Mitias (ed.), Possibility of the Aesthetic Experience. Distributors for the U.S. And Canada, Kluwer Academic. 91--106.
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  42. Arnold Berleant (1986). The Historicity of Aesthetics — I. British Journal of Aesthetics 26 (2):101-111.
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  43. Arnold Berleant (1986). The Historicity of Aesthetics - II. British Journal of Aesthetics 26 (3):195-203.
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  44. A. Berleant (1985). Art, Artistry and Sculpture. [REVIEW] Human Studies 8 (2):183-190.
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  45. Arnold Berleant (1984). The Theory of the Arts (Review). Philosophy and Literature 8 (2):279-284.
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  46. Arnold Berleant (1982). Multinationals, Local Practice, and the Problem of Ethical Consistency. Journal of Business Ethics 1 (3):185 - 193.
    The business practices of multinational corporations raise many provocative moral issues and offer a touchstone for some fundamental ethical concepts. This essay identifies a wide range of problems but centers on the matter of consistency in corporate policy between foreign and domestic practices and the kind of generality of standards that is required to achieve consistency. Two considerations are singled out for illustrative discussion: wage scales and bribes. Proposals are offered for achieving consistency and generality in each case, the principle (...)
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  47. Arnold Berleant (1981). The Aesthetics of Architecture. Teaching Philosophy 4 (2):194-197.
  48. Arnold Berleant (1981). Poetic Creation: Inspiration or Craft (Review). Philosophy and Literature 5 (1):117-118.
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  49. A. Berleant (1978). Aesthetic Paradigms for an Urban Ecology. Diogenes 26 (103):1-28.
  50. Arnold Berleant (1977). Ethics and Science: Some Normative Facts and a Conclusion. [REVIEW] Journal of Value Inquiry 11 (4):244-258.
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