Art, Mimesis and the Avant-Garde explores the relationship between art and philosophy. Andrew Benjamin argues for a reworking of the task of philosophy in terms of the centrality of ontology. It is in relation to this centrality, understood through the differences between modes of being, that art, mimesis, and the avant-garde come to be presented. A fundamental part of this book is the original interpretations of important contemporary painters and their themes: Lucian Freud's self-portraits, Francis Bacon's use of (...) mirrors, R. B. Kitaj and Jewish identity, Anselm Kiefer and iconoclasm. Apart from painting, Benjamin considers architecture, literature, and the philosophical writings of Walter Benjamin and Descartes in elaborating the various aspects of ontological difference. Benjamin develops the theory of the avant-garde as a philosophical category rather than a historical marker, thus bringing the worlds of contemporary art criticism and contemporary philosophy closer together. (shrink)
Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
Technology has a history structured by discontinuities. The first important philosophical expression of such a conception of technology was advanced by Walter Benjamin when he defined art works in relation to specific techniques of production. At the present art and architecture occur within an age defined by the move from ’technical reproducibility’ to digital reproducibility. The move has an impact on how technology is understood and its relation to architecture conceived. Adapting Walter Benjamin’s work in this area provides (...) the basis for a response to Soren Riis’ important treatment of the relationship between architecture and technology in his paper “Dwelling in-between walls: the architectural surround”. (shrink)
In this paper I hope to show that Geach misunderstands the nature of Plato's argument in the Euthyphro and more importantly the reasoning behind the dialectical strategy adopted by Socrates. Furthermore I shall argue that Geach's reading of the Euthyphro engenders serious difficulties, that stand in the way of understanding the manner in which Plato construes the problem of determining the nature of, and relationship between universal and particulars, which is of great significance because it is precisely this problem, in (...) relation to piety, that is central to the Euthyphro. In the appendix I shall sketch the outline of an argument in order to justify the assumption that the theory of Forms is present in the Euthyphro. (shrink)
The aim of this paper is to develop a new theory of particularity. In so doing it redefines the concepts 'perception' and 'judgment'. The redefinition occurs once perception is understood as recognition. The move to recognition entails the centrality of repetition. Recognition, it is argued, is a form of repetition. Allowing for repetition necessitates changing the way the relationship between universals and particulars is understood. This is developed via an engagement with Hume and Plato. The article concludes with the outline (...) for a rethinking of the metaphysics of particularity. (shrink)
Present Hope is a compelling exploration of how we think philosophically about the present. Andrew Benjamin considers examples in philosophy, architecture and poetry to illustrate crucial themes of loss, memory, tragedy, hope and modernity. The book uses the work of Walter Benjamin and Martin Heidegger to illustrate the ways the notion of hope was weaved into their philosophies. Andrew Benjamin maintains that hope is a vital part of the present, rather than an expression only of the future. (...) Present Hope shows how Judaism and philosophy interact; how the Holocaust provides an important link between modernity and the present. Benjamin's writings on the significance of the Jewish Museum in Berlin and the poetry of Paul Celan unite toward understanding the present. (shrink)
Shadow of the Other is a discussion of how the individual has two sorts of relationships with an "other"--other individuals. The first regards the other as a s work apart is her brilliant utilization of a systematic dialectical approach to her subject, always maintaining the delicate balance between opposing tensions: masculinity and femininity, subjectivity and objectivity, passivity and activity, love and aggression, fantasy and reality, modernism and postmodernism, the intrapsychic and the intersubjective. Benjamin s work apart is her brilliant (...) utilization of a systematic dialectical approach to her subject, always maintaining the delicate balance between opposing other as a mental repository fo unwanted characteristics cast from the self. Jessica benjamin shows the implications of this dual relationship for male/female hierarchy and offers a possibility for balancing the two. This book continues the author's well-known explorations of the themes of intersubjectivity and gender, taking up issues at the forefront of contemporary debates in feminist theory and psychoanalysis. (shrink)
Nothing is more simple or more complicated than the event. In recent years, the attack on any attempts to provide a foundation for philosophy has focused on the "logic of the event." In The Plural Event , Andrew Benjamin reconsiders and reworks philosophy in terms of events and how they are judged. Benjamin offers a sustained philosophical reworking of ontology, providing important readings of key canonical texts in the history of philosophy. In order to avoid the charge of (...) positivism, he provides a cogent interpretation of the process of thinking through while allowing the process to reveal itself in the interpretation of central philosophical texts. The effective presence of ontology, defined as "anoriginal difference," will be familiar to readers of his earlier writings. The Plural Event represents Andrew Benjamin's most thorough and original contribution to contemporary philosophy. (shrink)
It is helpful for any enterprise to stop occasionally and examine itself. Science has done this rather infrequently in its long and eventful history, and there has not been, in general, any continuity in these self-examinations. As a result the history of the philosophy of science has been a rather spotty affair. My belief is that the philosophy of science should also, at times, become self-critical. When a study is concerned primarily with methods of other disciplines it tends to underemphasize (...) the role played by the methods which it itself uses. What is the method of the philosophy of science, and is it justifiable? Can there be a satisfactory study of science and can this be scientific? (shrink)
JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. Complexity, therefore, (...) will be inextricably connected to the ontology of the object. What this means is that complexity, in resisting the hold of a semantic idealism on the one hand, and the attempt to give to it the position of being the basis of a new foundationalism on the other, becomes a way of thinking both the presence and the production of objects.' Andrew Benjamin The Journal of Philosophy and the Visual Arts has set new standards in its exploration of themes central to philosophy's relation to the visual arts, illuminating areas of art criticism, architecture, feminism as well as philosophy itself. Rather than simply reflecting current trends it provides a forum in which the real developments in the analysis of the visual arts and its larger cultural and political context can be presented. Articles by well known philosophers and theorists, as well as some lesser known, together with writings by artists and architects allow a strong interdisciplinary approach reflecting the Journal's roots in post-structural theory. Previous issues include: Philosophy & the Visual Arts (No 1) Philosophy & Architecture (No 2) Architecture, Space, Painting (No 3) The Body (No 4) Abstraction (No 5). (shrink)
Glenberg's theory is rich and provocative, in our view, but we find fault with the premise that all memory representations are embodied. We cite instances in which that premise mispredicts empirical results or underestimates human capabilities, and we suggest that the motivation for the embodiment idea – to avoid the symbol-grounding problem – should not, ultimately, constrain psychological theorizing.
This groundbreaking work on ethics addresses the difficult, confusing, and seldom-discussed but often-troubling dilemmas confronting touch therapy practitioners...
Written by a nurse and a philosopher, Ethics in Nursing blends the concrete detail of recurring problems in nursing practice with the perspectives, methods, and resources of philosophical ethics. It stresses the aspects of the nurses role and relations with others -- physicians, patients, administrators, other nurses -- that give ethical problems in nursing their special focus. Among the issues addressed are deception, parentalism, confidentiality, conscientious refusal, nurse autonomy, compromise, and personal responsibility for institutional and public policy. The third edition (...) has been enlarged with new cases and case discussions related to AIDS and an additional chapter on the expanding scope of nursing ethics as it addresses issues related to scarce resources, cost containment, justice, and the possibilities of health care rationing. (shrink)
Architectural Philosophy is the first book to outline a philosophical account of architecture and to establish the singularity of architectural practice and ...
The question of the other appears to be a uniquely human concern. Engagement with the nature of alterity and the quality of the other are philosophical projects that commence with an assumed anthropocentrism. This anthropocentrism will be pursued by way of Hegel's discussion of "disease" in his Philosophy of Nature. Disease is implicitly bound up with race, racial identity and animality, and provides an opening to the question: what if the other were an animal? Any answer to this question should (...) resist a founding anthropocentrism by no longer being limited by the opposition human/non-human. This gives rise to the possibility of engaging philosophically with questions of race and ethnicity. (shrink)
Painting can only be thought in relation to the image. And yet, with (and within) painting what continues to endure is the image of painting. While this is staged explicitly in, for example, paintings of St. Luke by artists of the Northern Renaissance—e.g., Rogier van der Weyden, Jan Gossaert, and Simon Marmion—the same concerns are also at work within both the practices as well as the contemporaneous writings that define central aspects of the Italian Renaissance. The aim of this paper (...) is to begin an investigation into the process by which painting stages the activity of painting. This forms part of a project whose aim is an investigation of the way philosophy should respond to the essential historicity of art (where the latter is understood philosophically). (shrink)
Colour plays a fundamental role in the philosophical treatments of painting. Colour while it is an essential part of the work of art cannot be divorced from the account of painting within which it is articulated. This paper begins with a discussion of the role of colour in Schelling's conception of art. Nonetheless its primary concern is to develop a critical encounter with Jean-François Lyotard's analysis of the Dutch painter Karel Appel. The limits of Lyotard's writings on painting, which this (...) paper will attribute in part to Lyotard's ‘empiricism’, becomes most apparent in his treatment of colour. (shrink)
Recent discussions in the area of corporate social responsibility suggest that organizational size has complex meanings and thus requires more scholarly attention. This article explores organizational size in the context of relative power in inter-organizational networks. To shed light on the ways relative power interacts with size we studied social responsibility practices among cleaning subcontractors in three firms of different sizes. Our focus on the network differentiates these firms on the basis of their size and sector. Semi-structured interviews were used (...) to trace cleaning subcontractors' CSR-related practices. We analyzed subjective reports and discursive practices involved in subcontractors' self-presentations. While the economic and philanthropic dimensions of social responsibility were presented by the cleaning subcontractors as independent of network constraints, the findings show that the legal and ethical dimensions were subject to large client-firm pressures. What we learn from our data is that the four dimensions of Carroll's model, the economic, legal, ethical, and philanthropic, should all develop from and be evaluated against a fifth root dimension of inter-personal commitment. (shrink)
This paper is an attempt to take up the prompt in Derrida's work concerning the necessity for a deconstruction of anthropocentrism. Working through an example from Hegel's Philosophy of Right concerning animality, the paper takes up Derrida's project and connects it to the larger concern of what happens to the philosophical once it is no longer premised on the animal's exclusion but has to acknowledge the inclusion of an already present thus recalcitrant animality.
Little has been written recently about the obligations of lay people in professional relationships. Yet the Code of Medical Ethics adopted by the American Medical Association in 1847 included an extensive statement on ‘Obligations of patients to their physicians’. After critically examining the philosophical foundations of this statement, I provide an alternative account of lay obligations in professional relationships. Based on a hypothetical social contract and included in a full specification of professional as well as lay obligations, this account requires (...) lay people to honor commitments and disclose relevant information. Ethically, the account assumes that all parties in lay-professional relationships should be given equal consideration and respect in determining rights and obligations. Factually, it assumes that the treatment of many illnesses and injuries requires collaboration and cooperation among lay persons and health professionals, that medical resources and personnel are limited, and that medicine, nursing, and related health professions, are, in MacIntyre's sense, practices. Keywords: patient-physician relationship, moral responsibility of patients, health professionals' duties, contract theory and lay-health professional relationship, health professions as "practices", commitments, truth-telling CiteULike Connotea Del.icio.us What's this? (shrink)
Benjamin Libet, Do we have free will? -- Adina L. Roskies, Why Libet's studies don't pose a threat to free will? -- Alfred r. mele, libet on free will : readiness potentials, decisions, and awareness? -- Susan Pockett and Suzanne Purdy, Are voluntary movements initiated preconsciously? : the relationships between readiness potentials, urges, and decisions? -- William P. Banks and Eve A. Isham, Do we really know what we are doing? : implications of reported time of decision for theories (...) of volition? -- Elisabeth Pacherie and Patrick Haggard, What are intentions? -- Mark Hallett, Volition : how physiology speaks to the issue of responsibility? -- John-Dylan Haynes, Beyond Libet : long-term prediction of free choices from neuroimaging signals? -- F. Carota, M. Desmurget, and A. Sirigu, Forward modeling mediates motor awareness? -- Tashina Graves, Brian Maniscalco, and Hakwan Lau, Volition and the function of consciousness? -- Deborah Talmi and Chris D. Frith, Neuroscience, free will, and responsibility? -- Jeffrey P. Ebert and Daniel M. Wegner, Bending time to one's will? -- Thalia Wheatley and Christine Looser, Prospective codes fulfilled : a potential neural mechanism of the will? -- Terry Horgan, The phenomenology of agency and the libet results? -- Thomas Nadelhoffer, The threat of shrinking agency and free will disillusionism? -- Gideon Yaffe, Libet and the criminal law's voluntary act requirement? -- Larry Alexander, Criminal and moral responsibility and the libet experiments? -- Michael S. Moore, Libet's challenge(s) to responsible agency? -- Walter Sinnott-Armstrong, Lessons from Libet?. (shrink)
Bovens (2010) points out that there is a structural analogy between the Judy Benjamin problem (JB) and the Sleeping Beauty problem (SB). On grounds of this structural analogy, he argues that both should receive the same solution, viz. the posterior probability of the eastern region of the matrix in Table 1 should equal 1/3. Hence, P*(Red) = 1/3 in the JB and P*(Heads) = 1/3 in the SB. Bovens’s argument rests on a standard error in implementing Bayesian updating, which (...) is spelled out in Shafer 1985. When we are informed of some proposition, we do not only learn the proposition in question, but also that we have learned the proposition as one of the many propositions that we might have learned. The information is generated by a protocol, which determines the various propositions that we might learn. We should then update not on the proposition in question, but rather on the fact that we learned this proposition as one of the many propositions that we might have learned. A well-known application of this insight is the Monty Hall problem (MH) as Speed (1985: 276) points out in a discussion of Shafer 1985. As an illustration, let us apply Shafer’s insight to the MH. In the MH, the contestant in a game show learns that there is a goat behind two of three doors X, Y and Z and a car behind one door. She is asked to pick one of the three doors. The contestant picks door X. Monty will then open one of the remaining doors, which he knows to have a goat behind it. Suppose Monty opens door Y. The contestant is then asked whether she wants to …. (shrink)
Van Fraassen's Judy Benjamin problem has generally been taken to show that not all rational changes of belief can be modelled in a probabilistic framework if the available update rules are restricted to Bayes's rule and Jeffrey's generalization thereof. But alternative rules based on distance functions between probability assignments that allegedly can handle the problem seem to have counterintuitive consequences. Taking our cue from a recent proposal by Bradley, we argue that Jeffrey's rule can solve the Judy Benjamin (...) problem after all. Moreover, we show that the specific instance of Jeffrey's rule that solves the Judy Benjamin problem can be underpinned by a particular distance function. Finally, we extend the set of distance functions to ones that take into account the varying degrees to which propositions may be epistemically entrenched. (shrink)
When political rationality deployed itself on the terrain of the biological life of the human species with the purpose of making this life healthier, more capable, and more "worthy of being lived," it also postulated that some life could be potentiated only at the price of killing off other life. Foucault therefore introduces the idea of biopolitics together with that of thanatopolitics (1990, 137) .Since Foucault, one of the urgent questions has been how biopolitics turns into a thanatopolitics and under (...) what conditions can this turn be prevented or reversed into an affirmative politics of life. In this article I offer a reading of Benjamin's project that leads from thanatopolitics to an affirmative biopolitics. .. (shrink)
Benjamin has long been known for his literary and aesthetic theory but political theorists, as well as other scholars who are interested in questions of politics, tend to downplay (or simply not notice) his contributions to an actionable rhetorical-political discourse. In terms of a politics that speaks directly to the ongoing crisis of global capitalism, existing power arrangements, and the effective depoliticization of the vast majority of people living under such conditions (very much including advanced liberal capitalist democracies such (...) as the United States), it often seems that Benjamin might not have all that much to say.That, at least, is the way that he is often read. Marxists, if they pay attention to .. (shrink)
We all seem to think that we do the acts we do because we consciously choose to do them. This commonsense view is thrown into dispute by Benjamin Libet's eyebrow-raising experiments, which seem to suggest that conscious will occurs not before but after the start of brain activity that produces physical action. Libet's striking results are often claimed to undermine traditional views of free will and moral responsibility and to have practical implications for criminal justice. His work has also (...) stimulated a flurry of further fascinating scientific research--including findings in psychology by Dan Wegner and in neuroscience by John-Dylan Haynes--that raises novel questions about whether conscious will plays any causal role in action. Critics respond that both commonsense views of action and traditional theories of moral and legal responsibility, as well as free will, can survive the scientific onslaught of Libet and his progeny. To further this lively debate, Walter Sinnott-Armstrong and Lynn Nadel have brought together prominent experts in neuroscience, psychology, philosophy, and law to discuss whether our conscious choices really cause our actions, and what the answers to that question mean for how we view ourselves and how we should treat each other. (shrink)
There is a picture by Klee called Angelus Novus . It shows an angel who seems about to move away from something he stares at. His eyes are wide, his mouth is open, his wings are spread. This is how the angel of history must look. His face is turned toward the past. Where a chain of events appears before us, he sees one single catastrophe, which keeps piling wreckage upon wreckage and hurls it at his feet. The angel would (...) like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise and has got caught in his wings; it is so strong that the angel can no longer close them. This storm drives him irresistibly into the future, to which his back is turned, while the pile of debris before him grows toward the sky. What we call progress is this storm. 1. (shrink)
This article evaluates the role of art – particularly mechanically reproduced forms of art – in the writings of Walter Benjamin and Theodor W. Adorno. The central claim is that both thinkers share the same conviction as to the emancipatory potentials of the work of art. Yet, they evaluate the effects of technological innovation differently. The underpinnings of this later resolved discord, however, are philosophical. In contrast to Benjamin’s belief in the possibility of mass mobilization, for Adorno the (...) relevant category remains unequivocally the individual subject. (shrink)
"I have a tree, which grows here in my close, / That mine own use invites me to cut down, / And shortly I must fell it" (Shakespeare 2001, 168)—Timon's lament, which in Shakespeare's rendition occurs shortly before its utterer's demise "upon the beached verge of the salt flood" (2001, 168) beyond the perimeter of Athens, is an indictment of the nature that Timon finds unable to escape. Having given away his wealth in misguided generosity to a host of parasitic (...) sycophants, Timon turns misanthropic when his "friends" reject his requests for help in kind to repay his debts, eventually exiling himself from the city with the intent of sustaining himself on nothing but water and roots. Yet he soon finds that removing .. (shrink)
