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  1. A. D. Fitton Brown (1989). John Wilkins, Matthew Macleod: Sophocles, Antigone and Oedipus the King: A Companion to the Penguin Translation of Robert Fagles, with Introduction and Commentary. Pp. 111. Bristol Classical Press, 1987. Paper, £4.95. [REVIEW] The Classical Review 39 (01):132-.
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  2. A. D. Fitton Brown (1970). The Alcestis in the Twentieth Century John R. Wilson (Ed.): Twentieth Century Interpretations of Euripides' Alcestis. Pp. 122. Hemel Hempstead: Prentice-Hall, Inc., 1968. Stiff Paper, 20s. [REVIEW] The Classical Review 20 (03):300-302.
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  3. A. D. Fitton Brown (1969). David Grene: Reality and the Heroic Pattern: Last Plays of Ibsen, Shakespeare, and Sophocles. Pp. Xiv+169. Chicago: University of Chicago Press 1967. Cloth, $5.00. [REVIEW] The Classical Review 19 (01):107-108.
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  4. A. D. Fitton Brown (1969). The Themes of Greek Tragedy. The Classical Review 19 (03):307-.
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  5. A. D. Fitton Brown (1969). The Themes of Greek Tragedy Wolf Hartmut Friedrich: Vorbild und Neugestaltung. Seeks Kapitel Zur Geschichte der Tragödie. Pp. 212. Göttingen: Vandenhoeck und Ruprecht, 1967. Paper, DM. 7.80. [REVIEW] The Classical Review 19 (03):307-309.
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  6. A. D. Fitton Brown (1968). Aeschylus and Politics. The Classical Review 18 (01):28-.
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  7. A. D. Fitton Brown (1968). Aeschylus and Politics Anthony J. Podlecki: The Political Background of Aeschylean Tragedy. Pp. Xii + 188. Ann Arbor: University of Michigan Press, 1966. Cloth, $7.50. [REVIEW] The Classical Review 18 (01):28-30.
  8. A. D. Fitton Brown (1968). Euripides and the Cypria. The Classical Review 18 (02):151-.
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  9. A. D. Fitton Brown (1968). Euripides and the Cypria François Jouan: Euripide Et les Légendes des Chants Cypriens. Pp. 512. Paris: Les Belles Lettres, 1966. Cloth. [REVIEW] The Classical Review 18 (02):151-153.
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  10. A. D. Fitton Brown (1968). Elida Catharina Waardenburg: De Verwerking van het Leed bij Euripides. (Amsterdam diss.) Pp. ix+256. Amsterdam: Hakkert, 1966. Paper, fl. 20. [REVIEW] The Classical Review 18 (02):234-235.
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  11. A. D. Fitton Brown (1968). Max Imhof, Euripides' Ion: eine literarische Studie. Pp. 85. Bern: Francke, 1966. Paper, 18Sw.fr. The Classical Review 18 (03):348-349.
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  12. A. D. Fitton Brown (1968). Thomas Woodard (Ed.): Sophocles: A Collection of Critical Essays. Pp. 182. London: Prentice-Hall International, 1966. Paper, 16s. [REVIEW] The Classical Review 18 (03):348-.
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  13. A. D. Fitton Brown & G. M. Sifakis (1968). Studies in the History of Hellenistic Drama. Journal of Hellenic Studies 88:177.
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  14. A. D. Fitton Brown (1967). Ulrich Fischer: Der Telosgedanke in den Dramen des Aischylos. (Spudasmata, vi.) Pp. 176. Hildesheim: Olms, 1965. Paper, DM. 23.80. [REVIEW] The Classical Review 17 (02):219-220.
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  15. A. D. Fitton Brown (1967). Wilfried Wetzel: De Euripidis Fabula Satyrica Quae Cyclops Inscribitur Cum Homenco Comparata Exemplo. (Klassisch-Philologische Studien, 30.) Pp. X+176. Wiesbaden: Harrassowitz, 1965. Paper DM I7. [REVIEW] The Classical Review 17 (03):386-387.
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  16. A. D. Fitton Brown (1966). Nicolaos C. Hourmouziades: Production and Imagination in Euripides: Form and Function of the Scenic Space. (Greek Society for Humanistic Studies, Publications, 2nd Series, No. 5.) Pp. Xii + 180. Athens, 1965. (Obtainable From the Institute of Books, 51 Stadiou, Athens 121.) Paper. [REVIEW] The Classical Review 16 (02):232-233.
  17. A. D. Fitton Brown (1966). The Sophoclean Hero Bernard M. W. Knox: The Heroic Temper: Studies in Sophoclean Tragedy. Pp. 210. London: Cambridge University Press (for University of California Press), 1964. Cloth, 45s. Net. [REVIEW] The Classical Review 16 (03):286-288.
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  18. A. D. Fitton Brown & Fondation Hardt (1966). Entretiens sur l'antiquite classique. x. Archiloque. Journal of Hellenic Studies 86:173.
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  19. A. D. Fitton Brown, Archilochus & G. Davenport (1965). Carmina Archilochi: The Fragments of Archilochus. Journal of Hellenic Studies 85:173.
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  20. A. D. Fitton Brown & R. Lattimore (1965). Story Patterns in Greek Tragedy. Journal of Hellenic Studies 85:175.
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  21. A. D. Fitton Brown & A. C. Schlesinger (1965). Boundaries of Dionysus: Athenian Foundations for the History of Tragedy. Journal of Hellenic Studies 85:175.
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  22. A. D. Fitton Brown, Aeschylus & H. D. Broadhead (1964). The Persae. Journal of Hellenic Studies 84:164.
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  23. A. D. Fitton Brown & T. B. L. Webster (1964). Monuments Illustrating Tragedy and Satyr Play. Journal of Hellenic Studies 84:163.
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  24. A. D. Fitton Brown (1962). Aeschylus, Persae 611 Ff. The Classical Review 12 (03):200-.
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  25. A. D. Fitton Brown (1962). Black Wine. The Classical Review 12 (03):192-195.
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  26. A. D. Fitton Brown, Sophocles, A. Dain & P. Mazon (1961). Tome ii: Ajax, Oedipe Roi, Electre. Journal of Hellenic Studies 81:162.
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  27. A. D. Fitton Brown (1960). Aeschylea. Classical Quarterly 10 (1-2):79-.
    Are we to restore ‘sit on eggs’ after Hesychius or ‘cry ’, ‘lament’ after Nauck? In his recent supplement to the Loeb Aeschylus, Mr. Lloyd-Jones says that the latter ‘is far better suited to the context’, by which I am given to understand that he means that Aeschylus would have been very unlikely to employ the brooding metaphor in this passage. Admonished by Wilamowitz that ‘es unverzeihlich ist, das Bild der briitenden Henne zu vertreiben’, I fall back in some bewilderment (...)
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  28. A. D. Fitton Brown & G. M. Kirkwood (1960). A Study of Sophoclean Drama. Journal of Hellenic Studies 80:207.
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  29. A. D. Fitton Brown (1957). The Size of the Greek Tragic Chorus. The Classical Review 7 (01):1-4.
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  30. A. D. Fitton Brown (1956). Notes on Sophocles' Electra. Classical Quarterly 6 (1-2):38-.
    Commentators from the Old Scholiast onward extract from these two clauses the one meaning that the pedagogue will not be recognized. They complain that a man's hair going white does not suffice to disguise him, and offer some unconvincing reinterpretations and emendations of The change of mood and tense is also odd; at O.C. 450 ff. which Jebb quotes in support, there is a change of meaning and intensity to justify it.
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  31. A. D. Fitton Brown (1954). Niobe. Classical Quarterly 4 (3-4):175-.
    Down to the present century the Niobe of Aeschylus was represented by eight significant manuscript fragments containing some twenty-three lines. Even in this condition it deservedly attracted the interest and attention of scholars; and in 1933 this interest was intensified by the publication in Florence by Vitelli and Norsa of a mutilated papyrus of twenty-one lines embodying two of the earlier fragments.
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  32. A. D. Fitton Brown (1953). Sophocles. The Classical Review 3 (3-4):150-.
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  33. A. D. Fitton Brown (1953). Sophocles Cedric H. Whitman: Sophocles. A Study of Heroic Humanism. Pp. 292. Cambridge, Mass.: Harvard University Press (London: Oxford University Press), 1951. Cloth, 31s. 6d. Net. A. J. A. Waldock: Sophocles the Dramatist. Pp. Viii + 234. Cambridge: University Press, 1951. Cloth, 16s. Net. Ivan M. Linforth: Religion and Drama in 'Oedipus at Colonus'. (Publications in Classical Philology, Vol. 14, No. 4.) Pp. 118. Berkeley: University of California Press, 1951. Paper, $1.25. Robert F. Goheen: The Imagery of Sophocles' Antigone. A Study of Poetic Language and Structure. Pp. 171. Princeton: University Press (London: Oxford University Press), 1951. Cloth, 2Os. Net. [REVIEW] The Classical Review 3 (3-4):150-153.
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  34. A. D. Fitton Brown (1952). Carlos A. Disandro: La Poestía de Lucrecio. (Instituto de Lenguas Clásicas, Textos y Estudios, 1.) Pp. 150. La Plata: Universidad Nacional, 1950. Paper. [REVIEW] The Classical Review 2 (3-4):229-.
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  35. A. D. Fitton Brown (1952). Eilhard Schlesinger: El Edipo Rey de Sofocles. (Instituto de Lenguas Clásicas, Textos y Estudios, 2.) Pp. 140. La Plata: Universidad Nacional, 1950. Paper. [REVIEW] The Classical Review 2 (3-4):226-.
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  36. A. D. Fitton Brown (1952). Lucretius Iii. 962. The Classical Review 2 (01):11-.
  37. A. D. Fitton Brown (1952). Oedipus and the Delegation. The Classical Review 2 (01):2-4.
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  38. A. D. Fitton Brown (1951). Aegisthus and the Chorus. The Classical Review 1 (3-4):133-135.
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