1. Scott Dexter & Aaron Kozbelt (2013). Free and Open Source Software (FOSS) as a Model Domain for Answering Big Questions About Creativity. Mind and Society 12 (1):113-123.
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  2. Aaron Kozbelt & Justin Ostrofsky (2013). Extending the Psycho-Historical Framework to Understand Artistic Production. Behavioral and Brain Sciences 36 (2):148-149.
    We discuss how the psycho-historical framework can be profitably applied to artistic production, facilitating a synthesis of perception-based and knowledge-based perspectives on realistic observational drawing. We note that artists' technical knowledge itself constitutes a major component of an artwork's historical context, and that links between artistic practice and psychological theory may yet yield conclusions in line with universalist perspectives.
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  3. William Seeley & Aaron Kozbelt (2008). Art, Artists, and Perception: A Model for Premotor Contributions to Perceptual Analysis and Form Recognition. Philosophical Psychology 21 (2):149 – 171.
    Artists, art critics, art historians, and cognitive psychologists have asserted that visual artists perceive the world differently than nonartists and that these perceptual abilities are the product of knowledge of techniques for working in an artistic medium. In support of these claims, Kozbelt (2001) found that artists outperform nonartists in visual analysis tasks and that these perceptual advantages are statistically correlated with drawing skill. We propose a model to explain these results that is derived from a diagnostic framework for object (...)
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