Search results for 'Aesthetics Philosophy' (try it on Scholar)

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  1. Bence Nanay (forthcoming). Philosophy of Perception as a Guide to Aesthetics. In Greg Currie, Aaron Meskin, Matthew Kieran & Jon Robson (eds.), Aesthetics and the Sciences of the Mind.score: 198.0
    The aim of this paper is to argue that it is a promising avenue of research to consider philosophy of perception to be a guide to aesthetics. More precisely, my claim is that many, maybe even most, traditional problems in aesthetics are in fact about philosophy of perception that can, as a result, be fruitfully addressed with the help of the conceptual apparatus of philosophy of perception. This claim may sound provocative, but after qualifying what (...)
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  2. Matthew Kieran (ed.) (2006). Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell Pub..score: 192.0
    Contemporary Debates in Aesthetics and the Philosophy of Art features pairs of newly commissioned essays by some of the leading theorists working in the field today. Brings together fresh debates on eleven of the most controversial issues in aesthetics and the philosophy of art Topics addressed include the nature of beauty, aesthetic experience, artistic value, and the nature of our emotional responses to art. Each question is treated by a pair of opposing essays written by eminent (...)
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  3. Peter Lamarque & Stein Haugom Olsen (eds.) (2004). Aesthetics and the Philosophy of Art: The Analytic Tradition: An Anthology. Blackwell Pub..score: 192.0
    "Aesthetics and the Philosophy of Art" also features a selection of key papers from subsequent contributors that illustrate how the debates developed and how ...
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  4. Christopher Janaway (ed.) (2005). Reading Aesthetics and Philosophy of Art: Selected Texts with Interactive Commentary. Blackwell Pub..score: 192.0
    Designed for readers with no or little prior knowledge of the subject, this concise anthology brings together key texts in aesthetics and the philosophy of art.
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  5. Francis Halsall, Julia Jansen & Tony O'Connor (eds.) (2009). Rediscovering Aesthetics: Transdisciplinary Voices From Art History, Philosophy, and Art Practice. Stanford University Press.score: 192.0
    Rediscovering Aesthetics brings together prominent international voices from art history, philosophy and artistic practice who reflect on current notions, ...
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  6. Simo Säätelä (2013). Aesthetics - Wittgenstein's Paradigm of Philosophy? Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 6 (1):35-53.score: 180.0
    This paper attempts to elucidate Wittgenstein’s remark about the “strange resemblance between a philosophical investigation (especially in mathematics) and an aesthetic one” from 1937 by looking at its textual and philosophical context. The conclusion is that the remark can be seen both as a description of a particular conception of philosophy, a prescription or declaration of intent (to proceed in a particular way), and a reminder (to Wittgenstein himself) about the form of a philosophical investigation. Furthermore, it is concluded (...)
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  7. Percy W. Brown (1957). Emerson's Philosophy of Aesthetics. Journal of Aesthetics and Art Criticism 15 (3):350-354.score: 174.0
    As this writer reads him, Emerson's thinking falls into three loose and broad categories. He held soul to be divine, that intuition or divine spark within every man, whereby every man is capable of infinite growth. He regarded Nature as the lengthened shadow of God cast upon human sense, a kind of incarnation of some Divine Power here on earth. And he believed Deity ever near to man, and every soul possessed of access to Deity, not continuously, but at least (...)
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  8. Sevket Benhur Oral (2013). Can Deweyan Pragmatist Aesthetics Provide a Robust Framework for the Philosophy for Children Programme? Studies in Philosophy and Education 32 (4):361-377.score: 174.0
  9. Bijoy H. Boruah (1988). Fiction and Emotion: A Study in Aesthetics and the Philosophy of Mind. Oxford University Press.score: 174.0
    Why do people respond emotionally to works of fiction they know are make-believe? Boruah tackles this question, which is fundamental aesthetics and literary studies, from a totally new perspective. Bringing together the various answers that have been offered by philosophers from Aristotle to Roger Scruton, he shows that while some philosophers have denied any rational basis to our emotional responses to fiction, others have argued that the emotions evoked by fiction are not real emotions at all. In response to (...)
     
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  10. David Goldblatt & Lee Brown (eds.) (2011). Aesthetics: A Reader in Philosophy of the Arts. Pearson Education.score: 174.0
    Painting -- Photography and film -- Architecture and the third dimension -- Music -- Literature -- Performance -- Popular art and everyday aesthetics -- Classic sources -- Contemporary sources.
     
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  11. Michael Goddard, Benjamin Halligan & Paul Hegarty (eds.) (2012). Reverberations: The Philosophy, Aesthetics and Politics of Noise. Continuum Intl Pub Group.score: 170.0
    Noise permeates our highly mediated and globalised cultures. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution. This wide-ranging book examines the concept and practices of noise, treating noise not merely as a sonic phenomenon but as an essential component of all communication and information systems. The book opens with ideas of what noise is, and then works through ideas (...)
     
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  12. Véronique Marion Fóti (2013). Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology. Northwestern University Press.score: 168.0
    Part 1. Expression in Merleau-Ponty's aesthetics -- 1. Primordial perception and artistic expression: Merleau-Ponty and Cezanne -- 2. Expression, institution, and the field: a searching itinerary -- 3. Painterly and phenomenological interrogation in "Eye and mind" -- Part 2. Expression in animal life -- 4. The expressivity of animal behavior: embryogenesis and environing worlds -- 5. The expressivity of animal appearance and of directive and instinctual activities -- Part 3. Expression in Merleau-Ponty's ontology -- 6. The role of expression (...)
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  13. William Alexander Hammond (1934). A Bibliography of Aesthetics and of the Philosophy of the Fine Arts From 1900 to 1932. New York, Longmans, Green, and Company.score: 168.0
     
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  14. Peter Lamarque (ed.) (1983). Philosophy and Fiction: Essays in Literary Aesthetics. Aberdeen University Press.score: 168.0
     
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  15. Joseph Margolis (ed.) (1987). Philosophy Looks at the Arts: Contemporary Readings in Aesthetics. Temple University Press.score: 168.0
     
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  16. Milton Charles Nahm (1975/1974). Readings in Philosophy of Art and Aesthetics. Englewood Cliffs, N.J.,Prentice-Hall.score: 168.0
     
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  17. Merle L. Perkins (1982). Diderot and the Time-Space Continuum: His Philosophy, Aesthetics, and Politics. Voltaire Foundation at the Taylor Institution.score: 168.0
     
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  18. Jerome[from old catalog] Stolnitz (1960). Aesthetics and Philosophy of Art Criticism. Boston, Houghton Mifflin.score: 168.0
     
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  19. Frank A. Tillman (1969). Philosophy of Art and Aesthetics, From Plato to Wittgenstein. New York, Harper & Row.score: 168.0
  20. James Mark Baldwin (1940). Dictionary of Philosophy and Psychology, Including Many of the Principal Conceptions of Ethics, Logic, Aesthetics, Philosophy of Religion, Mental Pathology, Anthropology, Biology, Neurology, Physiology, Economics, Political and Social Philosophy, Philology, Physical Science, and Education, and Giving a Terminology in English, French, German, and Italian. New York, P. Smith.score: 162.0
  21. Rebecca Kukla (ed.) (2006). Aesthetics and Cognition in Kant's Critical Philosophy. Cambridge University Press.score: 156.0
    This volume explores the relationship between Kant's aesthetic theory and his critical epistemology as articulated in the Critique of Pure Reason and the Critique of the Power of Judgment. The essays, written specially for this volume, revise our understanding of core elements of Kant's epistemology, such as his notions of discursive understanding, experience, and objective judgment. They also demonstrate a rich grasp of Kant's critical epistemology that enables a deeper understanding of his aesthetics. Collectively, the essays reveal that Kant's (...)
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  22. Gordon Graham (2000). Philosophy of the Arts: An Introduction to Aesthetics. Routledge.score: 156.0
    Most books on aesthetics tend to be either too theoretical for the arts or not theoretical enough for philosophy. This book strikes a new and better balance between these competing interests. By taking a normative question--why should we value the arts?--it manages to develop a genuinely philosophical understanding of art and its value while never losing sight of the poems, pictures and music which draw and sustain interest in the arts. In this new second edition, chapters have been (...)
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  23. William J. Duiker (1972). The Aesthetics Philosophy of Ts'ai Yuan-P'ei. Philosophy East and West 22 (4):385-401.score: 156.0
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  24. Ales Erjavec (2001). Aesthetics: Philosophy of Art or Philosophy of Culture? Filozofski Vestnik 22 (2):7-20.score: 156.0
    What often occurs in relation to contemporary culture are attempts to develop a philosophy which would be focused on culture which is gaining in importance and which would thus complement the extant philosophy of art. The author discusses two such attempts, namely those of Heinz Paetzold and Fredric Jameson. Nonetheless, in his view, in both cases the theories offered remain insufficient and in need of further development if they are to philosophically grasp the current changes in art and (...)
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  25. Anne D. R. Sheppard (1987). Aesthetics: An Introduction to the Philosophy of Art. Oxford University Press.score: 156.0
    Why do people read novels, go to the theater, or listen to beautiful music? Do we seek out aesthetic experiences simply because we enjoy them--or is there another, deeper, reason we spend our leisure time viewing or experiencing works of art? Aesthetics, the first short introduction to the contemporary philosophy of aesthetics, examines not just the nature of the aesthetic experience, but the definition of art, and its moral and intrinsic value in our lives. Anne Sheppard divides (...)
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  26. James Connelly (2001). Massimo Verdicchio, Naming Things: Aesthetics, Philosophy and History in Benedetto Croce Reviewed By. Philosophy in Review 21 (6):447-449.score: 156.0
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  27. Anja Steinbauer (2006). Aesthetics & Philosophy. Philosophy Now 57:6-6.score: 156.0
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  28. Manuel Sánchez Rodríguez (2012). Logica Naturalis, Healthy Understanding and the Reflecting Power of Judgment in Kant's Philosophy. The Source of the Problem of Judgment in the Leibniz-Wolffian Logic and Aesthetics. Kant-Studien 103 (2).score: 156.0
    The aim of this article is to explore historically the origin of the difficulty of founding the reflecting power of judgment as Kant outlines it in the Preface to the third Critique. Despite that a foundation of the power of judging in the system of Transcendental Philosophy was only established in 1790, we must interpret it as a critical solution for an old problem, which Kant had already recognized around 1770. Through his comprehension of the meaning of healthy understanding (...)
     
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  29. Massimo Verdicchio (2000). Naming Things: Aesthetics, Philosophy, and History in Benedetto Croce. Istituto Italiano Per Gli Studi Filosofici.score: 150.0
     
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  30. Stephen M. Downes (2009). Models, Pictures, and Unified Accounts of Representation: Lessons From Aesthetics for Philosophy of Science. Perspectives on Science 17 (4):417-428.score: 144.0
    Several prominent philosophers of science, most notably Ron Giere, propose that scientific theories are collections of models and that models represent the objects of scientific study. Some, including Giere, argue that models represent in the same way that pictures represent. Aestheticians have brought the picturing relation under intense scrutiny and presented important arguments against the tenability of particular accounts of picturing. Many of these arguments from aesthetics can be used against accounts of representation in philosophy of science. I (...)
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  31. I. C. Jarvie (1987). Philosophy of the Film: Epistemology, Ontology, Aesthetics. Routledge & Kegan Paul.score: 144.0
    Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression. This title available in eBook format. Click here for more information . Visit our eBookstore at: www.ebookstore.tandf.co.uk.
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  32. Leonardo V. Distaso (2004). The Paradox of Existence: Philosophy and Aesthetics in the Young Schelling. Kluwer Academic Publishers.score: 144.0
    This essay reconstructs Schelling's philosophical development during the years 1794-1800. It emphasizes the role of Kant's heritage within Schelling's early philosophy, and the strong relationship between Schelling and Hölderlin during their Tübingen years. The central question it explores is how the Absolute relates to Finiteness - a relation that constitutes the basis of transcendental idealism as well as the essence of a transcendental philosophy, here radically understood as a philosophy of finitude and as a critical aesthetics. (...)
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  33. Matthew Kieran (ed.) (2005). Contemporary Debates in Aesthetics and Philosophy of Art. Blackwell.score: 144.0
    The contributions to this volume provide a thorough introduction to the major topics in contemporary aesthetics and the philosophy of art, in the distinctive format of philosophers engaging in head-to-head debate at a level accessible to ...
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  34. Martin Kaplický (2011). Aesthetics in the Philosophy of Alfred North Whitehead. Estetika 48 (2):157-171.score: 144.0
    Alfred North Whitehead published no book or article strictly on aesthetics. Nonetheless, in his philosophical writings he mentions several times that aesthetic experience is the key to his metaphysics. In fundamental places of his philosophical system, moreover, he uses expressions like ‘aesthetic experience’, ‘aesthetic fact’, ‘aesthetic unity’, and ‘aesthetic order’. These expressions do not, however, refer to human conscious experience alone, but to all entities of the universe. That has led some scholars to the conviction that these terms are (...)
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  35. Katherine W. Robinson & Kevin C. Elliott (2011). Environmental Aesthetics and Public Environmental Philosophy. Ethics, Policy and Environment 14 (2):175 - 191.score: 144.0
    We argue that environmental aesthetics, and specifically the concept of aesthetic integrity, should play a central role in a public environmental philosophy designed to communicate about environmental problems in an effective manner. After developing the concept of the ?aesthetic integrity? of the environment, we appeal to empirical research to show that it contributes significantly to people?s sense of place, which is, in turn, central to their well-being and motivational state. As a result, appealing to aesthetic integrity in policy (...)
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  36. Timothy M. Costelloe (2007). Aesthetics and Morals in the Philosophy of David Hume. Routledge.score: 144.0
    General rules and "of the standard of taste" -- Aesthetic beauty and moral beauty -- Antinomy and error -- Reflection and character -- Beauty and moral life -- Progress and prejudice -- Philosophy and moral life.
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  37. Eric Dayton (ed.) (1999). Art and Interpretation: An Anthology of Readings in Aesthetics and the Philosophy of Art. Broadview Press.score: 144.0
    Art and Interpretation is a comprehensive anthology of readings on aesthetics. Its aim is to present fundamental philosophical issues in such a way as to create a common vocabulary for those from diverse backgrounds to communicate meaningfully about aesthetic issues. To that end, the editor has provided selections from a wide variety of challenging works in aesthetic theory, both classical and modern. The approach is often cross-disciplinary. Within the discipline of philosophy it seeks to balance readings from the (...)
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  38. Michael J. Demoor (2006). The Philosophy of Art in Reid's Inquiry and Its Place in 18th-Century Scottish Aesthetics. Journal of Scottish Philosophy 4 (1):37-49.score: 138.0
    Abstract It is argued that the scattered remarks on the fine arts made in Reid's Inquiry into the Human Mind (1764) present a conception of the relation between perception and the fine arts that is at once compatible with and different from Reid's mature theory of art in Of Taste (1785). This alternative account of art-relevant perception also points beyond the limits of a philosophy of art developed according to the traditional theory of taste dominant in 18th-century Scottish aesthetic (...)
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  39. Vladimir D. Thomas (2010). Francis Halsall, Julia Jansen, and Tony O'Connor, Eds. Rediscovering Aesthetics: Transdisciplinary Voices From Art History, Philosophy, and Art Practice Reviewed By. Philosophy in Review 30 (2):90-92.score: 138.0
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  40. Sandra A. Wawrytko (2013). Sedimentation in Chinese Aesthetics and Epistemology: A Buddhist Expansion of Confucian Philosophy. Journal of Chinese Philosophy 40 (3-4):473-492.score: 138.0
    Li Zehou's theory of sedimentation seeks to explain the uniqueness of the human species through its use of tools, both physical and cognitive, leading to cultures grounded in aesthetic taste and the prospect of suprabiological beings. However, the very sedimentation that constructs human culture can stagnate into obstructing sediment. Buddhist philosophy offers an epistemology of desedimentation that avoids attachment to cultural sediment without summarily rejecting its potential usefulness. More specifically, Buddhist “wisdom embracing all species” allows us to recognize our (...)
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  41. John Ayotunde Isola Bewaji (2012). Black Aesthetics: Beauty and Culture: An Introduction to African and African Diaspora Philosophy of Arts. Africa World Press.score: 138.0
    Introduction -- Biographical details -- The nature of the philosophic enterprise: initial issues -- Contemporary scholarship on (African) arts -- Artistic expression in Africa -- Philosophy and artistic expression in Africa -- Arts, memory and identity -- Conclusion.
     
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  42. Brian Bruya (2003). Li Zehou's Aesthetics as a Marxist Philosophy of Freedom. Dialogue and Universalism 13 (11-12):133-140.score: 138.0
    After being largely unknown to non-siniphone philosophers, Li Zehou's ideas are gradually being translated into English, but very little has been done on his aesthetics, which he says is the key to his oeuvre. In the first of three sections of this paper, I briefly introduce the reader to Kant's aesthetics through Li's eyes, in which he develops an implicit notion of aesthetic freedom as political vehicle through the notions of subjectivity, universalization, and the unity of the cognitive (...)
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  43. Daniel Alan Herwitz (2008). Aesthetics: Key Concepts in Philosophy. Continuum.score: 138.0
    Introduction and the birth of aesthetics -- Taste and judgment -- Art and experience -- Modern definitions of art and the problem of new media -- Conclusion: Art and truth.
     
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  44. Dale Nichols (1938). A Philosophy of Esthetics. Chicago, the Black Cat Press.score: 138.0
     
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  45. Maurice Merleau-Ponty (1993). The Merleau-Ponty Aesthetics Reader: Philosophy and Painting. Northwestern University Press.score: 132.0
    PART INTRODUCTIONS TO MERLEAU- PONTY'S PHI LOSOPH Y OF PAI NTI NG Galen A. Johnson ...
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  46. Immanuel Kant (2005). Notes and Fragments: Logic, Metaphysics, Moral Philosophy, Aesthetics. Cambridge University Press.score: 132.0
    This volume provides the first ever extensive translation of the notes and fragments that survived Kant's death in 1804. These include marginalia, lecture notes, and sketches and drafts for his published works. They are important as an indispensable resource for understanding Kant's intellectual development and published works, casting new light on Kant's conception of his own philosophical methods and his relations to his predecessors, as well as on central doctrines of his work such as the theory of space, time and (...)
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  47. Elisabeth Schellekens & Peter Goldie (eds.) (2011). The Aesthetic Mind: Philosophy and Psychology. Oxford University Press.score: 132.0
    The Aesthetic Mind breaks new ground in bringing together empirical sciences and philosophy to enhance our understanding of aesthetics and the experience of art.
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  48. Daniel J. Boorstin (1941/1996). The Mysterious Science of the Law: An Essay on Blackstone's Commentaries Showing How Blackstone, Employing Eighteenth Century Ideas of Science, Religion, History, Aesthetics, and Philosophy, Made of the Law at Once a Conservative and a Mysterious Science. University of Chicago Press.score: 132.0
    Referred to as the "bible of American lawyers," Blackstone's Commentaries on the Laws of England shaped the principles of law in both England and America when its first volume appeared in 1765. For the next century that law remained what Blackstone made of it. Daniel J. Boorstin examines why Commentaries became the most essential knowledge that any lawyer needed to acquire. Set against the intellectual values of the eighteenth century-and the notions of Reason, Nature, and the Sublime-- Commentaries is at (...)
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  49. Ricardo Luiz Silveira da Costa (2012). The Aesthetics of the Body in the Philosophy and Art of the Middle Ages: Text and Image. Trans/Form/Ação 35 (SPE):161-178.score: 132.0
    A ideia de beleza - e sua consequente fruição estética - variou conforme as transformações das sociedades humanas, no tempo. Durante a Idade Média, coexistiram diversas concepções de qual era o papel do corpo na hierarquia dos valores estéticos, tanto na Filosofia quanto na Arte. Nossa proposta é apresentar a estética do corpo medieval que alguns filósofos desenvolveram em seus tratados (particularmente Isidoro de Sevilha, Hildegarda de Bingen, João de Salisbury, Bernardo de Claraval e Tomás de Aquino), além de algumas (...)
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  50. William A. Hammond (1967). A Bibliography of Aesthetics and of the Philosophy of the Fine Arts From 1900-1932. New York, Russell & Russell.score: 132.0
     
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