Search results for 'Aesthetics Terminology' (try it on Scholar)

1000+ found
Sort by:
  1. Evental Aesthetics (2013). Animals and Aesthetics (Volume 2, Number 2, 2013). Evental Aesthetics 2 (2):1-123.score: 180.0
    In this special issue on animals and aesthetics, contributors explore encounters with animals in art and thought.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  2. Evental Aesthetics (2012). Aesthetics After Hegel (Volume 1, Number 1, 2012). Evental Aesthetics 1 (1):1-138.score: 160.0
    This issue is dedicated to thinking about art and current aesthetic perspectives through Hegelianism.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  3. Evental Aesthetics (2014). Evental Aesthetics (Vol. 3 No. 1,2014). Evental Aesthetics 3 (1):1-64.score: 160.0
    Our contributors explore a rich variety of aesthetic problems that bring about the self-reflexive re-evaluation of ideas.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  4. Evental Aesthetics (2013). Premodern Aesthetics (Volume 2, Number 1, 2013). Evental Aesthetics 2 (1):1-103.score: 150.0
    In this issue, our authors examine premodern art and theories of art, which preceded Descartes and the onset of philosophical modernity.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  5. Grounded Aesthetics (2000). Aesthetics and Modes of Analysis. In Stephen Linstead & Heather Höpfl (eds.), The Aesthetics of Organization. Sage Publications. 111.score: 150.0
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  6. James Mark Baldwin (1940). Dictionary of Philosophy and Psychology, Including Many of the Principal Conceptions of Ethics, Logic, Aesthetics, Philosophy of Religion, Mental Pathology, Anthropology, Biology, Neurology, Physiology, Economics, Political and Social Philosophy, Philology, Physical Science, and Education, and Giving a Terminology in English, French, German, and Italian. New York, P. Smith.score: 72.0
  7. Göran Sörbom (1966). Mimesis and Art. Stockholm, Svenska Bokförlaget (Bonnier).score: 60.0
     
    My bibliography  
     
    Export citation  
  8. Cameron Shelley (1998). Consciousness, Symbols and Aesthetics: A Just-so Story and its Implications in Susanne Langer's Mind: An Essay on Human Feeling. Philosophical Psychology 11 (1):45 – 66.score: 42.0
    Consciousness is a central theme of Susanne Langer's three-volume work Mind: An essay on human feeling. Langer proposes an evolutionary history of consciousness in order to establish a biological vocabulary for discussing the subject. This vocabulary is based on the qualities of organic processes rather than generic material objects. Her historical scenario and new terminology suggest that Langer views the “cash value” of consciousness in terms of symbolic thinking and aesthetics. This paper provides an overview of Langer's proposed (...)
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  9. Jonathan Maskit (2007). 'Line of Wreckage': Towards a Postindustrial Environmental Aesthetics. Ethics, Place and Environment 10 (3):323 – 337.score: 42.0
    Environmental aesthetics, largely because of its focus on 'natural' rather than artifactual environments, has ignored postindustrial sites. This article argues that this shortcoming stems from the nature-culture divide and that such sites ought to be considered by environmental aestheticians. Three forms of artistic engagement with postindustrial sites are explicated by looking at the work of Serra, Smithson, and others. It is argued that postindustrial art leads to a successively richer ability to see and thus think about such sites. Finally, (...)
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  10. Richard M. Shusterman (2007). Somaesthetics and the Revival of Aesthetics. Filozofski Vestnik 2.score: 42.0
    This paper examines the ten-year history of somaesthetics – describing the field's origins and genealogical roots, explaining its terminology, analyzing its structure, tracing its reception, exploring its most interesting applications, and responding to the most important criticisms that have been directed at it. Somaesthetics, as the paper shows, emerges from the framework of my work in pragmatist aesthetics which sought to revive aesthetics by bringing art closer to life and bridging the presumed divide between the aesthetic and (...)
    No categories
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  11. Edward Green (2005). A Note on Two Conceptions of Aesthetic Realism. British Journal of Aesthetics 45 (4):438-440.score: 36.0
    on great currency in analytic philosophical aesthetics. What is not generally known is that the American philosopher Eli Siegel called the philosophy he founded in the 1940s Aesthetic Realism. His philosophy has as its central principle: ‘The world, art, and self explain each other: each is the aesthetic oneness of opposites.’ Thus, two distinct uses of the same terminology exist, and should not be confused.
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  12. Timothy Sundell (2011). Disagreements About Taste. Philosophical Studies 155 (2):267-288.score: 26.0
    I argue for the possibility of substantive aesthetic disagreements in which both parties speak truly. The possibility of such disputes undermines an argument mobilized by relativists such as Lasersohn (Linguist Philos 28:643–686, 2005) and MacFarlane (Philos Stud 132:17–31, 2007) against contextualism about aesthetic terminology. In describing the facts of aesthetic disagreement, I distinguish between the intuition of dispute on the one hand and the felicity of denial on the other. Considered separately, neither of those phenomena requires that there be (...)
    Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  13. Suzanne Stern-Gillet (2000). Le Principe Du Beau Chez Plotin: Réflexions sur Enneas VI.7.32 et 33. Phronesis 45 (1):38-63.score: 26.0
    The status of beauty in Plotinus' metaphysics is unclear: is it a Form in Intellect, the Intelligible Principle itself, or the One? Basing themselves on a number of well-known passages in the "Enneads," and assuming that Plotinus' Forms are similar in function and status to Plato's, many scholars hold that Plotinus theorized beauty as a determinate entity in Intellect. Such assumptions, it is here argued, lead to difficulties over self-predication, the interpretation of Plotinus's rich and varied aesthetic terminology and, (...)
    Translate to English
    | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  14. Suzanne Stern-Gillet (2000). Le Principe Du Beau Chez Plotin: Réflexions sur "Enneas" VI.7.32 et 33. Phronesis 45 (1):38 - 63.score: 26.0
    The status of beauty in Plotinus' metaphysics is unclear: is it a Form in Intellect, the Intelligible Principle itself, or the One? Basing themselves on a number of well-known passages in the "Enneads," and assuming that Plotinus' Forms are similar in function and status to Plato's, many scholars hold that Plotinus theorized beauty as a determinate entity in Intellect. Such assumptions, it is here argued, lead to difficulties over self-predication, the interpretation of Plotinus's rich and varied aesthetic terminology and, (...)
    Translate to English
    | Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  15. Andrzej P. Kowalski (2011). Kulturoznawcza archeologia i prehistoria „kontynentu sztuki”. Filo-Sofija 11 (12 (2011/1)):291-310.score: 24.0
    Author: Kowalski Andrzej P. Title: CULTURAL ARCHAEOLOGY AND PREHISTORY OF THE CONTINENT OF ART (Kulturoznawcza archeologia i prehistoria Kontynentu sztuki) Source: Filo-Sofija year: 2011, vol:.12, number: 2011/1, pages: 291-310 Keywords: JERZY KMITA, CULTURAL ARCHAEOLOGY, THE CONTINENT OF ART, SHAMANISTIC ORIGINS OF ART Discipline: PHILOSOPHY Language: POLISH Document type: ARTICLE Publication order reference (Primary author’s office address): E-mail: www:The paper presents an attempt at application of Jerzy Kmita’s achievements in philosophy of art, aesthetics, axiology, and history of culture to the (...)
    No categories
    Translate to English
    | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  16. Karsten Friis Johansen (1999). A History of Ancient Philosophy: From the Beginning to Augustine. Routledge.score: 24.0
    Translated by Henrik Rosenmeier, A History of Ancient Philosophy charts the origins and development of ancient philosophical thought. For easy reference, the book is divided chronologically into six main parts. The sections are further divided into philosophers and philosophical movements: *Pre-Socratic Philosophy, including mythology, the Pythagoreans and Parmenides *The Great Century of Athens, including the Sophists and Socrates *Plato, including The Republic, The Symposium and The Timaeus *Aristotle, including The Physics, The Metaphysics and The Poetics *Hellenistic Philosophy, including the Sceptics, (...)
    No categories
     
    My bibliography  
     
    Export citation  
  17. Ryszard Palacz (2011). Władysław Tatarkiewicz jako historyk filozofii. Kilka uwag. Filo-Sofija 11 (13-14 (2011/2-3)).score: 24.0
    Author: Palacz Ryszard Title: WŁADYSŁAW TATARKIEWICZ AS A HISTORIAN OF PHILOSOPHY – A FEW REMARKS (Władysław Tatarkiewicz jako historyk filozofii. Kilka uwag) Source: Filo-Sofija year: 2011, vol:.13/14, number: 2011/2-3, pages: 487-495 Keywords: WŁADYSŁAW TATARKIEWICZ, HISTORY OF PHILOSOPHY, TEACHING OF PHILOSOPHY Discipline: PHILOSOPHY Language: POLISH Document type: ARTICLE Publication order reference (Primary author’s office address): E-mail: www:Władysław Tatarkiewicz (1886–1980) was a versatile scholar, active and fertile in a number of fields: Philosophy, History of Philosophy, Ethics, Aesthetics, and also History of (...)
    No categories
    Translate to English
    | Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  18. E. Wolff (2007). Oor Die Estetika van Kos En Die Kookkuns. South African Journal of Philosophy 25 (4):290-304.score: 24.0
    : On the aesthetics of food and the art of cooking The aesthetic nature of food and cooking is a neglected field in philosophical aesthetics. This neglect is due, among others, to the intellectual perspective on art and the anthropological dualism characteristic of modernism. In this essay the aesthetics of food and the art of cooking are explored. The system of food in philosophy firstly examined. In the second part, a distinction is made between natural and culinary (...)
    No categories
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  19. Robin James (2011). &Quot;feminist Aesthetics, Popular Music, and the Politics of the 'Mainstream'&Quot;. In L. Ryan Musgrave (ed.), Feminist Aesthetics and Philosophy of Art. Springer.score: 21.0
    While feminist aestheticians have long interrogated gendered, raced, and classed hierarchies in the arts, feminist philosophers still don’t talk much about popular music. Even though Angela Davis and bell hooks have seriously engaged popular music, they are often situated on the margins of philosophy. It is my contention that feminist aesthetics has a lot to offer to the study of popular music, and the case of popular music points feminist aesthetics to some of its own limitations and unasked (...)
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  20. Bence Nanay (forthcoming). Philosophy of Perception as a Guide to Aesthetics. In Greg Currie, Aaron Meskin, Matthew Kieran & Jon Robson (eds.), Aesthetics and the Sciences of the Mind.score: 21.0
    The aim of this paper is to argue that it is a promising avenue of research to consider philosophy of perception to be a guide to aesthetics. More precisely, my claim is that many, maybe even most, traditional problems in aesthetics are in fact about philosophy of perception that can, as a result, be fruitfully addressed with the help of the conceptual apparatus of philosophy of perception. This claim may sound provocative, but after qualifying what I mean by (...)
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  21. J. J. Tinguely (2013). Kantian Meta-Aesthetics and the Neglected Alternative. British Journal of Aesthetics 53 (2):211-235.score: 21.0
    In this article, firstly, I begin by articulating four logically different positions Kant has been argued to hold concerning the nature and meaning of ‘aesthetic judgement’ so that, secondly, I may endorse the alternative that has been almost entirely neglected: that is, aesthetic judgement should be understood to be both ‘internalist’ in that the pleasure of taste is a constitutive element of the judgement itself (rather than its external effect or prior referent) and ‘objective’ insofar as the pleasure of taste (...)
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  22. Christoph Menke (2010). Not Yet. The Philosophical Significance of Aesthetics. Nordic Journal of Aesthetics 21 (39).score: 21.0
    The paper asks for the preconditions and the consequences of the emergence of aesthetics in and for philosophy. The question is: what does it mean for philosophy to engage the question of the aesthetic? My answer will be: it means nothing less than putting philosophy in question. Or, more precisely: by engaging the question of the aesthetic, philosophy puts itself in question. In order to show this, I will refer to a brief passage in the Phenomenology of the Spirit (...)
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  23. Morten Kyndrup (2010). Aesthetics and its Future. Problems and Perspectives. Nordic Journal of Aesthetics 21 (39).score: 21.0
    This presentation argues that the question about “future” presupposes an analysis of the current state of the discipline, which again in turn must be seen in the light of its history. The presentation then unfolds a rough reconstruction of that history from Baumgarten and Kant, over Romanticism’s establishing of the partnership with Art and Truth in the continental tradition and up to 20th century’s settling with especially that tradition, led by endeavours both within art itself, in the art sciences, and (...)
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  24. Karlheinz Lüdeking (2010). The Limits of Conceptual Analysis in Aesthetics. Nordic Journal of Aesthetics 21 (39).score: 21.0
    In order to understand why analytic aesthetics has lost a lot of its former intellectual stature it is necessary to combine historical reconstruction with systematic consideration. In the middle of the twentieth century analytic philosophers came to the conclusion that essentialist theories of the “nature” of art are no longer tenable. As a consequence they felt compelled to move to the meta-level of conceptual analysis. Then they tried to show how a purely classificatory concept of art is used. The (...)
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  25. Johan Hartle (2014). The Struggle is Beautiful: On the Aesthetics of Leftist Politics. Nordic Journal of Aesthetics 23 (44-45).score: 21.0
    Aesthetic discourse has always openly or secretly been linked to political projects. According to some main strands of aesthetic discourse modern aesthetics mirrors the structure of social and political emancipation and key elements of aesthetic discourse coincide with the political ontology of the left. Marxist and Post-Marxist critics have emphasized that the struggle for emancipation is indirectly present in the historical constitution of aesthetics as a discipline – although in a merely imaginary and displaced form. Therefore, however, it (...)
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  26. Peter Osborne (2014). Temporalization as Transcendental Aesthetics - Avant-Garde, Modern, Contemporary. Nordic Journal of Aesthetics 23 (44-45).score: 21.0
    Reflections on the relationship of aesthetics to politics tend to circle, almost compulsively, around a relatively stable set of conceptual oppositions, inherited from German philosophies of the late 18th century. This essay proposes an expansion of the theoretical terms of the debate by extending the field of transcendental aesthetics into the domain of historical temporalization. Fundamental art-historical categories may thereby be incorporated, philosophically transformed, into ‘aesthetics’ as forms of historical temporalization: avant-garde, modern, contemporary. The essay expounds two (...)
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  27. Richard Shusterman (2012). Back to the Future: Aesthetics Today. Nordic Journal of Aesthetics 23 (43).score: 21.0
    This paper originated as the keynote address at the conference “Aesthetics Today” organized by the Finnish Society of Aesthetics to mark its 40th anniversary and was delivered at the University of Helsinki on March 1, 2012. Written for that particular occasion the sense of an oral presentation has been maintained. Shusterman’s point of departure is the thesis that contemporary aesthetics can be characterized by a number of leading themes that mark a return to older aesthetic perspectives, after (...)
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  28. Paolo Diego Bubbio (2007). Literary Aesthetics and Knowledge in René Girard’s Mimetic Theory. Literature and Aesthetics 17 (1):35-50.score: 21.0
    René Girard’s mimetic theory has significantly influenced the fields of comparative literature and cultural studies, as well as sociological anthropology and philosophy. Nevertheless, I argue that a somewhat different line of interpretation, an interdisciplinary one, has not been sufficiently investigated. This involves an interpretation which focuses on the vicissitudes of the mimetic and “victimage” circle not (or not only) in sociological terms, but by analysing their articulation on the level of knowledge. The sociological and epistemological perspectives do not exclude each (...)
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  29. Robert Hopkins (2005). Aesthetics, Experience, and Discrimination. Journal of Aesthetics and Art Criticism 63 (2):119–133.score: 19.0
    Can indistinguishable objects differ aesthetically? Manifestationism answers ‘no’ on the grounds that (i) aesthetically significant features of an object must show up in our experience of it; and (ii) a feature—aesthetic or not—figures in our experience only if we can discriminate its presence. Goodman’s response to Manifestationism has been much discussed, but little understood. I explain and reject it. I then explore an alternative. Doubles can differ aesthetically provided, first, it is possible to experience them differently; and, second, those experiences (...)
    Direct download (9 more)  
     
    My bibliography  
     
    Export citation  
  30. Jason E. Smith (2014). Form-of-Life: From Politics to Aesthetics (and Back). Nordic Journal of Aesthetics 23 (44-45).score: 19.0
    This article examines an often-mentioned but largely undeveloped concept in the work of Giorgio Agamben and in particular his Homo Sacer project: form-of-life. What is at stake in this concept is, I attempt to show, a way of thinking “politics” outside of the space of sovereignty. By examining a short text on this notion published just before the opening installment of the Homo Sacer sequence, this article demonstrates the way this early formulation of the concept is indebted to certain strains (...)
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  31. Vladimir J. Konečni (2013). Empirical Psycho-Aesthetics and Her Sisters: Substantive and Methodological Issues—Part I. Journal of Aesthetic Education 46 (4):1-12.score: 19.0
    This article is in two parts, with part II to appear in the next issue of JAE (Spring 2013). Part I (with six sections), in this issue, has two related objectives. The first objective is to examine a number of key substantive, methodological, and science-practice issues related to the field designated here as empirical psycho-aesthetics. The second objective is to present an outline of its origin and discuss certain important features of several related fields—experimental philosophy, cognitive-science-and-art, (cognitive) neuroscience of (...)
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  32. Allen Carlson (2000). Aesthetics and the Environment: The Appreciation of Nature, Art, and Architecture. Routledge.score: 18.0
    Aesthetics and the Environment presents fresh and fascinating insights into our interpretation of the environment. Traditional aesthetics is often associated with the appreciation of art, but Allen Carlson shows how much of our aesthetic experience does not encompass art but nature--in our response to sunsets, mountains or horizons or more mundane surroundings, like gardens or the view from our window. Carlson argues that knowledge of what it is we are appreciating is essential to having an appropriate aesthetic experience (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  33. Florian Cova & Nicolas Pain (2012). Can Folk Aesthetics Ground Aesthetic Realism? The Monist 95 (2):241-263.score: 18.0
    We challenge an argument that aims to support Aesthetic Realism by claiming, first, that common sense is realist about aesthetic judgments because it considers that aesthetic judgments can be right or wrong, and, second, that becauseAesthetic Realism comes from and accounts for “folk aesthetics,” it is the best aesthetic theory available.We empirically evaluate this argument by probing whether ordinary people with no training whatsoever in the subtle debates of aesthetic philosophy consider their aesthetic judgments as right or wrong. Having (...)
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  34. Peter Lamarque (2007). Aesthetics and Literature: A Problematic Relation? Philosophical Studies 135 (1):27 - 40.score: 18.0
    The paper argues that there is a proper place for literature within aesthetics but that care must be taken in identifying just what the relation is. In characterising aesthetic pleasure associated with literature it is all too easy to fall into reductive accounts, for example, of literature as merely “fine writing”. Belleslettrist or formalistic accounts of literature are rejected, as are two other kinds of reduction, to pure meaning properties and to a kind of narrative realism. The idea is (...)
    Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  35. Malcolm Budd (2002). The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature. Oxford University Press.score: 18.0
    The aesthetics of nature has over the last few decades become an intense focus of philosophical reflection, as it has been ever more widely recognised that it is not a mere appendage to the aesthetics of art. Everyone delights in the beauty of flowers, and some are thrilled by the immensity of mountains or of the night sky. But what is involved in serious aesthetic appreciation of the natural world? Malcolm Budd presents four interlinked studies in the (...) of nature, approaching the subject from a variety of angles. As well as developing Budd's own original ideas, the book provides a comprehensive treatment of Kant's classic aesthetics of nature, and an encyclopaedic critical survey of recent literature on the subject. (shrink)
    Direct download  
     
    My bibliography  
     
    Export citation  
  36. R. Keith Sawyer (2000). Improvisation and the Creative Process: Dewey, Collingwood, and the Aesthetics of Spontaneity. Journal of Aesthetics and Art Criticism 58 (2):149-161.score: 18.0
  37. Matthew Kieran (ed.) (2006). Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell Pub..score: 18.0
    Contemporary Debates in Aesthetics and the Philosophy of Art features pairs of newly commissioned essays by some of the leading theorists working in the field today. Brings together fresh debates on eleven of the most controversial issues in aesthetics and the philosophy of art Topics addressed include the nature of beauty, aesthetic experience, artistic value, and the nature of our emotional responses to art. Each question is treated by a pair of opposing essays written by eminent scholars, and (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  38. Frank Sibley (2001). Approach to Aesthetics: Collected Papers on Philosophical Aesthetics. Oxford University Press.score: 18.0
    A complete collection of Frank Sibley's articles on philosophical aesthetics, this volume includes five, remarkable, hitherto unpublished papers written in Sibley's later years. It addresses many topics, among them the nature of aesthetic qualities versus non-aesthetic qualities, the relation of aesthetic description to aesthetic evaluation, the different levels of evaluation, and the objectivity of aesthetic judgement. The later papers constitute both a significant development of Sibley's individual approach to aesthetics, such as his discussion of the distinction between attributive (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  39. Jerrold Levinson (2006). Contemplating Art: Essays in Aesthetics. Oxford University Press.score: 18.0
    Contemplating Art is a compendium of writings from the last ten years by one of the leading figures in aesthetics, Jerrold Levinson. The twenty-four essays range over issues in general aesthetics and those relating to specific arts--in particular music, film, and literature. It will appeal not only to philosophers but also to musicologists, literary theorists, art critics, and reflective lovers of the arts.
    Direct download  
     
    My bibliography  
     
    Export citation  
  40. Yuriko Saito (2001). Everyday Aesthetics. Philosophy and Literature 25 (1):87-95.score: 18.0
    Neglect of everyday aesthetics -- Significance of everyday aesthetics -- Aesthetics of distinctive characteristics and ambience -- Everyday aesthetic qualities and transience -- Moral-aesthetic judgments of artifacts.
    Direct download (7 more)  
     
    My bibliography  
     
    Export citation  
  41. Jacques Rancière (2006). The Politics of Aesthetics: The Distribution of the Sensible. Continuum.score: 18.0
    The Politics of Aesthetics rethinks the relation between art and politics, reclaiming 'aesthetics' from its current narrow confines to reveal its significance ...
    Direct download  
     
    My bibliography  
     
    Export citation  
  42. Arnold Berleant (2005). Aesthetics and Environment: Variations on a Theme. Ashgate Pub. Ltd..score: 18.0
    I: Environmental aesthetics -- A phenomenological aesthetics of environment -- Aesthetic dimensions of environmental design -- Down the garden path -- The wilderness city : a study of metaphorical experience -- Aesthetics of the coastal environment -- The world from the water -- Is there life in virtual space? -- Is greasy lake a place? -- Embodied music -- II: Social aesthetics -- The idea of a cultural aesthetic -- The social evaluation of art -- Subsidization (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  43. Paul Guyer (1993). Kant and the Experience of Freedom: Essays on Aesthetics and Morality. Cambridge University Press.score: 18.0
    This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Guyer shows that at the very core of Kant's aesthetic theory, disinterestedness of taste becomes an experience of freedom and thus an essential accompaniment to morality itself. At the same time he reveals how Kant's moral theory includes a distinctive place for the cultivation of both general moral sentiments and particular attachments on the basis of (...)
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  44. Paul Crowther (1993). Art and Embodiment: From Aesthetics to Self-Consciousness. Oxford University Press.score: 18.0
    In his Critical Aesthetics and Postmodernism, Paul Crowther argued that art and aesthetic experiences have the capacity to humanize. In Art and Embodiment he develops this theme in much greater depth, arguing that art can bridge the gap between philosophy's traditional striving for generality and completeness, and the concreteness and contingency of humanity's basic relation to the world. As the key element in his theory, he proposes an ecological definition of art. His strategy involves first mapping out and analyzing (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  45. Priyan Dias (2011). Aesthetics and Ethics in Engineering: Insights From Polanyi. [REVIEW] Science and Engineering Ethics 17 (2):233-243.score: 18.0
    Polanyi insisted that scientific knowledge was intensely personal in nature, though held with universal intent. His insights regarding the personal values of beauty and morality in science are first enunciated. These are then explored for their relevance to engineering. It is shown that the practice of engineering is also governed by aesthetics and ethics. For example, Polanyi’s three spheres of morality in science—that of the individual scientist, the scientific community and the wider society—has parallel entities in engineering. The existence (...)
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  46. Jerrold Levinson (ed.) (1998). Aesthetics and Ethics: Essays at the Intersection. Cambridge University Press.score: 18.0
    This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship. As such its potential interest is by no means confined to professional philosophers; it should also appeal to art historians and critics, literary theorists, and students of film. Prominent philosophers in both aesthetics and ethics tackle a wide array of issues. Some of the questions explored in the volume (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  47. Allen Carlson (2009). Nature and Landscape: An Introduction to Environmental Aesthetics. Columbia University Press.score: 18.0
    The development and nature of environmental aesthetics -- Aesthetic appreciation and the natural environment -- The requirements for an adequate aesthetics of nature -- Aesthetic appreciation and the human environment -- Appreciation of the human environment under different conceptions -- Aesthetic appreciation and the agricultural landscape -- What is the correct way to aesthetically appreciate landscapes?
    Direct download  
     
    My bibliography  
     
    Export citation  
  48. Emily Brady (2003). Aesthetics of the Natural Environment. University of Alabama Press.score: 18.0
    Emily Brady provides a systematic account of aesthetics in relation to the natural environment, offering a critical understanding of what aesthetic appreciation ...
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  49. Monroe C. Beardsley, Lars Aagaard-Mogensen & Luk de Vos (eds.) (1986). Text, Literature, and Aesthetics: In Honor of Monroe C. Beardsley. Rodopi.score: 18.0
    Foreword Large parts of Monroe Beardsley's production in the field of aesthetics treat literature, the theory of meaning, and the philosophy of language. ...
    Direct download  
     
    My bibliography  
     
    Export citation  
  50. Kathleen Stock & Katherine Thomson-Jones (eds.) (2008). New Waves in Aesthetics. Palgrave Macmillan.score: 18.0
    Leading young scholars present a collection of wide-ranging essays covering central problems in meta-aesthetics and aesthetic issues in the philosophy of mind, as well as offering analyses of key aesthetic concepts, new perspectives on the history of aesthetics, and specialized treatment of individual art forms.
    Direct download  
     
    My bibliography  
     
    Export citation  
1 — 50 / 1000