Search results for 'Aesthetics, Ancient' (try it on Scholar)

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  1. Rudolf Arnheim (1997). Ancient Chinese Aesthetics and its Modernity. British Journal of Aesthetics 37 (2):155-157.score: 126.0
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  2. J. Harrell (2005). Ancient Aesthetics. In Władysław Tatarkiewicz (ed.), History of Aesthetics. New York,Continuum.score: 126.0
     
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  3. Irene Winter (2002). Defining 'Aesthetics' for Non-Western Studies: The Case of Ancient Mesopotamia. In Michael Ann Holly & Keith P. F. Moxey (eds.), Art History, Aesthetics, Visual Studies. Sterling and Francine Clark Art Institute. 3--19.score: 126.0
     
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  4. G. R. F. Ferrari (2004). The History of Mimesis S. Halliwell: The Aesthetics of Mimesis. Ancient Texts and Modern Problems . Pp. XV + 424. Princeton and Oxford: Princeton University Press, 2002. Paper, £17.95 (Cased, £45). Isbn: 0-691-09258-3 (0-691-04882-7 Hbk). [REVIEW] The Classical Review 54 (01):67-.score: 120.0
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  5. Sarah E. Worth (2004). The Aesthetics of Mimesis: Ancient Texts and Modern Problems Stephen Halliwell Princeton, NJ: Princeton University Press, 2002, Ix + 424 Pp., $24.95 Paper. [REVIEW] Dialogue 43 (01):194-.score: 120.0
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  6. Stephen Halliwell (2012). Aesthetics (O.V.) Bychkov Aesthetic Revelation. Reading Ancient and Medieval Texts After Hans Urs von Balthasar. Pp. Xviii + 349. Washington, D.C.: The Catholic University of America Press, 2010. Cased, US$79.95. ISBN: 978-0-8132-1731-4. (O.V.) Bychkov, (A.) Sheppard (Edd., Trans.) Greek and Roman Aesthetics. Pp. Xlii + 249. Cambridge: Cambridge University Press, 2010. Paper, £17.99, US$30.99 (Cased, £55, US$95). ISBN: 978-0-521-54792-5 (978-0-521-83928-0 Hbk). [REVIEW] The Classical Review 62 (2):428-431.score: 120.0
  7. J. M. Eisenberg (1992). The Aesthetics of the Forger: Stylistic Criteria in Ancient Art Forgery. Minerva 3 (3):10-15.score: 120.0
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  8. Oliver Leaman (2003). Alexandrakis, Aphrodite, Ed. Neoplatonism and Western Aesthetics: Studies in Neoplatonism: Ancient and Modern, Vol. 12. Review of Metaphysics 56 (4):863-864.score: 120.0
  9. James I. Porter (forthcoming). The Poetics of Phantasia: Imagination in Ancient Aesthetics, by Anne Sheppard. Australasian Journal of Philosophy:1-1.score: 120.0
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  10. Matt Hills, Deborah Knight & George McKnight (2003). Dallas and Critical Spectatorship, and a Manuscript in Progress, Aristotle on Essence and Human Nature. Cynthia A. Freeland is Associate Professor of Philosophy and Director of Women's Studies at the University of Houston. She has Published Widely on Topics in Ancient Philosophy and Aesthetics, is The. [REVIEW] In Steven Jay Schneider & Daniel Shaw (eds.), Dark Thoughts: Philosophic Reflections on Cinematic Horror. Scarecrow Press. 291.score: 120.0
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  11. James Porter (2008). The Disgrace of Matter in Ancient Aesthetics. In I. Sluiter & Ralph Mark Rosen (eds.), Kakos: Badness and Anti-Value in Classical Antiquity. Brill. 283--317.score: 120.0
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  12. Sitansu Ray (2003). Aesthetics of Ancient Indian Sylvan Colonies and Gardens: Tagore's Reflexions. Analecta Husserliana 78:151-162.score: 120.0
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  13. H. Tarrant (2004). The Aesthetics of Mimesis: Ancient Texts and Modern Problems. By Stephen Halliwell. The European Legacy 9:562-563.score: 120.0
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  14. Sarah E. Worth (2004). The Aesthetics of Mimesis Ancient Texts and Modern Problems. Dialogue 43 (1):194-194.score: 120.0
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  15. O. V. Bychkov (ed.) (2010). Greek and Roman Aesthetics. Cambridge University Press.score: 90.0
    Machine generated contents note: Gorgias: Encomium of Helen; Plato: Ion; Hippias Major; Symposium; Republic; Phaedrus; Timaeus; Sophist; Xenophon: Memoirs of Socrates; Aristotle: Poetics; Politics; Philodemus: On Poems; On Music; Cicero: On Rhetorical Invention; On the Ideal Orator; Orator; On Moral Ends; On the Nature of the Gods; Tusculan Disputations; On Duties; Seneca: Letters to Lucilius; On the Award and Reception of Favours; Longinus: On Sublimity: Philostratus: Life of Apollonius of Tyana; Pictures; Philostratus the Younger: Pictures; Aristides Quintilianus: On Music; Plotinus: (...)
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  16. Eva Schaper (1968). Prelude to Aesthetics. London, Allen & Unwin.score: 90.0
     
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  17. Ananta Charana Sukla (1977). The Concept of Imitation in Greek and Indian Aesthetics. Rupa.score: 90.0
     
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  18. Oswald Hanfling (ed.) (1992). Philosophical Aesthetics: An Introduction. Open University.score: 66.0
    This volume contains surveys of the main issues in philosophical aesthetics, as discussed by thinkers from ancient Greece to modern times.
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  19. A. Sheppard (2013). The Origins of Aesthetic Thought in Ancient Greece: Matter, Sensation, and Experience. British Journal of Aesthetics 53 (3):367-369.score: 66.0
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  20. Justino Fernández (1964). An Aesthetic of Mexican Art: Ancient and Modern. Journal of Aesthetics and Art Criticism 23 (1):21-28.score: 66.0
  21. Alessandro Giovannelli (ed.) (2012). Aesthetics: The Key Thinkers. Continuum.score: 66.0
    Offers a comprehensive historical overview of the field of aesthetics. Eighteen specially commissioned essays introduce and explore the contributions of those philosophers who have shaped the subject, from its origins in the work of the ancient Greeks to contemporary developments in the 21st Century. -/- The book reconstructs the history of aesthetics, clearly illustrating the most important attempts to address such crucial issues as the nature of aesthetic judgment, the status of art, and the place of the arts within (...)
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  22. Nickolas Pappas (2012). The Origins of Aesthetic Thought in Ancient Greece: Matter, Sensation, and Experience by Porter,L James I. Journal of Aesthetics and Art Criticism 70 (3):323-326.score: 66.0
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  23. Philip J. Kain (1982). Schiller, Hegel, and Marx: State, Society, and the Aesthetic Ideal of Ancient Greece. McGill-Queen's University Press.score: 66.0
    Aesth. Hegel, Aesthetics Aesth. Ed. Schiller, On the Aesthetic Education of Man CI1PR Marx, Critique of Hegel's Philosophy of Right Civil War Marx, The Civil War in France CPE Marx, Critique of Political Economy Em. Hegel, Enzyklopadie der ...
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  24. Bernard Goldman (1961). The Question of a Judaic Aesthetic in Ancient Synagogue Art. Journal of Aesthetics and Art Criticism 19 (3):295-304.score: 66.0
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  25. George Dickie (1997). Introduction to Aesthetics: An Analytic Approach. Oxford University Press.score: 66.0
    This book is an introduction to aesthetics, from the perspective of analytic philosophy. It traces aesthetics from its ancient beginnings through the changes it underwent in the eighteenth, nineteenth, and the first half of the twentieth century. The responses in the 1960s of the cultural theories to these earlier developments are discussed in detail. Five traditional art evaluational theories, Beardsley's and Goodman's evaluational theories, and the author's own evaluational theory are presented. Four miscellaneous topics are discussed - internationalist criticism, (...)
     
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  26. K. Friis Johansen (1998). A History of Ancient Philosophy: From the Beginnings to Augustine. Routledge.score: 66.0
    This book discusses key philosophical concepts and ideologies, including ontology, epistemology, logic, semantics, moral and political philosophy, theology and aesthetics during classical antiquity. Karsten Friis Johansen charts the history of ancient philosophy from the mythological oral tradition, Homer and early tragedy, to the giants of Plato and Aristotle through to paganism and the genesis of Christianity. A History of Ancient Philosophy also presents detailed analysis of individual ancient philosophers and interpretations and commentary on key philosophical passages.
     
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  27. Dana LaCourse Munteanu (2012). Tragic Pathos: Pity and Fear in Greek Philosophy and Tragedy. Cambridge University Press.score: 62.0
    Machine generated contents note: Introduction; Part I. Theoretical Views about Pity and Fear as Aesthetic Emotions: 1. Drama and the emotions: an Indo-European connection? 2. Gorgias: a strange trio, the poetic emotions; 3. Plato: from reality to tragedy and back; 4. Aristotle: the first 'theorist' of the aesthetic emotions; Part II. Pity and Fear within Tragedies: 5. An introduction; 6. Aeschylus: Persians; 7. Prometheus Bound; 8. Sophocles: Ajax; 9. Euripides: Orestes; Appendix: catharsis and the emotions in the definition of tragedy (...)
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  28. Stephen Davies (2007). Balinese Aesthetics. Journal of Aesthetics and Art Criticism 65 (1):21–29.score: 60.0
    According to the Balinese expert, Dr. Anak Agung Mad ´e Djelantik, “no writings about aesthetics specifically as a discipline exist in Bali.”1 The arts are discussed in ancient palm leaf texts, but mainly in connection with religion, spirituality, ceremony, and the like. However, there are famous accounts by expatriate Westerners and anthropologists.2 There have also been collaborations between Balinese and Western scholars.3 In addition, there is a significant literature written in Indonesian by Balinese experts, beginning in the 1970s.4 Considerable (...)
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  29. Margaret R. Miles (1999). Plotinus on Body and Beauty: Society, Philosophy, and Religion in Third-Century Rome. Blackwell.score: 60.0
    Miles brings Plotinus' thought alive for the twenty-first century by relating it to present day concerns.
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  30. Eva C. Keuls (1978). Plato and Greek Painting. Brill.score: 60.0
    INTRODUCTION Any scholar undertaking to add yet another book title to the already virtually uncontrollable bibliography on Plato needs justification. ...
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  31. Rupert Clendon Lodge (1953/1975). Plato's Theory of Art. Russell & Russell.score: 60.0
    First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
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  32. Jean Christophe Bailly (2005). Le Champ Mimétique. Seuil.score: 60.0
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  33. Constantine Cavarnos (2001). Aristotle's Theory of the Fine Arts: With Special Reference to Their Value in Education and Therapy. Institute for Byzantine and Modern Greek Studies.score: 60.0
     
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  34. Constantine Cavarnos (1998). Plato's Theory of Fine Art. Institute for Byzantine and Modern Greek Studies.score: 60.0
     
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  35. C. de Deugd (1971). From Religion to Criticism. Amsterdam,Athenaeum-Polak & Van Gennep.score: 60.0
     
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  36. A. E. Denham (ed.) (2012). Plato on Art and Beauty. Palgrave Macmillan.score: 60.0
     
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  37. Jeffrey Anthony Mitscherling (2006). The Image of a Second Sun: Plato on Poetry, Rhetoric, and the Technē of Mimēsis. Humanity Books.score: 60.0
  38. J. M. E. Moravcsik & Philip Temko (eds.) (1982). Plato on Beauty, Wisdom, and the Arts. Rowman and Littlefield.score: 60.0
     
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  39. Iris Murdoch (1977/1990). The Fire and the Sun: Why Plato Banished the Artists. Viking.score: 60.0
     
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  40. Whitney Jennings Oates (1972). Plato's View of Art. New York,Scribner.score: 60.0
     
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  41. Göran Sörbom (1966). Mimesis and Art. Stockholm, Svenska Bokförlaget (Bonnier).score: 60.0
     
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  42. Dietmar Till (2006). Das Doppelte Erhabene: Eine Argumentationsfigur von der Antike Bis Zum Beginn des 19. Jahrhunderts. Niemeyer.score: 60.0
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  43. Alfred Uçi (2003). Universi Estetik I Antikitetit Greko-Romak. Shtëpia Botuese "Dita 2000".score: 60.0
    [v. 1] Antikitetit greko-romak -- v. 3. Bota moderne.
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  44. Gong Zhang (2009). Li Shi Shi Ye Zhong de Shi Jian Mei Xue. Fa Lü Chu Ban She.score: 60.0
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  45. Christopher Janaway (1995). Images of Excellence: Plato's Critique of the Arts. Oxford University Press.score: 54.0
    This original new book argues for a reassessment of Plato's challenge to the arts. Plato was the first great figure in Western philosophy to assess the value of the arts; he argued in the Republic that traditionally accepted forms of poetry, drama, and music are unsound. While this view has been widely rejected, Janaway argues that Plato's hostile case is a more coherent and profound challenge to the arts than has sometimes been supposed. Denying that Plato advocates "good art" in (...)
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  46. Chengji Liu (2008). The Body and its Image in Classical Chinese Aesthetics. Frontiers of Philosophy in China 3 (4):577-594.score: 54.0
    Richard Shusterman’s Pragmatist Aesthetics : Living Beauty, Rethinking Art was published in China in 2002. In the preface of the Chinese edition, the author claimed that his tentative idea of soma esthetics was encouraged by Chinese philosophy and other ancient Asian philosophy. Shusterman’s background in pragmatist philosophy greatly constrains his understanding of the body in classical Chinese aesthetics in that he only pays attention to the technical aspects of physical training while neglecting the philosophical basis of this training. In (...)
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  47. Stephen Houlgate, Hegel's Aesthetics.score: 54.0
    G.W.F. Hegel's aesthetics, or philosophy of art, forms part of the extraordinarily rich German aesthetic tradition that stretches from J.J. Winckelmann's Thoughts on the Imitation of the Painting and Sculpture of the Greeks (1755) and G.E. Lessing's Laocoon (1766) through Immanuel Kant's Critique of the Power of Judgment (1790) and Friedrich Schiller's Letters on the Aesthetic Education of Man (1795) to Friedrich Nietzsche's Birth of Tragedy (1872) and (in the twentieth century) Martin Heidegger's The Origin of the Work of Art (...)
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  48. G. W. F. Hegel (1998). Aesthetics: Volume 2. Clarendon Press.score: 54.0
    In his Aesthetics Hegel gives full expression to his seminal theory of art. He surveys the history of art from ancient India, Egypt, and Greece through to the Romantic movement of his own time, criticizes major works, and probes their meaning and significance; his rich array of examples gives broad scope for his judgement and makes vivid his exposition of his theory. -/- The substantial Introduction is Hegel's best exposition of his general philosophy of art, and provides the ideal (...)
     
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  49. G. W. F. Hegel (1998). Aesthetics: Volume 1. Clarendon Press.score: 54.0
    In his Aesthetics Hegel gives full expression to his seminal theory of art. He surveys the history of art from ancient India, Egypt, and Greece through to the Romantic movement of his own time, criticizes major works, and probes their meaning and significance; his rich array of examples gives broad scope for his judgement and makes vivid his exposition of his theory. -/- The substantial Introduction is Hegel's best exposition of his general philosophy of art, and provides the ideal (...)
     
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  50. Karsten Friis Johansen (1999). A History of Ancient Philosophy: From the Beginning to Augustine. Routledge.score: 54.0
    Translated by Henrik Rosenmeier, A History of Ancient Philosophy charts the origins and development of ancient philosophical thought. For easy reference, the book is divided chronologically into six main parts. The sections are further divided into philosophers and philosophical movements: *Pre-Socratic Philosophy, including mythology, the Pythagoreans and Parmenides *The Great Century of Athens, including the Sophists and Socrates *Plato, including The Republic, The Symposium and The Timaeus *Aristotle, including The Physics, The Metaphysics and The Poetics *Hellenistic Philosophy, including (...)
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