Search results for 'Aesthetics, Ancient' (try it on Scholar)

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  1. Iep Author, Aesthetics, Ancient.
    Ancient Aesthetics It could be argued that ‘ancient aesthetics’ is an anachronistic term, since aesthetics as a discipline originated in 18th century Germany. Nevertheless, there is considerable evidence that ancient Greek and Roman philosophers discussed and theorised about the nature and value of aesthetic properties. They also undoubtedly contributed to the development of the later … Continue reading Aesthetics, Ancient →.
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  2.  67
    Rudolf Arnheim (1997). Ancient Chinese Aesthetics and its Modernity. British Journal of Aesthetics 37 (2):155-157.
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    Wladyslaw Tatarkiewicz (1972). History of Aesthetics. I: Ancient Aesthetics. II: Medieval Aesthetics. Journal of Aesthetics and Art Criticism 31 (1):129-130.
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  4. J. Harrell (2005). Ancient Aesthetics. In Władysław Tatarkiewicz (ed.), History of Aesthetics. New York,Continuum
     
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  5. Irene Winter (2002). Defining 'Aesthetics' for Non-Western Studies: The Case of Ancient Mesopotamia. In Michael Ann Holly & Keith P. F. Moxey (eds.), Art History, Aesthetics, Visual Studies. Sterling and Francine Clark Art Institute 3--19.
     
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  6.  4
    Malcolm Heath (2015). The Poetics of Phantasia. Imagination in Ancient Aesthetics_ _, Written by Sheppard, A. International Journal of the Platonic Tradition 9 (2):232-234.
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  7.  13
    Stephen Halliwell (2012). Aesthetics Bychkov Aesthetic Revelation. Reading Ancient and Medieval Texts After Hans Urs von Balthasar. Pp. Xviii + 349. Washington, D.C.: The Catholic University of America Press, 2010. Cased, US$79.95. ISBN: 978-0-8132-1731-4. Bychkov, Sheppard Greek and Roman Aesthetics. Pp. Xlii + 249. Cambridge: Cambridge University Press, 2010. Paper, £17.99, US$30.99 . ISBN: 978-0-521-54792-5. [REVIEW] The Classical Review 62 (2):428-431.
  8.  13
    Oliver Leaman (2003). Alexandrakis, Aphrodite, Ed. Neoplatonism and Western Aesthetics: Studies in Neoplatonism: Ancient and Modern, Vol. 12. Review of Metaphysics 56 (4):863-864.
  9.  4
    Simon Goldhill (2015). IMAGINATION. A. Sheppard The Poetics of Phantasia. Imagination in Ancient Aesthetics. Pp. Xiv + 122. London and New York: Bloomsbury Academic, 2014. Cased, £65. ISBN: 978-1-4725-0765-5. [REVIEW] The Classical Review 65 (1):68-70.
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    Steve H. Rutledge (2015). The World of Tacitus’ Dialogus de Oratoribus: Aesthetics and Empire in Ancient Rome by Christopher S. Van den Berg. Classical World: A Quarterly Journal on Antiquity 108 (4):573-574.
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  11.  5
    James I. Porter (2014). The Poetics of Phantasia: Imagination in Ancient Aesthetics, by Anne Sheppard. Australasian Journal of Philosophy 93 (2):412-413.
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  12.  14
    G. R. F. Ferrari (2004). The History of Mimesis S. Halliwell: The Aesthetics of Mimesis. Ancient Texts and Modern Problems . Pp. XV + 424. Princeton and Oxford: Princeton University Press, 2002. Paper, £17.95 (Cased, £45). Isbn: 0-691-09258-3 (0-691-04882-7 Hbk). [REVIEW] The Classical Review 54 (01):67-.
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    Sitansu Ray (2003). Aesthetics of Ancient Indian Sylvan Colonies and Gardens: Tagore's Reflexions. Analecta Husserliana 78:151-162.
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  14. J. M. Eisenberg (1992). The Aesthetics of the Forger: Stylistic Criteria in Ancient Art Forgery. Minerva 3 (3):10-15.
     
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  15.  11
    Sarah E. Worth (2004). The Aesthetics of Mimesis: Ancient Texts and Modern Problems Stephen Halliwell Princeton, NJ: Princeton University Press, 2002, Ix + 424 Pp., $24.95 Paper. [REVIEW] Dialogue 43 (01):194-.
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  16.  1
    James Porter (2008). The Disgrace of Matter in Ancient Aesthetics. In I. Sluiter & Ralph Mark Rosen (eds.), Kakos: Badness and Anti-Value in Classical Antiquity. Brill 283--317.
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  17. Matt Hills, Deborah Knight & George McKnight (2003). Dallas and Critical Spectatorship, and a Manuscript in Progress, Aristotle on Essence and Human Nature. Cynthia A. Freeland is Associate Professor of Philosophy and Director of Women's Studies at the University of Houston. She has Published Widely on Topics in Ancient Philosophy and Aesthetics, is The. [REVIEW] In Steven Jay Schneider & Daniel Shaw (eds.), Dark Thoughts: Philosophic Reflections on Cinematic Horror. Scarecrow Press 291.
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  18. J. Muller (2004). Halliwell, Stephen: The Aesthetics of Mimesis. Ancient Texts and Modern Problems. Archiv für Geschichte der Philosophie 86:226.
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  19. Alessandro Nannini (2015). Ancient or Modern? Alexander G. Baumgarten and the Coming of Age of Aesthetics. Filozofija I Društvo 26 (3):629-651.
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  20. H. Tarrant (2004). The Aesthetics of Mimesis: Ancient Texts and Modern Problems. By Stephen Halliwell. The European Legacy 9:562-563.
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  21. Sarah E. Worth (2004). The Aesthetics of Mimesis Ancient Texts and Modern Problems. Dialogue 43 (1):194-194.
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  22.  4
    Rebecca Bensen Cain (2012). Greek and Roman Aesthetics by Bychkov, Oleg V. And Anne Sheppard. Journal of Aesthetics and Art Criticism 70 (2):242-245.
    This article is a book review. I provide a detailed summary and critical assessment of the anthology by Bychkov and Sheppard.
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  23.  2
    Ahuvia Kahane & S. Reece (1994). The Stranger's Welcome: Oral Theory and the Aesthetics of the Homeric Hospitality Scene. Journal of Hellenic Studies 114:181.
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  24. Shane Butler & Alex C. Purves (eds.) (2013). Synaesthesia and the Ancient Senses. Acumen.
     
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  25.  2
    O. V. Bychkov (ed.) (2010). Greek and Roman Aesthetics. Cambridge University Press.
    Machine generated contents note: Gorgias: Encomium of Helen; Plato: Ion; Hippias Major; Symposium; Republic; Phaedrus; Timaeus; Sophist; Xenophon: Memoirs of Socrates; Aristotle: Poetics; Politics; Philodemus: On Poems; On Music; Cicero: On Rhetorical Invention; On the Ideal Orator; Orator; On Moral Ends; On the Nature of the Gods; Tusculan Disputations; On Duties; Seneca: Letters to Lucilius; On the Award and Reception of Favours; Longinus: On Sublimity: Philostratus: Life of Apollonius of Tyana; Pictures; Philostratus the Younger: Pictures; Aristides Quintilianus: On Music; Plotinus: (...)
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  26. Eva Schaper (1968). Prelude to Aesthetics. London, Allen & Unwin.
     
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  27. Ananta Charana Sukla (1977). The Concept of Imitation in Greek and Indian Aesthetics. Rupa.
     
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  28.  64
    Oswald Hanfling (ed.) (1992). Philosophical Aesthetics: An Introduction. Open University.
    This volume contains surveys of the main issues in philosophical aesthetics, as discussed by thinkers from ancient Greece to modern times.
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  29. G. W. F. Hegel (1998). Aesthetics Lectures on Fine Art. Monograph Collection (Matt - Pseudo).
    In his Aesthetics Hegel gives full expression to his seminal theory of art. He surveys the history of art from ancient India, Egypt, and Greece through to the Romantic movement of his own time, criticizes major works, and probes their meaning and significance; his rich array of examples gives broad scope for his judgement and makes vivid his exposition of his theory. The substantial Introduction is Hegel's best exposition of his general philosophy of art, and provides the ideal way (...)
     
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  30.  18
    Iris Murdoch (1977). The Fire and the Sun: Why Plato Banished the Artists. Viking.
  31.  47
    George Dickie (1997). Introduction to Aesthetics: An Analytic Approach. Oxford University Press.
    This book is an introduction to aesthetics, from the perspective of analytic philosophy. It traces aesthetics from its ancient beginnings through the changes it underwent in the eighteenth, nineteenth, and the first half of the twentieth century. The responses in the 1960s of the cultural theories to these earlier developments are discussed in detail. Five traditional art evaluational theories, Beardsley's and Goodman's evaluational theories, and the author's own evaluational theory are presented. Four miscellaneous topics are discussed - internationalist criticism, (...)
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  32.  3
    Grace M. Ledbetter (2002). Poetics Before Plato: Interpretation and Authority in Early Greek Theories of Poetry. Princeton University Press.
    Combining literary and philosophical analysis, this study defends an utterly innovative reading of the early history of poetics. It is the first to argue that there is a distinctively Socratic view of poetry and the first to connect the Socratic view of poetry with earlier literary tradition.Literary theory is usually said to begin with Plato's famous critique of poetry in the Republic. Grace Ledbetter challenges this entrenched assumption by arguing that Plato's earlier dialogues Ion, Protagoras, and Apology introduce a distinctively (...)
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  33. Filippo Fimiani (2002). Lo sguardo a picco: Sul sublime in Filostrato. Studi di Estetica 26:147-170.
    This paper is dedicated to the Εἰκόνες of the two Philostrati and to the Ἐκφράσεις of Callistratus, that is to say to three Greek works that bear important witness to the genre of art criticism in Antiquity and which concern both literary history and the history of art. The first series of Εἰκόνες is the work of Philostratus the Elder (2nd-3rd century AD) and comprises sixty-five descriptions of paintings with mythological subjects, which the author assures us he has seen in (...)
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  34. K. Friis Johansen (1998). A History of Ancient Philosophy: From the Beginnings to Augustine. Routledge.
    This book discusses key philosophical concepts and ideologies, including ontology, epistemology, logic, semantics, moral and political philosophy, theology and aesthetics during classical antiquity. Karsten Friis Johansen charts the history of ancient philosophy from the mythological oral tradition, Homer and early tragedy, to the giants of Plato and Aristotle through to paganism and the genesis of Christianity. A History of Ancient Philosophy also presents detailed analysis of individual ancient philosophers and interpretations and commentary on key philosophical passages.
     
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  35.  15
    Alessandro Giovannelli (ed.) (2012). Aesthetics: The Key Thinkers. Continuum.
    Offers a comprehensive historical overview of the field of aesthetics. Eighteen specially commissioned essays introduce and explore the contributions of those philosophers who have shaped the subject, from its origins in the work of the ancient Greeks to contemporary developments in the 21st Century. -/- The book reconstructs the history of aesthetics, clearly illustrating the most important attempts to address such crucial issues as the nature of aesthetic judgment, the status of art, and the place of the arts within (...)
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  36. Karsten Friis Johansen (1999). A History of Ancient Philosophy: From the Beginning to Augustine. Routledge.
    Translated by Henrik Rosenmeier, A History of Ancient Philosophy charts the origins and development of ancient philosophical thought. For easy reference, the book is divided chronologically into six main parts. The sections are further divided into philosophers and philosophical movements: *Pre-Socratic Philosophy, including mythology, the Pythagoreans and Parmenides *The Great Century of Athens, including the Sophists and Socrates *Plato, including The Republic, The Symposium and The Timaeus *Aristotle, including The Physics, The Metaphysics and The Poetics *Hellenistic Philosophy, including (...)
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  37.  40
    Stephen Davies (2007). Balinese Aesthetics. Journal of Aesthetics and Art Criticism 65 (1):21–29.
    According to the Balinese expert, Dr. Anak Agung Mad ´e Djelantik, “no writings about aesthetics specifically as a discipline exist in Bali.”1 The arts are discussed in ancient palm leaf texts, but mainly in connection with religion, spirituality, ceremony, and the like. However, there are famous accounts by expatriate Westerners and anthropologists.2 There have also been collaborations between Balinese and Western scholars.3 In addition, there is a significant literature written in Indonesian by Balinese experts, beginning in the 1970s.4 Considerable (...)
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  38.  2
    I. M. Fowlie & J. G. Warry (1964). Greek Aesthetic Theory: A Study of Callistic and Aesthetic Concepts in the Works of Plato and Aristotle. Philosophical Quarterly 14 (54):87.
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  39. Julia L. Shear & G. Nagy (2004). Plato's Rhapsody and Homer's Music. The Poetics of the Panathenaic Festival in Classical Athens. Journal of Hellenic Studies 124:182.
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  40. Göran Sörbom (1966). Mimesis and Art. Stockholm, Svenska Bokförlaget (Bonnier).
     
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  41.  15
    Eva C. Keuls (1978). Plato and Greek Painting. Brill.
    INTRODUCTION Any scholar undertaking to add yet another book title to the already virtually uncontrollable bibliography on Plato needs justification. ...
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  42. Erwin Panofsky & Joseph J. S. Peake (1968). Idea a Concept in Art Theory. University of South Carolina Press.
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  43.  1
    Malcolm Heath & M. Kardaun (1995). Der Mimesisbegriff in der griechischen Antike: Neubetrachtung eines umstrittenen Begriffes als Ansatz zu einer neuen Interpretation der platonischen Kunstauffassung. Journal of Hellenic Studies 115:196.
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  44. I. Bywater (1909). Aristotle on the Art of Poetry. Journal of Hellenic Studies 29:384.
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  45. Jean Christophe Bailly (2005). Le Champ Mimétique. Seuil.
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  46. Constantine Cavarnos (2001). Aristotle's Theory of the Fine Arts: With Special Reference to Their Value in Education and Therapy. Institute for Byzantine and Modern Greek Studies.
     
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  47. Constantine Cavarnos (1998). Plato's Theory of Fine Art. Institute for Byzantine and Modern Greek Studies.
     
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  48. Matthew Clark (1997). Out of Line Homeric Composition Beyond the Hexameter.
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  49. C. de Deugd (1971). From Religion to Criticism. Amsterdam,Athenaeum-Polak & Van Gennep.
     
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  50. A. E. Denham (ed.) (2012). Plato on Art and Beauty. Palgrave Macmillan.
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