Search results for 'Aesthetics, Ancient Congresses' (try it on Scholar)

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  1. J. M. E. Moravcsik & Philip Temko (eds.) (1982). Plato on Beauty, Wisdom, and the Arts. Rowman and Littlefield.
  2.  64
    Rudolf Arnheim (1997). Ancient Chinese Aesthetics and its Modernity. British Journal of Aesthetics 37 (2):155-157.
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  3.  1
    Wladyslaw Tatarkiewicz (1972). History of Aesthetics. I: Ancient Aesthetics. II: Medieval Aesthetics. Journal of Aesthetics and Art Criticism 31 (1):129-130.
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  4. J. Harrell (2005). Ancient Aesthetics. In Władysław Tatarkiewicz (ed.), History of Aesthetics. New York,Continuum
     
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  5. Irene Winter (2002). Defining 'Aesthetics' for Non-Western Studies: The Case of Ancient Mesopotamia. In Michael Ann Holly & Keith P. F. Moxey (eds.), Art History, Aesthetics, Visual Studies. Sterling and Francine Clark Art Institute 3--19.
     
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  6.  1
    Steve H. Rutledge (2015). The World of Tacitus’ Dialogus de Oratoribus: Aesthetics and Empire in Ancient Rome by Christopher S. Van den Berg. Classical World: A Quarterly Journal on Antiquity 108 (4):573-574.
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  7.  5
    James I. Porter (2014). The Poetics of Phantasia: Imagination in Ancient Aesthetics, by Anne Sheppard. Australasian Journal of Philosophy 93 (2):412-413.
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  8.  11
    Stephen Halliwell (2012). Aesthetics Bychkov Aesthetic Revelation. Reading Ancient and Medieval Texts After Hans Urs von Balthasar. Pp. Xviii + 349. Washington, D.C.: The Catholic University of America Press, 2010. Cased, US$79.95. ISBN: 978-0-8132-1731-4. Bychkov, Sheppard Greek and Roman Aesthetics. Pp. Xlii + 249. Cambridge: Cambridge University Press, 2010. Paper, £17.99, US$30.99 . ISBN: 978-0-521-54792-5. [REVIEW] The Classical Review 62 (2):428-431.
  9.  9
    Oliver Leaman (2003). Alexandrakis, Aphrodite, Ed. Neoplatonism and Western Aesthetics: Studies in Neoplatonism: Ancient and Modern, Vol. 12. Review of Metaphysics 56 (4):863-864.
  10.  12
    G. R. F. Ferrari (2004). The History of Mimesis S. Halliwell: The Aesthetics of Mimesis. Ancient Texts and Modern Problems . Pp. XV + 424. Princeton and Oxford: Princeton University Press, 2002. Paper, £17.95 (Cased, £45). Isbn: 0-691-09258-3 (0-691-04882-7 Hbk). [REVIEW] The Classical Review 54 (01):67-.
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  11.  11
    Sarah E. Worth (2004). The Aesthetics of Mimesis: Ancient Texts and Modern Problems Stephen Halliwell Princeton, NJ: Princeton University Press, 2002, Ix + 424 Pp., $24.95 Paper. [REVIEW] Dialogue 43 (01):194-.
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  12.  2
    J. M. Eisenberg (1992). The Aesthetics of the Forger: Stylistic Criteria in Ancient Art Forgery. Minerva 3 (3):10-15.
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  13.  0
    Simon Goldhill (2015). IMAGINATION. A. Sheppard The Poetics of Phantasia. Imagination in Ancient Aesthetics. Pp. Xiv + 122. London and New York: Bloomsbury Academic, 2014. Cased, £65. ISBN: 978-1-4725-0765-5. [REVIEW] The Classical Review 65 (1):68-70.
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  14. Matt Hills, Deborah Knight & George McKnight (2003). Dallas and Critical Spectatorship, and a Manuscript in Progress, Aristotle on Essence and Human Nature. Cynthia A. Freeland is Associate Professor of Philosophy and Director of Women's Studies at the University of Houston. She has Published Widely on Topics in Ancient Philosophy and Aesthetics, is The. [REVIEW] In Steven Jay Schneider & Daniel Shaw (eds.), Dark Thoughts: Philosophic Reflections on Cinematic Horror. Scarecrow Press 291.
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  15. J. Muller (2004). Halliwell, Stephen: The Aesthetics of Mimesis. Ancient Texts and Modern Problems. Archiv für Geschichte der Philosophie 86:226.
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  16.  0
    James Porter (2008). The Disgrace of Matter in Ancient Aesthetics. In I. Sluiter & Ralph Mark Rosen (eds.), Kakos: Badness and Anti-Value in Classical Antiquity. Brill 283--317.
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  17.  0
    Sitansu Ray (2003). Aesthetics of Ancient Indian Sylvan Colonies and Gardens: Tagore's Reflexions. Analecta Husserliana 78:151-162.
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  18. H. Tarrant (2004). The Aesthetics of Mimesis: Ancient Texts and Modern Problems. By Stephen Halliwell. The European Legacy 9:562-563.
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  19. Sarah E. Worth (2004). The Aesthetics of Mimesis Ancient Texts and Modern Problems. Dialogue 43 (1):194-194.
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  20. Milan Damnjanović (ed.) (1980). The Creativity and the Human World: Proceedings of the 9th Intern. Congress of Aesthetics = Stvaralaštvo I Ljudski Svet: Akti 9. Medjunarodnog Kongresa Za Estetiku. [REVIEW] International Congress of Aesthetics.
    v. 1-3. Section papers, plenary sessions papers -- [v. 4] Abstracts.
     
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  21. Rudolf Walter Zeitler (ed.) (1972). Proceedings of the Sixth International Congress of Aesthetics, Uppsala 1968. Stockholm,Almqvist & Wiksell (Distr.).
     
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  22.  16
    Stephen Copley & Peter Garside (eds.) (1994). The Politics of the Picturesque: Literature, Landscape, and Aesthetics Since 1770. Cambridge University Press.
    The Picturesque (a set of theories, ideas, and conventions which grew up around the question of how we look at landscape) offers a valuable focus for new investigations into the literary, artistic, social, and cultural history of the late eighteenth and nineteenth centuries. This volume of essays by scholars from various disciplines in Britain and America incorporates a range of historically and theoretically challenging approaches to the topic. It covers the writers most closely identified with the exposition of the Picturesque (...)
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  23.  2
    Ahuvia Kahane & S. Reece (1994). The Stranger's Welcome: Oral Theory and the Aesthetics of the Homeric Hospitality Scene. Journal of Hellenic Studies 114:181.
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  24. Shane Butler & Alex C. Purves (eds.) (2013). Synaesthesia and the Ancient Senses. Acumen.
     
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  25.  2
    O. V. Bychkov (ed.) (2010). Greek and Roman Aesthetics. Cambridge University Press.
    Machine generated contents note: Gorgias: Encomium of Helen; Plato: Ion; Hippias Major; Symposium; Republic; Phaedrus; Timaeus; Sophist; Xenophon: Memoirs of Socrates; Aristotle: Poetics; Politics; Philodemus: On Poems; On Music; Cicero: On Rhetorical Invention; On the Ideal Orator; Orator; On Moral Ends; On the Nature of the Gods; Tusculan Disputations; On Duties; Seneca: Letters to Lucilius; On the Award and Reception of Favours; Longinus: On Sublimity: Philostratus: Life of Apollonius of Tyana; Pictures; Philostratus the Younger: Pictures; Aristides Quintilianus: On Music; Plotinus: (...)
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  26. Eva Schaper (1968). Prelude to Aesthetics. London, Allen & Unwin.
     
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  27. Ananta Charana Sukla (1977). The Concept of Imitation in Greek and Indian Aesthetics. Rupa.
     
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  28. Jay Appleton (ed.) (1980). The Aesthetics of Landscape: Proceedings of a Symposium Held in the University of Hull 17-19 September 1976. Rural Planning Services.
     
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  29. Rudolf Haller (ed.) (1984). Aesthetics. D. Reidel [Distributor].
     
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  30. Erwin W. Straus & Richard Marion Griffith (eds.) (1970). Aisthesis and Aesthetics. Pittsburgh, Pa.,Duquesne University Press.
     
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  31.  47
    Oswald Hanfling (ed.) (1992). Philosophical Aesthetics: An Introduction. Open University.
    This volume contains surveys of the main issues in philosophical aesthetics, as discussed by thinkers from ancient Greece to modern times.
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  32.  17
    George Dickie (1997). Introduction to Aesthetics: An Analytic Approach. Oxford University Press.
    This book is an introduction to aesthetics, from the perspective of analytic philosophy. It traces aesthetics from its ancient beginnings through the changes it underwent in the eighteenth, nineteenth, and the first half of the twentieth century. The responses in the 1960s of the cultural theories to these earlier developments are discussed in detail. Five traditional art evaluational theories, Beardsley's and Goodman's evaluational theories, and the author's own evaluational theory are presented. Four miscellaneous topics are discussed - internationalist criticism, (...)
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  33.  59
    Justino Fernández (1964). An Aesthetic of Mexican Art: Ancient and Modern. Journal of Aesthetics and Art Criticism 23 (1):21-28.
  34.  15
    A. Sheppard (2013). The Origins of Aesthetic Thought in Ancient Greece: Matter, Sensation, and Experience. British Journal of Aesthetics 53 (3):367-369.
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  35.  7
    Nickolas Pappas (2012). The Origins of Aesthetic Thought in Ancient Greece: Matter, Sensation, and Experience by Porter,L James I. Journal of Aesthetics and Art Criticism 70 (3):323-326.
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  36.  2
    Bernard Goldman (1961). The Question of a Judaic Aesthetic in Ancient Synagogue Art. Journal of Aesthetics and Art Criticism 19 (3):295-304.
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  37.  0
    I. M. Fowlie & J. G. Warry (1964). Greek Aesthetic Theory: A Study of Callistic and Aesthetic Concepts in the Works of Plato and Aristotle. Philosophical Quarterly 14 (54):87.
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  38. K. Friis Johansen (1998). A History of Ancient Philosophy: From the Beginnings to Augustine. Routledge.
    This book discusses key philosophical concepts and ideologies, including ontology, epistemology, logic, semantics, moral and political philosophy, theology and aesthetics during classical antiquity. Karsten Friis Johansen charts the history of ancient philosophy from the mythological oral tradition, Homer and early tragedy, to the giants of Plato and Aristotle through to paganism and the genesis of Christianity. A History of Ancient Philosophy also presents detailed analysis of individual ancient philosophers and interpretations and commentary on key philosophical passages.
     
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  39.  11
    Alessandro Giovannelli (ed.) (2012). Aesthetics: The Key Thinkers. Continuum.
    Offers a comprehensive historical overview of the field of aesthetics. Eighteen specially commissioned essays introduce and explore the contributions of those philosophers who have shaped the subject, from its origins in the work of the ancient Greeks to contemporary developments in the 21st Century. -/- The book reconstructs the history of aesthetics, clearly illustrating the most important attempts to address such crucial issues as the nature of aesthetic judgment, the status of art, and the place of the arts within (...)
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  40. Karsten Friis Johansen (1999). A History of Ancient Philosophy: From the Beginning to Augustine. Routledge.
    Translated by Henrik Rosenmeier, A History of Ancient Philosophy charts the origins and development of ancient philosophical thought. For easy reference, the book is divided chronologically into six main parts. The sections are further divided into philosophers and philosophical movements: *Pre-Socratic Philosophy, including mythology, the Pythagoreans and Parmenides *The Great Century of Athens, including the Sophists and Socrates *Plato, including The Republic, The Symposium and The Timaeus *Aristotle, including The Physics, The Metaphysics and The Poetics *Hellenistic Philosophy, including (...)
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  41.  8
    Philip J. Kain (1982). Schiller, Hegel, and Marx: State, Society, and the Aesthetic Ideal of Ancient Greece. McGill-Queen's University Press.
    Aesth. Hegel, Aesthetics Aesth. Ed. Schiller, On the Aesthetic Education of Man CI1PR Marx, Critique of Hegel's Philosophy of Right Civil War Marx, The Civil War in France CPE Marx, Critique of Political Economy Em. Hegel, Enzyklopadie der ...
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  42. Roger Scruton (2000). Perictione in Colophon Reflections on the Aesthetic Way of Life.
     
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  43.  9
    Iris Murdoch (1977/1990). The Fire and the Sun: Why Plato Banished the Artists. Viking.
  44.  2
    Grace M. Ledbetter (2002). Poetics Before Plato: Interpretation and Authority in Early Greek Theories of Poetry. Princeton University Press.
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  45. Filippo Fimiani (2002). Lo sguardo a picco: Sul sublime in Filostrato. Studi di Estetica 26:147-170.
    This paper is dedicated to the Εἰκόνες of the two Philostrati and to the Ἐκφράσεις of Callistratus, that is to say to three Greek works that bear important witness to the genre of art criticism in Antiquity and which concern both literary history and the history of art. The first series of Εἰκόνες is the work of Philostratus the Elder (2nd-3rd century AD) and comprises sixty-five descriptions of paintings with mythological subjects, which the author assures us he has seen in (...)
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  46.  37
    Stephen Davies (2007). Balinese Aesthetics. Journal of Aesthetics and Art Criticism 65 (1):21–29.
    According to the Balinese expert, Dr. Anak Agung Mad ´e Djelantik, “no writings about aesthetics specifically as a discipline exist in Bali.”1 The arts are discussed in ancient palm leaf texts, but mainly in connection with religion, spirituality, ceremony, and the like. However, there are famous accounts by expatriate Westerners and anthropologists.2 There have also been collaborations between Balinese and Western scholars.3 In addition, there is a significant literature written in Indonesian by Balinese experts, beginning in the 1970s.4 Considerable (...)
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  47.  16
    Frederick Burwick & Walter Pape (eds.) (1990). Aesthetic Illusion: Theoretical and Historical Approaches. W. De Gruyter.
    Art treats appearance as appearance and thus does not want to be an illusion, but is true. [...] truths are illusions which we are oblivious of their being ...
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  48.  17
    Dana LaCourse Munteanu (2012). Tragic Pathos: Pity and Fear in Greek Philosophy and Tragedy. Cambridge University Press.
    Machine generated contents note: Introduction; Part I. Theoretical Views about Pity and Fear as Aesthetic Emotions: 1. Drama and the emotions: an Indo-European connection? 2. Gorgias: a strange trio, the poetic emotions; 3. Plato: from reality to tragedy and back; 4. Aristotle: the first 'theorist' of the aesthetic emotions; Part II. Pity and Fear within Tragedies: 5. An introduction; 6. Aeschylus: Persians; 7. Prometheus Bound; 8. Sophocles: Ajax; 9. Euripides: Orestes; Appendix: catharsis and the emotions in the definition of tragedy (...)
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  49.  7
    Aristotle (2013). Poetics. OUP Oxford.
    A founding text of European aestheticism and literary criticism, Poetics underpins our moden understanding of imaginative writing. Anthony Kenny's new translation is accompanied by associated material from Plato, Sir Philip Sidney, P. B. Shelley, and Dorothy L. Sayers and a wide-ranging introduction.
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  50.  0
    Julia L. Shear & G. Nagy (2004). Plato's Rhapsody and Homer's Music. The Poetics of the Panathenaic Festival in Classical Athens. Journal of Hellenic Studies 124:182.
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