Search results for 'Aesthetics, Indic' (try it on Scholar)

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  1. Kanti Chandra Pandey (1959). Comparative Aesthetics. Varanasi, Chowkhamba Sanskrit Series Office.
    v. 1. Indian aesthetics.--v. 2. Western aesthetics.
     
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  2. Haradvārī Lāla Śarmā (1990). Indian Aesthetics and Aesthetic Perspectives. Mansi Prakashan.
     
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  3. A. Ve Cuppiramaṇiyan̲ (2005). The Indian Theory of Aesthetics: A Reappraisal. Rashtriya Sanskrit Sansthan.
     
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  4. René Daumal (1982). Rasa, or, Knowledge of the Self: Essays on Indian Aesthetics and Selected Sanskrit Studies. New Directions.
    To approach the Hindu poetic art -- On Indian music -- Concerning Uday Shankar -- The origin of the theatre of Bharata -- Oriental book reviews -- The hymn of man -- To the liquid -- Knowledge of the self -- Some Sanskrit texts on poetry.
     
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  5. S. N. Ghoshal (1978). Elements of Indian Aesthetics. Chaukhambha Orientalia.
    v. 1. Aesthetic beauty & bliss in Indian literature & philosophy -- v. 2. Two streams of Indian Art. pt. 1. History, thoughts, and canon of Indian iconography -- pt. 2. The Tāntrika iconography -- pt. 3. Indian gesturology -- pt. 4. Primitive arts, crafts, and ālpanā.
     
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  6. Shyamala Gupta (1999). Art, Beauty, and Creativity: Indian and Western Aesthetics. D.K. Printworld.
     
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  7. Rekha Jhanji (1989). The Sensuous in Art: Reflections on Indian Aesthetics. Indian Institute of Advanced Study in Association with Motilal Banarsidass, Delhi.
     
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  8. K. Krishnamoorthy (1979). Studies in Indian Aesthetics and Criticism. D.V.K. Murthy.
     
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  9. K. Krishnamoorthy (1968). Some Thoughts on Indian Aesthetics and Literary Criticism. Prasaranga, University of Mysore.
     
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  10. Sneh Pandit (1977). An Approach to the Indian Theory of Art and Aesthetics.
     
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  11. Sushil Kumar Saxena (2010). Aesthetics: Approaches, Concepts, and Problems. D.K. Printworld.
     
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  12. Sushil Kumar Saxena (2009). Avenues to Beauty: Eight Essays in Aesthetics. D.K. Printworld.
     
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  13. Balram Srivastava (1985). Nature of Indian Aesthetics, with Special Reference to Śilpa. Chaukhambha Orientalia.
     
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  14. Ananta Charana Sukla (1977). The Concept of Imitation in Greek and Indian Aesthetics. Rupa.
     
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  15. A. M. Upadhyay (2012). The Eight Darlings of Indian Aesthetics. Book Can Also Be Ordered From Motilal Banarsidass.
     
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  16. Jaya Chamaraja Wadiyar (1956). An Aspect of Indian Aesthetics: Sir George Stanley Endowment Lectures, 1955-56, Delivered in February, 1956. University of Madras.
     
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  17. Y. S. Walimbe (1980). Abhinavagupta on Indian Aesthetics. Distributors, Ajanta Books International.
     
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  18. Seema Malik & Seema Kashyap (eds.) (2010). Ethics and Aesthetics: Essays in Indian Literature. Creative Books.
     
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  19. Abhinavagupta (1968). The Aesthetic Experience According to Abhinavagupta. Varanasi, Chowkhamba Sanskrit Series Office.
     
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  20. Mulk Raj Anand (1963). The Third Eye a Lecture on the Appreciation of Art. Published for the University of Punjab by D.C. Sharma.
     
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  21. Surendra Sheodas Barlingay (2007). A Modern Introduction to Indian Aesthetic Theory: The Development From Bharata to Jagannātha. D.K. Printworld.
     
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  22. Veṅkaṭ Cāminātan̲ (2004). Cila Kalai Āḷumaikaḷ, Paṭaippukaḷ. Cantiyā Patippakam.
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  23. Harsha V. Dehejia & Makarand R. Paranjape (eds.) (2003). Saundarya, the Perception and Practice of Beauty in India. Samvad India Foundation.
     
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  24. Ranjan K. Ghosh (2006). Great Indian Thinkers on Art: Creativity, Aesthetic Communication, and Freedom. Black & White.
     
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  25. Mysore Hiriyanna (1997). Art Experience. Manohar.
     
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  26. Rekha Jhanji (1985). Aesthetic Communication: The Indian Perspective. Munshiram Manoharlal.
     
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  27. T. M. P. Mahadevan (1969). The Philosophy of Beauty. Bombay, Bharatiya Vidya Bhavan.
     
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  28. Rameśa Kuntala Megha (2007). Śila Aura Saundarya: Bhārateśiyā Ke Sāmantīya Yuga Meṃ Bhakti Evaṃ Rīti Viyukta Mithuna. Ādhāra Prakāśana.
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  29. Kailāśa Pati Miśra (2005). Aesthetic Philosophy of Abhinavagupta. Kala Prakashan.
     
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  30. G. B. Mohan (1968). The Response to Poetry. [New Delhi]People's Pub. House.
     
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  31. Vishwanath S. Naravane (2000). Creative Stillness: Indian Perspectives on Art & Beauty. Distributors, Lokbharti.
     
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  32. P. Panchapagesa Sastri (1940). The Philosophy of Aesthetic Pleasure. Annamalai University.
     
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  33. Roy W. Perrett (ed.) (2001). Theory of Value. Garland.
     
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  34. P. V. [from old catalog] Rajamannar (1961). Aesthetic Experience. [Madras]University of Madras.
     
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  35. T. P. Ramachandran (1979). The Indian Philosophy of Beauty. Dr. S. Radhakrishnan Institute for Advanced Study in Philosophy, University of Madras.
    pt. 1. Perspective -- pt. 2. Special concepts.
     
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  36. G. V. Rama Krishna Rao (1956). Studies in Kalapurnodayam [Literature and its Value in Life with Special Reference to Kalapurnodayam]. Sahiti Kendram.
     
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  37. Pabitrakumar Roy (1990). Beauty, Art, and Man: Studies in Recent Indian Theories of Art. Indian Institute of Advanced Study in Association with Munshiram Manoharlal Publishers, New Delhi.
     
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  38. P. S. Sastri (1989). Indian Theory of Aesthetic. Bharatiya Vidya Prakashan.
     
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  39. Ramendra Kumar Sen (1966). Aesthetic Enjoyment; its Background in Philosophy and Medicine. [Calcutta]University of Calcutta.
     
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  40. Padma Sudhi (1983). Aesthetic Theories of India. Bhandarkar Oriental Research Institute.
     
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  41. Kapila Vatsyayan, D. P. Chattopadhyaya, Sharad Deshpande & Anand K. Anand (eds.) (2008). Aesthetic Theories and Forms in Indian Tradition. Distributed by Munshiram Manoharlal Publishers.
     
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  42. Ananda Kentish Coomaraswamy (1995). The Transformation of Nature in Art. Sterling Publishers Pvt. Ltd..
    The theory of art in Asia.--Meister Eckhart's view of art.--Reactions to art in India.--Aesthetic of the Śukranītsāra.--Paroksa.--Ábhása.--Origin and use of images in India.--Notes.--Sanskrit glossary.--List of Chinese characters.--Bibliography (p. [235]-245).
     
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  43. Florian Cova, Amanda Garcia & Shen-yi Liao (2015). Experimental Philosophy of Aesthetics. Philosophy Compass 10 (12):927-939.
    In the past decade, experimental philosophy---the attempt at making progress on philosophical problems using empirical methods---has thrived in a wide range of domains. However, only in recent years has aesthetics succeeded in drawing the attention of experimental philosophers. The present paper constitutes the first survey of these works and of the nascent field of 'experimental philosophy of aesthetics'. We present both recent experimental works by philosophers on topics such as the ontology of aesthetics, aesthetic epistemology, aesthetic concepts, and imagination, as (...)
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  44. Robin James (2011). Feminist Aesthetics, Popular Music, and the Politics of the 'Mainstream'. In L. Ryan Musgrave (ed.), Feminist Aesthetics and Philosophy of Art. Springer
    While feminist aestheticians have long interrogated gendered, raced, and classed hierarchies in the arts, feminist philosophers still don’t talk much about popular music. Even though Angela Davis and bell hooks have seriously engaged popular music, they are often situated on the margins of philosophy. It is my contention that feminist aesthetics has a lot to offer to the study of popular music, and the case of popular music points feminist aesthetics to some of its own limitations (...)
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  45.  59
    Emily Brady (2003). Aesthetics of the Natural Environment. University of Alabama Press.
    Emily Brady provides a systematic account of aesthetics in relation to the natural environment, offering a critical understanding of what aesthetic appreciation ...
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  46.  11
    Noël Carroll (2001). Beyond Aesthetics: Philosophical Essays. Cambridge University Press.
    Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories - those maintaining that authorial intention, art history, morality and emotional responses are irrelevant to the experience of art - Noël Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with art works. Throughout, the book combines philosophical theorizing with illustrative (...)
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  47.  22
    Richard Shusterman (1992). Pragmatist Aesthetics: Living Beauty, Rethinking Art. B. Blackwell.
    This much acclaimed book has emerged as neo-pragmatism's most significant contribution to contemporary aesthetics.
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  48. J. J. Tinguely (2013). Kantian Meta-Aesthetics and the Neglected Alternative. British Journal of Aesthetics 53 (2):211-235.
    In this article, firstly, I begin by articulating four logically different positions Kant has been argued to hold concerning the nature and meaning of ‘aesthetic judgement’ so that, secondly, I may endorse the alternative that has been almost entirely neglected: that is, aesthetic judgement should be understood to be both ‘internalist’ in that the pleasure of taste is a constitutive element of the judgement itself (rather than its external effect or prior referent) and ‘objective’ insofar as the pleasure of taste (...)
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  49. Kendall Walton (2007). Aesthetics—What? Why? And Wherefore? Journal of Aesthetics and Art Criticism 65 (2):147–161.
    It is a very great honor to address my friends and colleagues as president of the American Society for Aesthetics, an organization that plays a unique role in a field that is, at once, a major traditional branch of philosophy and also central to disciplines often regarded as remote from philosophy, as well as depending crucially on their contributions.
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  50.  91
    Jerrold Levinson (ed.) (1998). Aesthetics and Ethics: Essays at the Intersection. Cambridge University Press.
    This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship. As such its potential interest is by no means confined to professional philosophers; it should also appeal to art historians and critics, literary theorists, and students of film. Prominent philosophers in both aesthetics and ethics tackle a wide array of issues. Some of the questions explored in the volume (...)
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