Search results for 'Aesthetics, Indic' (try it on Scholar)

138 found
Sort by:
  1. Kanti Chandra Pandey (1959). Comparative Aesthetics. Varanasi, Chowkhamba Sanskrit Series Office.score: 42.0
    v. 1. Indian aesthetics.--v. 2. Western aesthetics.
     
    My bibliography  
     
    Export citation  
  2. S. N. Ghoshal (1978). Elements of Indian Aesthetics. Chaukhambha Orientalia.score: 40.0
    v. 1. Aesthetic beauty & bliss in Indian literature & philosophy -- v. 2. Two streams of Indian Art. pt. 1. History, thoughts, and canon of Indian iconography -- pt. 2. The Tāntrika iconography -- pt. 3. Indian gesturology -- pt. 4. Primitive arts, crafts, and ālpanā.
     
    My bibliography  
     
    Export citation  
  3. Haradvārī Lāla Śarmā (1990). Indian Aesthetics and Aesthetic Perspectives. Mansi Prakashan.score: 39.0
     
    My bibliography  
     
    Export citation  
  4. A. Ve Cuppiramaṇiyan̲ (2005). The Indian Theory of Aesthetics: A Reappraisal. Rashtriya Sanskrit Sansthan.score: 39.0
     
    My bibliography  
     
    Export citation  
  5. René Daumal (1982). Rasa, or, Knowledge of the Self: Essays on Indian Aesthetics and Selected Sanskrit Studies. New Directions.score: 39.0
    To approach the Hindu poetic art -- On Indian music -- Concerning Uday Shankar -- The origin of the theatre of Bharata -- Oriental book reviews -- The hymn of man -- To the liquid -- Knowledge of the self -- Some Sanskrit texts on poetry.
     
    My bibliography  
     
    Export citation  
  6. Shyamala Gupta (1999). Art, Beauty, and Creativity: Indian and Western Aesthetics. D.K. Printworld.score: 39.0
     
    My bibliography  
     
    Export citation  
  7. Rekha Jhanji (1989). The Sensuous in Art: Reflections on Indian Aesthetics. Indian Institute of Advanced Study in Association with Motilal Banarsidass, Delhi.score: 39.0
     
    My bibliography  
     
    Export citation  
  8. K. Krishnamoorthy (1979). Studies in Indian Aesthetics and Criticism. D.V.K. Murthy.score: 39.0
     
    My bibliography  
     
    Export citation  
  9. K. Krishnamoorthy (1968). Some Thoughts on Indian Aesthetics and Literary Criticism. Prasaranga, University of Mysore.score: 39.0
     
    My bibliography  
     
    Export citation  
  10. Sushil Kumar Saxena (2010). Aesthetics: Approaches, Concepts, and Problems. D.K. Printworld.score: 39.0
     
    My bibliography  
     
    Export citation  
  11. Sushil Kumar Saxena (2009). Avenues to Beauty: Eight Essays in Aesthetics. D.K. Printworld.score: 39.0
     
    My bibliography  
     
    Export citation  
  12. Balram Srivastava (1985). Nature of Indian Aesthetics, with Special Reference to Śilpa. Chaukhambha Orientalia.score: 39.0
     
    My bibliography  
     
    Export citation  
  13. Ananta Charana Sukla (1977). The Concept of Imitation in Greek and Indian Aesthetics. Rupa.score: 39.0
     
    My bibliography  
     
    Export citation  
  14. A. M. Upadhyay (2012). The Eight Darlings of Indian Aesthetics. Book Can Also Be Ordered From Motilal Banarsidass.score: 39.0
     
    My bibliography  
     
    Export citation  
  15. Jaya Chamaraja Wadiyar (1956). An Aspect of Indian Aesthetics: Sir George Stanley Endowment Lectures, 1955-56, Delivered in February, 1956. University of Madras.score: 39.0
     
    My bibliography  
     
    Export citation  
  16. Y. S. Walimbe (1980). Abhinavagupta on Indian Aesthetics. Distributors, Ajanta Books International.score: 39.0
     
    My bibliography  
     
    Export citation  
  17. Abhinavagupta (1968). The Aesthetic Experience According to Abhinavagupta. Varanasi, Chowkhamba Sanskrit Series Office.score: 33.0
     
    My bibliography  
     
    Export citation  
  18. Surendra Sheodas Barlingay (2007). A Modern Introduction to Indian Aesthetic Theory: The Development From Bharata to Jagannātha. D.K. Printworld.score: 33.0
     
    My bibliography  
     
    Export citation  
  19. Ranjan K. Ghosh (2006). Great Indian Thinkers on Art: Creativity, Aesthetic Communication, and Freedom. Black & White.score: 33.0
     
    My bibliography  
     
    Export citation  
  20. Rekha Jhanji (1985). Aesthetic Communication: The Indian Perspective. Munshiram Manoharlal.score: 33.0
     
    My bibliography  
     
    Export citation  
  21. Seema Malik & Seema Kashyap (eds.) (2010). Ethics and Aesthetics: Essays in Indian Literature. Creative Books.score: 33.0
     
    My bibliography  
     
    Export citation  
  22. Kailāśa Pati Miśra (2005). Aesthetic Philosophy of Abhinavagupta. Kala Prakashan.score: 33.0
     
    My bibliography  
     
    Export citation  
  23. P. Panchapagesa Sastri (1940). The Philosophy of Aesthetic Pleasure. Annamalai University.score: 33.0
     
    My bibliography  
     
    Export citation  
  24. P. V. [from old catalog] Rajamannar (1961). Aesthetic Experience. [Madras]University of Madras.score: 33.0
     
    My bibliography  
     
    Export citation  
  25. P. S. Sastri (1989). Indian Theory of Aesthetic. Bharatiya Vidya Prakashan.score: 33.0
     
    My bibliography  
     
    Export citation  
  26. Ramendra Kumar Sen (1966). Aesthetic Enjoyment; its Background in Philosophy and Medicine. [Calcutta]University of Calcutta.score: 33.0
     
    My bibliography  
     
    Export citation  
  27. Padma Sudhi (1983). Aesthetic Theories of India. Bhandarkar Oriental Research Institute.score: 33.0
     
    My bibliography  
     
    Export citation  
  28. Kapila Vatsyayan, D. P. Chattopadhyaya, Sharad Deshpande & Anand K. Anand (eds.) (2008). Aesthetic Theories and Forms in Indian Tradition. Distributed by Munshiram Manoharlal Publishers.score: 33.0
     
    My bibliography  
     
    Export citation  
  29. Veṅkaṭ Cāminātan̲ (2004). Cila Kalai Āḷumaikaḷ, Paṭaippukaḷ. Cantiyā Patippakam.score: 30.0
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  30. Harsha V. Dehejia & Makarand R. Paranjape (eds.) (2003). Saundarya, the Perception and Practice of Beauty in India. Samvad India Foundation.score: 30.0
     
    My bibliography  
     
    Export citation  
  31. Mysore Hiriyanna (1997). Art Experience. Manohar.score: 30.0
     
    My bibliography  
     
    Export citation  
  32. T. M. P. Mahadevan (1969). The Philosophy of Beauty. Bombay, Bharatiya Vidya Bhavan.score: 30.0
     
    My bibliography  
     
    Export citation  
  33. Rameśa Kuntala Megha (2007). Śila Aura Saundarya: Bhārateśiyā Ke Sāmantīya Yuga Meṃ Bhakti Evaṃ Rīti Viyukta Mithuna. Ādhāra Prakāśana.score: 30.0
    Translate to English
    |
     
    My bibliography  
     
    Export citation  
  34. G. B. Mohan (1968). The Response to Poetry. [New Delhi]People's Pub. House.score: 30.0
     
    My bibliography  
     
    Export citation  
  35. Vishwanath S. Naravane (2000). Creative Stillness: Indian Perspectives on Art & Beauty. Distributors, Lokbharti.score: 30.0
     
    My bibliography  
     
    Export citation  
  36. Roy W. Perrett (ed.) (2001). Theory of Value. Garland.score: 30.0
     
    My bibliography  
     
    Export citation  
  37. T. P. Ramachandran (1979). The Indian Philosophy of Beauty. Dr. S. Radhakrishnan Institute for Advanced Study in Philosophy, University of Madras.score: 30.0
    pt. 1. Perspective -- pt. 2. Special concepts.
     
    My bibliography  
     
    Export citation  
  38. Pabitrakumar Roy (1990). Beauty, Art, and Man: Studies in Recent Indian Theories of Art. Indian Institute of Advanced Study in Association with Munshiram Manoharlal Publishers, New Delhi.score: 30.0
     
    My bibliography  
     
    Export citation  
  39. Ananda Kentish Coomaraswamy (1995). The Transformation of Nature in Art. Sterling Publishers Pvt. Ltd..score: 25.0
    The theory of art in Asia.--Meister Eckhart's view of art.--Reactions to art in India.--Aesthetic of the Śukranītsāra.--Paroksa.--Ábhása.--Origin and use of images in India.--Notes.--Sanskrit glossary.--List of Chinese characters.--Bibliography (p. [235]-245).
     
    My bibliography  
     
    Export citation  
  40. Jianping Xu (2008). A Transition of Chinese Humanism and Aesthetics From Rationalism to Irrationalism. Frontiers of Philosophy in China 3 (2):229-253.score: 9.0
    Chinese people attach importance to intuition and imagery in ways of thinking that are quite sensible, but the result, i.e. the thoughts that are popularized in virtue of political power, are rather rational. These rational thoughts, which were influenced by Buddhism and continually became introspective, had been growing more irrational factors. Up to the middle and late Ming Dynasty, when the economy was developed, they merged with the growing emphasis on daily needs of food and clothes and the envisagement to (...)
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  41. Barbara Bolt (ed.) (2007). Sensorium: Aesthetics, Art, Life. Cambridge Scholars Pub..score: 9.0
    This book presents a timely reconfiguration of the relations between art, philosophy, ethics, and aesthetics. Through connection with a range of contemporary social and philosophical issues and movements, this collection of essays highlights the imperative of sensorial aesthetics. The book focuses on the radical philosophical approach to aesthetics enabled by the works of Jean-François Lyotard and Gilles Deleuze. From these philosophers an older meaning of aesthetic has been recalled. Before it indicated primarily the theory of art and beauty, “aesthetic” referred (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  42. Benedetto Croce (1992). The Aesthetic as the Science of Expression and of the Linguistic in General. Cambridge University Press.score: 9.0
    The Italian philosopher Benedetto Croce (1866-1952) spent most of his life as a private scholar in Naples. His Estetica, which first appeared in 1902, has remained a seminal work not only for aesthetics but also for general linguistics. As the full title indicates, this is not a narrow work dealing with the theory of art and criticism. For Croce intended this to be the first part of his "philosophy of the spirit" and he thus presents a systematic general theory intended (...)
     
    My bibliography  
     
    Export citation  
  43. Rodolphe Gasché (2003). The Idea of Form: Rethinking Kant's Aesthetics. Stanford University Press.score: 9.0
    Against the assumption that aesthetic form relates to a harmonious arrangement of parts into a beautiful whole, this book argues that reason is the real theme of the Critique of Judgment as of the two earlier Critiques. Since aesthetic judgment of the beautiful becomes possible only when the mind is confronted with things of nature, for which no determined concepts of understanding are available, aesthetic judgment is involved in an epistemological or, rather, para-epistemological task. The predicate “beautiful” indicates that something (...)
     
    My bibliography  
     
    Export citation  
  44. Jos V. M. Welie (1999). €œDo You Have a Healthy Smile?€. Medicine, Health Care and Philosophy 2 (2):169-180.score: 9.0
    This article examines whether cosmetic interventions by dentists and plastic surgeons are medically indicated and, hence, qualify as medical interventions proper. Cosmetic interventions (and the business strategies used to market them) are often frowned upon by dentists and physicians. However, if those interventions do not qualify as medical interventions proper, they should not be evaluated using medical-ethical norms. On the other hand, if they are to be considered medical practice proper, the medical-ethical principles of nonmaleficence, beneficence, justice and others hold (...)
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  45. Ute Kreplin & Stephen H. Fairclough (2013). Activation of the Rostromedial Prefrontal Cortex During the Experience of Positive Emotion in the Context of Aesthetic Experience. An fNIRS Study. Frontiers in Human Neuroscience 7:879.score: 9.0
    The contemplation of visual art requires attention to be directed to external stimulus properties and internally generated thoughts. It has been proposed that the medial rostral prefrontal cortex (rPFC; BA10) plays a role in the maintenance of attention on external stimuli whereas the lateral area of the rPFC is associated with the preservation of attention on internal cognitions. An alternative hypothesis associates activation of medial rPFC with internal cognitions related to the self during emotion regulation. The aim of the current (...)
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  46. Malcolm Budd (2007). The Intersubjective Validity of Aesthetic Judgements. British Journal of Aesthetics 47 (4):333-371.score: 8.0
    All aesthetic judgements, whether descriptive, evaluative or some combination of the two, and whatever they might be about, whether works of art, artefacts of other kinds, or natural things, declare themselves to be, not mere announcements or expressions of personal responses to the objects of judgement, but claims meriting the agreement of others. Despite the frequent appeal in everyday life to the nihilistic interpretation of the saying ‘It's all a matter of taste’, the doctrine of aesthetic nihilism—the view that such (...)
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  47. Malcolm Budd (2006). The Characterization of Aesthetic Qualities by Essential Metaphors and Quasi-Metaphors. British Journal of Aesthetics 46 (2):133-143.score: 8.0
    My paper examines a vital but neglected aspect of Frank Sibley's pioneering account of aesthetic concepts. This is the claim that many aesthetic qualities are such that they can be characterized adequately only by metaphors or ‘quasi-metaphors’. Although there is no indication that Sibley embraced it, I outline a radical, minimalist conception of the experience of perceiving an item as possessing an aesthetic quality, which, I believe, has wide application and which would secure Sibley's position for those aesthetic qualities that (...)
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  48. L. Ryan Musgrave (2003). Liberal Feminism, From Law to Art: The Impact of Feminist Jurisprudence on Feminist Aesthetics. Hypatia 18 (4):214-235.score: 8.0
    : This essay explores how early approaches in feminist aesthetics drew on concepts honed in the field of feminist legal theory, especially conceptions of oppression and equality. I argue that by importing these feminist legal concepts, many early feminist accounts of how art is political depended largely on a distinctly liberal version of politics. I offer a critique of liberal feminist aesthetics, indicating ways recent work in the field also turns toward critical feminist aesthetics as an alternative.
    Direct download (11 more)  
     
    My bibliography  
     
    Export citation  
  49. Alzo David-West (2013). North Korean Aesthetic Theory: Aesthetics, Beauty, and "Man". Journal of Aesthetic Education 47 (1):104-110.score: 8.0
    Aesthetics is not a subject usually associated with North Korea in Western scholarship, the usual tropes being autocracy, counterfeiting, drugs, human-rights abuse, famine, nuclear weapons, party-military dictatorship, Stalinism, and totalitarianism. Where the arts are concerned, they are typically seen as crude political propaganda. One British museum specialist writes that North Korean visual art is an "art under control," and one Russian historian insists that North Korean literature is devoid of the "beauty of language."1 As the short turns of phrase and (...)
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  50. Paisley Livingston (2004). C. I. Lewis and the Outlines of Aesthetic Experience. British Journal of Aesthetics 44 (4):378-392.score: 8.0
    The current essay describes aspects of C. I. Lewis’s rarely cited contributions to aesthetics, focusing primarily on the conception of aesthetic experience developed in An Analysis of Knowledge and Valuation. Lewis characterized aesthetic value as a proper subset of inherent value, which he understood as the power to occasion intrinsically valued experiences. He distinguished aesthetic experiences from experiences more generally in terms of eight conditions. Roughly, he proposed that aesthetic experiences have a highly positive, preponderantly intrinsic value realized through contemplation, (...)
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
1 — 50 / 138