Search results for 'Aesthetics, Modern' (try it on Scholar)

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  1. Peter Osborne (2014). Temporalization as Transcendental Aesthetics - Avant-Garde, Modern, Contemporary. Nordic Journal of Aesthetics 23 (44-45).score: 198.0
    Reflections on the relationship of aesthetics to politics tend to circle, almost compulsively, around a relatively stable set of conceptual oppositions, inherited from German philosophies of the late 18th century. This essay proposes an expansion of the theoretical terms of the debate by extending the field of transcendental aesthetics into the domain of historical temporalization. Fundamental art-historical categories may thereby be incorporated, philosophically transformed, into ‘aesthetics’ as forms of historical temporalization: avant-garde, modern, contemporary. The essay expounds two theses, in (...)
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  2. William Francis Hare Listowel (1933/1974). A Critical History of Modern Aesthetics. Haskell House.score: 180.0
     
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  3. William Francis Hare Listowel (1967). Modern Aesthetics: An Historical Introduction. London, Allen & Unwin.score: 180.0
     
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  4. Ciprian Lupse (2010). Estetica Arhitecturii Moderne Si Productia Artistica/ The Aesthetics of Modern Architecture and the Artistic Production. Journal for the Study of Religions and Ideologies 2 (4):75-83.score: 156.0
    The period that has begun after the last quarter of the 19th century brings an open conflict between the ‘histori- cal’ aspect of modernity and the ‘aesthetical’ one. The situation raises a question about the modern architectural shape’s dependency on architectonic function. Utility, production, profit become the keywords of the ideology; new social utopias and their reflection on the architecture- for-the masses projects emerge. This leads to the urban alienation of the modern man, in spite of the well-intended (...)
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  5. Matthew Rampley (2000). Nietzsche, Aesthetics, and Modernity. Cambridge University Press.score: 144.0
    Nietzsche, Aesthetics and Modernity analyzes Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant, and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. Drawing on the full range of his published and unpublished writings, together with his comments on (...)
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  6. Ewa Ziarek (2011). Towards a Feminist Aesthetics of Melancholia: Kristeva, Adorno, and Modern Women Writers. Critical Horizons 11 (3):443 - 461.score: 144.0
    Melancholia is a hybrid concept, deployed in feminist and philosophical theories politics and aesthetics, but ‘properly” belonging to neither. This heterogeneity of melancholia as both an aesthetic and a political category allows us to interrogate the interrelationship between gender politics and aesthetics without, however, abolishing their differences. Reinterpreted in the context of a feminist aesthetics, melancholia not only points to art’s origin in the unjust and gendered division of labor and power but also to the ethical and political task of (...)
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  7. Endre Szécsényi (2014). Gustus Spiritualis: Remarks on the Emergence of Modern Aesthetics. Estetika 51 (1):62-85.score: 144.0
    The article considers the concept of gustus spiritualis, in particular its possible historical connection with (aesthetic) taste in the seventeenth century. By ‘aesthetic’, I mean a radically modern phenomenon, attitude, sensibility, and so forth, that is, a new type of experience. Its discourse has many keywords; one of them is taste, an inner faculty by which its possessor is able to make sharp and proper distinctions, and simultaneously to enjoy fine delights. Here, I am obliged to confine myself to (...)
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  8. Brigid Haines, Stephen Parker, Colin Riordan & Rhys W. Williams (eds.) (2010). Aesthetics and Politics in Modern German Culture: Festschrift in Honour of Rhys W. Williams. Peter Lang.score: 132.0
    Cywydd Ffarwelio Rhys MERERID HOPWOOD Mae awr i fwynhau miri, y mae awr mi wn am hwyl cwmni, ond nawr, yn ein dathliad ni, mae un na fynnaf mo'ni. ...
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  9. Mikhail Saraf (2008). Aesthetics Rethinking Modern Sports. Proceedings of the Xxii World Congress of Philosophy 47:29-34.score: 132.0
    Sport has become a significant part of the contemporary society culture. There has been developed a system of sciences dealing with sports. Philosophy figures prominently among them and it deals with aesthetic problems of sport. The problem of the aesthetic of sport is really of great importance as; first of all, it creates new fields of aesthetic activity and exerts aesthetic influence upon millions of people. Secondly, sports exert profound influence upon modern architecture, design, performing and fine arts, fashion (...)
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  10. Harold Osborne (1968). Aesthetics in the Modern World. New York, Weybright and Talley.score: 132.0
     
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  11. Jerome Stolnitz (1978). "The Aesthetic Attitude" in the Rise of Modern Aesthetics. Journal of Aesthetics and Art Criticism 36 (4):409-422.score: 126.0
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  12. Jerome Stolnitz (1984). "The Aesthetic Attitude" in the Rise of Modern Aesthetics: Again. Journal of Aesthetics and Art Criticism 43 (2):205-208.score: 126.0
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  13. Filip Mattens (2011). The Aesthetics of Space: Modern Architecture and Photography. Journal of Aesthetics and Art Criticism 69 (1):105-114.score: 126.0
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  14. Rémy G. Saisselin (1964). Critical Reflections on the Origins of Modern Aesthetics. British Journal of Aesthetics 4 (1):7-21.score: 126.0
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  15. Jorge V. Arregui & Pablo Arnau (1994). Shaftesbury: Father or Critic of Modern Aesthetics? British Journal of Aesthetics 34 (4):350-362.score: 126.0
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  16. James Kirwan (2001). Modern Japanese Aesthetics: A Reader Michele Marra. British Journal of Aesthetics 41 (3):347-349.score: 126.0
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  17. Rolf Ekman (1958). Modern Aesthetics in Sweden. Journal of Aesthetics and Art Criticism 17 (2):181-186.score: 126.0
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  18. Timothy M. Costelloe (2014). Brady, Emily. The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature. Cambridge University Press, 2013, Xii + 227 Pp., 4 B&W Illus., $90.00 Cloth. [REVIEW] Journal of Aesthetics and Art Criticism 72 (2):209-212.score: 126.0
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  19. Iredell Jenkins (2012). Hippolyte Taine and the Background of Modern Aesthetics. Modern Schoolman 20 (3):141-156.score: 126.0
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  20. J. P. Hodin (1967). The Aesthetics of Modern Art. Journal of Aesthetics and Art Criticism 26 (2):181-186.score: 126.0
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  21. Karl Popper & Divine Radiance (2005). ADORNO, THEODOR W.(Trans. By Anne G. Mitchell and Wesley V. Blomster). Philosophy of Modern Music. Continuum. 2003. Pp. 220.£ 14.99. BERUBE, MICHAEL (Ed.). The Aesthetics of Cultural Studies. Blackwell Publishing. 2004. Pp. 208. [REVIEW] British Journal of Aesthetics 45 (1).score: 126.0
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  22. Annie Becq (1993). Creation, Aesthetics, Market: Origins of the Modern Concept of Art. In Paul Mattick (ed.), Eighteenth-Century Aesthetics and the Reconstruction of Art. Cambridge University Press. 240--54.score: 126.0
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  23. Paul Guyer (2005). History of Modern Aesthetics. In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oup Oxford.score: 126.0
     
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  24. Paul Guyer (2004). The Origins of Modern Aesthetics : 1711-1735. In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell Pub..score: 126.0
  25. Paul Mattick (2003). Art in its Time: Theories and Practices of Modern Aesthetics. Routledge.score: 126.0
    Art In Its Time takes a close look at the way in which art has become integral to the everyday 'ordinary' life of modern society. It explores the prevalent notion of art as transcending its historical moment, and argues that art cannot be separated from the everyday as it often provides material to represent social struggles and class, to explore sexuality, and to think about modern industry and our economic relationships.
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  26. D. Petsch (2005). Modern Aesthetics. In Władysław Tatarkiewicz (ed.), History of Aesthetics. New York,Continuum.score: 126.0
     
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  27. Bonnie Mann (2006). How America Justifies its War: A Modern/Postmodern Aesthetics of Masculinity and Sovereignty. Hypatia 21 (4):147-163.score: 122.0
    : The lies about the reasons for the U.S. war against Iraq provoked no mass public outcry in the United States against the war. What is the process of justification for this war, a process that seems to need no reasons? Mann argues that the process of justification is not a process of rational deliberation but one of aesthetic self-constitution, of rebuilding a masculine national identity. Included is a feminist reading of the National Defense University document Shock and Awe.
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  28. Angela Marsh (2004). Pragmatist Aesthetics and New Visions of the Contemporary Art Museum: The Tate Modern and the Baltic Centre for Contemporary Art. Journal of Aesthetic Education 38 (3):91-106.score: 122.0
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  29. Mihai Spariosu (1989). Dionysus Reborn: Play and the Aesthetic Dimension in Modern Philosophical and Scientific Discourse. Cornell University Press.score: 120.0
    Introduction: Play, Power, and the Western Mentality Whereas play has always had an important, if sometimes unthemat- ized, role in Western literary ...
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  30. Thomas L. Dumm (1988). The Politics of Post-Modern Aesthetics: Habermas Contra Foucault. Political Theory 16 (2):209-228.score: 120.0
  31. G. R. F. Ferrari (2004). The History of Mimesis S. Halliwell: The Aesthetics of Mimesis. Ancient Texts and Modern Problems . Pp. XV + 424. Princeton and Oxford: Princeton University Press, 2002. Paper, £17.95 (Cased, £45). Isbn: 0-691-09258-3 (0-691-04882-7 Hbk). [REVIEW] The Classical Review 54 (01):67-.score: 120.0
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  32. Sarah E. Worth (2004). The Aesthetics of Mimesis: Ancient Texts and Modern Problems Stephen Halliwell Princeton, NJ: Princeton University Press, 2002, Ix + 424 Pp., $24.95 Paper. [REVIEW] Dialogue 43 (01):194-.score: 120.0
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  33. Timothy Cheek (1999). Introduction: A Cross-Cultural Conversation on Li Zehou's Ideas on Subjectivity and Aesthetics in Modern Chinese Thought. Philosophy East and West 49 (2):113-119.score: 120.0
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  34. Eva Schaper (1969). Modern Aesthetics: An Historical Introduction. By the Earl of Listowel. (Teacher College Press, New York. 1967. Pp. Xxiii + 221. Price $6.50 (Cloth), $2.7. (Paper)). [REVIEW] Philosophy 44 (167):74-.score: 120.0
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  35. Louis Arnaud Reid (1933). A Critical History of Modern Aesthetics. By the Earl of Listowel, Ph. D. (London: George Allen & Unwin Ltd., 1933. Pp. 288. Price 10s. 6d. Net.). [REVIEW] Philosophy 8 (32):498-.score: 120.0
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  36. Peter McCormick (1990). Modernity, Aesthetics, and the Bounds of Art. Cornell University Press.score: 120.0
  37. A. Erjavec (2013). Art and Aesthetics: From Modern to Contemporary. Diogenes 59 (1-2):148-157.score: 120.0
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  38. Steven Cassedy (forthcoming). Mathematics, Relationalism, and the Rise of Modern Literary Aesthetics. Journal of the History of Ideas.score: 120.0
  39. William Franke (2012). Apophatic Paths: Modern and Contemporary Poetics and Aesthetics of Nothing. Angelaki 17 (3):7-16.score: 120.0
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  40. Dimitri El Murr & S. Halliwell (2004). The Aesthetics of Mimesis. Ancients Texts and Modern Problems. Journal of Hellenic Studies 124:219.score: 120.0
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  41. Martinho Soares (2014). (H.F.) Plett Enargeia in Classical Antiquity and the Early Modern Age. The Aesthetics of Evidence. (International Studies in the History of Rhetoric 4.) Pp. Xii + 240, B/W & Colour Ills. Leiden and Boston: Brill, 2012. Cased, €99, US$136. ISBN: 978-90-04-22702-6. [REVIEW] The Classical Review 64 (1):107-109.score: 120.0
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  42. Luigi Sturzo (1942). Modern Aesthetics and the Poetry of the Divine Comedy. Thought 17 (3):412-432.score: 120.0
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  43. Harvie Ferguson (2004). The Sublime and the Subliminal: Modern Identities and the Aesthetics of Combat. Theory, Culture and Society 21 (3):1-33.score: 120.0
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  44. D. Gartman (2000). Why Modern Architecture Emerged in Europe, Not America: The New Class and the Aesthetics of Technocracy. Theory, Culture and Society 17 (5):75-96.score: 120.0
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  45. Rüdiger Görner (1991). The Aesthetics of Parting. A Critique of the Modern Era. Philosophy and History 24 (1/2):6-8.score: 120.0
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  46. Oliver Leaman (2003). Alexandrakis, Aphrodite, Ed. Neoplatonism and Western Aesthetics: Studies in Neoplatonism: Ancient and Modern, Vol. 12. Review of Metaphysics 56 (4):863-864.score: 120.0
  47. Thomas D. Looser, John Timothy Wixted, Charlotte von Verschuer, Kristen Lee Hunter, Noel J. Pinnington, Livia Kohn, Eiichi Kawata, A. Robert Lee & Roald Knutsen (2013). Visioning Eternity: Aesthetics, Politics, and History in the Early Modern Noh Theater. Philosophy East and West 63 (2).score: 120.0
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  48. Jill Petersen Adams (2012). Gerhard Richter: Afterness: Figures of Following in Modern Thought and Aesthetics. [REVIEW] Continental Philosophy Review 45 (4):587-592.score: 120.0
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  49. Jill Petersen Adams (2013). Gerhard Richter: Afterness: Figures of Following in Modern Thought and Aesthetics: Columbia University Press, 2011, ISBN: 0231157703, 272 Pp., $50.00 (Hardcover)(). [REVIEW] Man and World 45 (4):587-592.score: 120.0
     
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  50. J. Beasley-Murray (forthcoming). Deleuze and Neo-Aesthetics, Tate Modern. Radical Philosophy.score: 120.0
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