William C. Dell teaches us to move our imaginations beyond the bounds of ordinary space time into the realm of eternal Zen consciousness, of the endless process of Zen deconstructing.
In this article we question the utility of the distinction between conceptual and nonconceptual content in cognitive science, and in particular, in the empirical study of visual perception. First, we individuate some difficulties in characterizing the notion of “concept” itself both in the philosophy of mind and cognitive science. Then we stress the heterogeneous nature of the notion of nonconceptual content and outline the complex and ambiguous relations that exist between the conceptual/nonconceptual duality and other pairs of notions, such as (...) top–down/bottom-up and modular/nonmodular. Finally we look in greater detail at the proposal developed by Jacob and Jeannerod (Ways of seeing. The scopes and limits of visual cognition. Oxford, UK: Oxford University Press, 2003 ), who apply the notion of nonconceptual content to empirical research on visual perception. After reconstructing their point of view on concepts, we try to reject their major arguments in support of the conceptual/nonconceptual distinction, i.e. the compositionality of thought and the fineness of grain of percepts. (shrink)
John Campbell proposed a so-called simple view of colours according to which colours are categorical properties of the surfaces of objects just as they normally appear to be. I raised an invertion problem for Campbell's view according to which the senses of colour terms fail to match their references, thus rendering those terms meaningless—or so I claimed. Gabriele de Anna defended Campbell's view against my example by contesting two points in particular. Firstly, de Anna claimed that there is no special (...) problem here for the simple view of colours, a similar invertion story could apply to primary qualities terms for shapes. Secondly, de Anna purported to give an account of the senses and references of colour terms in my invertion story which renders the senses and references of those terms mutually consistent. In this paper I contested both of de Anna's claims. Regarding the first, I argue that his imagined invertion of apparent shapes is not epistemically stable, in contrast to the invertion of apparent shapes is not epistemically stable, in contrast to the invertion of apparent colours. Hence the victims of apparently inverted shapes would be able to discover the mismatch of senses and refences of their shape terms, in contrast to the victims of apparent invertions of colours. Regarding the second, I argue that de Anna's account of the victim's colour terms itself uses and not merely mentions so-called colours terms. Hence de Anna' account of them is itself meaningless due to a mismatch of sense and reference. So I conclude that my objection to Campbell's simple view of colours stands. (shrink)
An images is build up of elements placed in a fix reciprocal positions. In this way an image is able to organize a block of space-time extracted from becoming and offered as a crystallized present, this notion imply Chronos notion of time. How would spatial co-ordinates work on the time line of Aîon , where present can’t exist? We are going to answer this question by analyzing Robert Smithson’s Monuments of Passaic.
The Anna Karenina Theory says: all conscious states are alike; each unconscious state is unconscious in its own way. This note argues that many components have to function properly to produce consciousness, but failure in any one of many different ones can yield an unconscious state in different ways. In that sense the Anna Karenina theory is true. But in another respect it is false: kinds of unconsciousness depend on kinds of consciousness.
This article is a defence of the Fact-Value distinction against considerations brought up by Ruth Anna Putnam in three articles in Philosophy, especially her ‘Perceiving Facts and Values’ January 1998. I defend metaphysical realism about facts and anti-realism about values against Putnam' intermediate position about both and I relate the matter to the logic of imperatives. The motivations of scientists or historians to select fields of investigation are irrelevant to the objectivity of their hypotheses, and so is the goodness or (...) badness of the social consequences of their work though these may affect their motivations. (shrink)
Sommario. Prima che di definire un modello della coscienza e comprendere che cosa sia un fenomeno soggettivo, è necessario sviluppare una teoria della prospettiva in prima persona. Questa teoria deve essere concettualmente con- vincente, empiricamente plausibile e, soprattutto, aperta a nuovi sviluppi. Il quadro di riferimento concettuale deve essere coerente con il progresso scienti- fico. Le sue ipotesi fondamentali devono essere adattabili in modo da permette- re a nuovi risultati sperimentali di essere inseriti nel modello teorico. Questo ar- ticolo tenta (...) di definire le linee generali di una teoria in grado di offrire un’analisi rappresentazionale della prospettiva in prima persona. Tre proprietà fenomeniche sono centrali a quest’analisi: “egoicità” (la proprietà fenomenica; il senso di possesso di una sensazione), “selfhood” (l’esperienza cosciente di essere qualcuno) e la prospetticità (una caratteristica strutturale: il fatto che lo spazio fenomenico appaia organizzato attorno a un centro, una prospettiva su- per-modale). Questo articolo analizza queste proprietà da un punto di vista sia rappresentazionale che funzionale. Introdurrò nuovi vincoli concettuali per le rappresentazioni fenomeniche e due entità teoriche necessarie per capire che cosa sia la prospettiva in prima persona: “il modello fenomenico del sé” (PSM: phenomenal self model) e il “modello fenomenico della relazione intenzionale” (PMIR: phenomenal model of intentional relation). Un modello fenomenico del sé è una struttura rappresentazionale plurimodale, il cui contenuto costituisce il contenuto dell’esperienza del sé cosciente. Ha due caratteristiche importanti. Primo, è l’unica struttura rappresentazionale ancorata nel cervello da un colle- gamento funzionale permanente. Secondo, parti consistenti del PSM sono fe- nomenicamente trasparenti: non posso essere identificate come rappresentazioni all’interno del sistema. Sono intrappolate in quello che è stato definito un “in- genuo realismo auto-ingannevole”.. (shrink)
Among the various attempts that have been undertaken today to reformulate critically the idea of European modernism, Alessandro Ferrara’s book certainly represents one of the most radical. In contrast to other approaches, which rather depart from a competition of various sources of ideas, Ferrara sets forth a single principle that should be able to provide us with an appropriate and future-regarding self-under-standing of the intellectual situation of present modernity. Its key concept is authenticity that, in opposition to all other (...) principles of validity so far, possesses a priority since it brings most clearly to expression ‘who we actually want to be’ (p. 162ff.). Before I briefly discuss a few questions that are connected with this thesis, I want first to try to understand the claims underpinning the project as a whole. Only then will I thereby be in a position to lay out those points of view that place doubt upon on the whole project. (shrink)
Il dibattito sul ruolo e le implicazioni del teorema di Gödel per l'intelligenza artificiale ha recentemente ricevuto nuovo impeto grazie a due importanti volumi pubblicati da Roger Penrose, The Emperor's New Mind [1989] e Shadows of the Mind [1994]. Naturalmente, Penrose non è il primo né l'ultimo a usare il teorema di Gödel allo scopo di trarne conseguenze per i fondamenti dell'intelligenza artificiale. Tuttavia il recente dibattito suscitato dai due libri di Penrose è significativo sia per ampiezza sia per profondità. (...) In queste pagine si vuole dare una rassegna di tale dibattito, cominciando dai suoi precursori negli anni '60 (fra cui Lucas, Putnam, e Chihara), per passare poi alle complesse argomentazioni proposte da Penrose e le reazioni di una serie di commentatori (ad esempio Dennett, Feferman, McDermott, Davis). (shrink)
This paper offers a reconstruction of Alessandro Piccolomini's philosophy of mathematics, and reconstructs the role of Themistius and Averroes in the Renaissance debate on Aristotle's theory of proof. It also describes the interpretative context within which Piccolomini was working in order to show that he was not an isolated figure, but rather that he was fully involved in the debate on mathematics and physics of Italian Aristotelians of his time. The ideas of Lodovico Boccadiferro and Sperone Speroni will be (...) analysed. This paper demonstrates that Piccolomini's attack on the certitude of mathematics was a product of discussions between Aristotelians. (shrink)
Floor Brouwer, Teunis van Rheenan, Shivcharn S. Dhillion, and Anna Martha Elgersma (eds.) Sustainable Land Management: Strategies to Cope with the Marginalisation of Agriculture Content Type Journal Article Pages 1-21 DOI 10.1007/s10806-011-9313-7 Authors Douglas Seale, 21 Turner Ridge Road, Marlborough, MA 01752, USA Journal Journal of Agricultural and Environmental Ethics Online ISSN 1573-322X Print ISSN 1187-7863.
: The achievements of Anna Julia Cooper are extraordinary given her life circumstances. Driven by a desire Cooper called "a thumping within," she became a prominent educator, earned her Ph.D., and influenced the thought of W.E.B. DuBois and others. Cooper fought for her educational philosophy, but despite her contributions, her apparent elitism has shaped contemporary assessments of her work. I argue that her views must be considered in social and historical context.
: Anna Julia Cooper's 1892 A Voice from the South is a hybrid text that speaks provocatively to contemporary feminist philosophy. Negotiating exclusionary categories of being and knowing and writing herself into intellectual traditions meant to exclude her, Cooper's narrative methods are politically tactical and epistemologically significant. Cooper inserts subjectivity into objective analysis and underscores knowledge as located and embodied. By speaking from spaces of exclusion, Cooper fully articulates the promise of intersectional approaches to liberation.
This paper dialogues with the contributions included in Francesco Fiorentino and Domenico Firomonte’s edited volumes and Massimo Riva’s book from the point of view of feminist literary criticism. This diverse positioning in relation to the work of women writers has allowed feminist criticism to develop a path that has deconstructed the Italian literary canon and the promotion of critical stances that are no longer abstract or monologic, but rather situated in the point of view of the subject and its relational (...) component. Works by Italian women writers present themselves as a body of texts of high material density that transfer questions of textual mobility both within digital and print culture onto the subject and its style of enunciation. L’intervento dialoga con i contributi dei volumi a cura di Francesco Fiorentino e Domenico Fiormonte e con il libro di Massimo Riva a partire dall’esperienza della critica letteraria femminista italiana. Il suo diverso posizionamento rispetto alle opere delle scrittrici ha permesso l’articolarsi di un percorso che ha decostruito il canone della tradizione letteraria italiana e l’affermarsi di posizioni critiche non più astratte e monologiche, ma situate a partire dal soggetto e dalla sua componente relazionale. Le opere delle scrittrici italiane si rappresentano infatti come un corpo testuale dall’alta densità materica, che sposta sul soggetto e sul suo stile dell’enunciazione le questioni di mobilità del testo, sia esso virtuale o cartaceo. (shrink)
Anna Lappé: Diet for a Hot Planet: The Climate Crisis at the End of Your Fork and What You Can Do About it Content Type Journal Article Pages 1-2 DOI 10.1007/s10806-011-9326-2 Authors Diane Veale Jones, College of Saint Benedict/Saint John’s University Environmental Studies Department, 112 New Science Center, Saint John’s University, Collegeville, MN 56321, USA Journal Journal of Agricultural and Environmental Ethics Online ISSN 1573-322X Print ISSN 1187-7863.
A work about axis of vision, vertical vs horizontal, and on direction of image, front vs back, guides some observations, developing in the image space, that Picasso elaborates on representation. The essay proposes a close look to some artworks in which the speculation on above-written oppositions, is functional to “present» the representation. The issue concerns not solely reversals acting on orientation of represented world objects, but axis participating in rewriting the culturally prefigured orientation of painting and writing and in considering (...) the «shape-of-picture» and image margins. (shrink)
Anna Lappé: Diet for a Hot Planet: The Climate Crisis at the End of Your Fork and What You Can Do About it Content Type Journal Article DOI 10.1007/s10806-010-9265-3 Authors John Vandermeer, University of michigan Department of Ecology and Evolutionary Biology Ann Arbor MI 48109 USA Journal Journal of Agricultural and Environmental Ethics Online ISSN 1573-322X Print ISSN 1187-7863.
Anna Julia Cooper's 1892 A Voice from the South is a hybrid text that speaks provocatively to contemporary feminist philosophy. Negotiating exclusionary categories of being and knowing and writing herself into intellectual traditions meant to exclude her, Cooper's narrative methods are politically tactical and epistemologically significant. Cooper inserts subjectivity into objective analysis and underscores knowledge as located and embodied. By speaking from spaces of exclusion, Cooper fully articulates the promise of intersectional approaches to liberation.
Resenha do livro de Maglio, Gianfranco, Autonomia della città dell’uomo e religione in Marsilio da Padova. S. Pietro in Cariano: Il Segno dei Gabrielli editori, 2003, 226 páginas.
Stefano Garzonio. Mechanisms of adaptation “to our (Russian) customs” of Italian opera librettos. The paper deals with the history of poetical translation of Italian musical poetry in the 18th century Russia. In particular, it is focused on the question of pereloženie na russkie nravy, the adaptation to national Russian customs, of Italian opera librettos, cantatas, arias, songs and so on. The author points out three different phases of this process. The first phase, in the 1730s, coincides with the reign of (...) Anna Ioannovna and it is linked to Trediakovsky’s translations of Italian intermezzos, comedies and to the first opera seria, La forza dell’amore e dell’odio (‘The force of love and hate’, 1736) by F. Araja and F. Prata; the second phase, in the period 1740–1770s, is characterized by a very varied production of translations and imitations, which undoubtedly influenced the general developing of Russian musical and dramatic poetry. It is during this periodthat pereloženie na russkie nravy is introduced into dramatic genres and sometimes it is findable in musical poetry as well. The third phase, in the 1780–1790s, is linked with the activity of such poets-translators as Ivan Dmitrevskij, Michail Popov, Vasilij Levšin and is characterized by the new practice of performing operas in Russian translations. In the paper the different forms of pereloženie na russkie nravy are pointed out, starting from the formal niveau of metrics and stylistics up to the adaptation of themes, places and realia. (shrink)
Com base na metafísica dos transcendentais, quer-se mostrar a análise scotista do conceito de infinito como transcendental disjuntivo e como conceito filosófico adequado para a realidade de Deus. Pressuposição para uma função positiva do conceito de ente infinito na teologia filosófica de Scotus é, ademais, a teoria da univocidade do ente. PALAVRAS-CHAVE – Infinito. Teologia e filosofia de Duns Scotus. Transcendentais. Univocidade do ente. ABSTRACT Based on Scotus’s metaphysics of transcendental concepts, this essay analyses the Scotist concept of the infinite (...) as a disjunctive transcendental and as the most proper philosophical concept for the reality of God. Decisive presupposition to a positive function of the concept of infinite being in Scotus’s philosophical theology is, furthermore, the theory of the univocity of being. KEY WORDS – Infinite. Duns Scotus’s theology and philosophy. Transcendentals. Univocity of being. (shrink)
A wider social stage -- Girls will be boys : gender, envy, and the Freudian social contract -- Anna-Antigone : experiments in group upbringing -- The defense of psychoanalysis/the anxiety of politics -- Conclusion : ego politics.
Sarà capitato anche a voi, in treno, di cercare di aprire la porta tra un vagone e l’altro con l’espressivissima maniglia e, solo dopo non esserci riusciti, di aver notato il meno eloquente pulsante sulla destra. Il fenomeno non è troppo diverso da quando, non avendo capito qualcosa, chiediamo di farci un esempio. La convinzione —falsa—che parlare possa essere surrogato dall’indicare degli oggetti nasconde l’idea –vera– che gli oggetti parlino, e che alcuni parlino meglio di altri. Per capirlo, non c’è (...) bisogno di portarsi dei fagotti per intrattenere delle conversazioni come fanno gli accademici di Lagado nei Viaggi di Gulliver. Basta liberarsi del pregiudizio secondo cui le cose sono mute, staccarci un po’ dall’attenzione ossessiva sui Soggetti, e prestare la giusta attenzione a quella realtà espressiva, evidente, infaticabile, che ci dice “sono io, sono qui”. (shrink)
Sommario: La prima parte (sezioni 1– 3) introduce il tema: qual è il senso di una indagine ontologico-formale del cosiddetto mondo del senso comune? La seconda parte (sezioni 4–6) offre una prima analisi delle categorie e soprattutto delle strut- ture ontologiche su cui impostare tale indagine. Infine, la terza parte (sezione 7) offre spunti di sviluppo e accenna ad alcuni problemi aperti, vecchi e nuovi.
How is it that we can be moved by what we know does not exist? In this paper, I examine the so-called 'paradox of fiction', showing that it fatally hinges on cognitive theories of emotion such as Kendall Walton's pretend theory and Peter Lamarque's thought theory. I reject these theories and acknowledge the concept-formative role of genuine emotion generated by fiction. I then argue, contra Jenefer Robinson, that this 'éducation sentimentale' is not achieved through distancing, but rather through the engagement (...) of our emotions. Literature does this, I claim, by its uniquely perspicuous presentations of emotional concepts, and the cognitive pleasure that such 'presentations' prompt in us. (shrink)
Glen Hartz argues, that neuroscience reveals that persons moved or frightened by fictional characters believe that they are real, so such behaviour is not irrational. But these beliefs, if they exist, are not rational and, in any case inconsistent with our conscious rational beliefs that fictional characters are not real. So his argument fails to establish that we are not irrational or incoherent when moved or frightened by such characters. It powerfully reinforces the contrary view.
La rivoluzionarietà della speculazione bruniana si esercita nei confronti della tradizione di alcuni testi aristotelici fondamentali nella trasmissione del pensiero e della civiltà occidentale. In modo principale essa attacca e demolisce i capisaldi della "Metafisica" di Aristotele, per poter cominciare ad affermare - o, se si vuole, a riaffermare (visto il richiamo esplicito del filosofo nolano alla riflessione dei primi Presocratici) - il principio dell'infinito creativo e doppiamente dialettico. Il breve saggio segue la formulazione e lo sviluppo progressivo del testo (...) aristotelico attraverso la critica esposta dalla riflessione bruniana. Alla fine viene presentata una breve bibliografia bruniana. (shrink)
Questo breve volumetto prosegue l'analisi iniziata a proposito del confronto fra la speculazione bruniana e la metafisica aristotelica. Ora la critica bruniana si appunta sul testo aristotelico della "Fisica", demolendo e disgregando la possibilità che non vi sia un principio ed un movimento infinito. Seguendo ed integrando le riflessioni precedenti, il pensiero di Giordano Bruno conserva l'unitarietà fra momento teoretico e momento pratico, approfondendo la determinazione dell'infinito creativo e doppiamente dialettico.
Questo volumetto conclude il confronto fra la speculazione bruniana e la tradizione del pensiero aristotelico. Ora Giordano Bruno considera le obiezioni della tradizione aristotelica all'esistenza di un corpo universale infinito in movimento interno (creativo e dialettico) infinito. Demolendo e disgregando le premesse dell'impostazione aristotelica la riflessione di Giordano Bruno ridetermina e riqualifica le tradizionali nozioni di spirito e di materia, innovandole in radice e sospingendole verso una rivoluzionarietà, capace di mantenere sempre uniti l'aspetto teoretico e il momento pratico della riflessione (...) e del pensiero. (shrink)
