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  1.  38
    Alex Neill (2008). Aesthetic Experience in Schopenhauer's Metaphysics of Will. European Journal of Philosophy 16 (2):179-193.
  2.  46
    Alex Neill (1993). Fiction and the Emotions. American Philosophical Quarterly 30 (1):1 - 13.
  3.  43
    Alex Neill & Noel Carroll (1992). On a Paradox of the Heart. Philosophical Studies 65 (1-2):53 - 65.
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  4. Aaron Ridley & Alex Neill (eds.) (2007). Arguing About Art (3rd Ed.). Routledge.
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  5.  27
    Alex Neill (1998). An Unaccountable Pleasure. Hume Studies 24 (2):335-354.
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  6.  55
    Alex Neill (1991). Fear, Fiction and Make-Believe. Journal of Aesthetics and Art Criticism 49 (1):47-56.
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  7.  49
    Alex Neill & Aaron Ridley (1991). Burning Passions. Analysis 51 (2):106 - 108.
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  8. Alex Neill & Aaron Ridley (1990). Noël Carroll, Mystifying Movies: Fads and Fallacies in Contemporary Film Theory Reviewed By. Philosophy in Review 10 (9):345-351.
     
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  9.  18
    J. A. Sheridan, R. A. Shenoi, D. A. Hudson & Alex Neill, Why is It Harder to Design a Beautiful Cruise Liner Than It is to Design a Beautiful Work Boat?
    Ship design needs to respond to and attract an ever more design conscious society. However, little research has been conducted into perceptions of beauty and pleasure and how such perceptions can be usefully absorbed into ship design. Aesthetic consideration, is seen as a distraction from the bespoke nature of the ship design process and is often avoided, second guessed or left for external consultancy. The ship design discipline requires the nurturing of its own aesthetic methods, for future development, and to (...)
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  10.  38
    Alex Neill (1992). Yanal and Others on Hume on Tragedy. Journal of Aesthetics and Art Criticism 50 (2):151-154.
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  11.  36
    Alex Neill (1995). Emotional Responses to Fiction: Reply to Radford. Journal of Aesthetics and Art Criticism 53 (1):75-78.
  12.  8
    Alex Neill & Sandra Shapshay, Moral and Aesthetic Freedom in Schopenhauer's Metaphysics.
    The bleakness of Schopenhauer’s notoriously pessimistic take on the human condition is mitigated to some extent by his recognition of the possibilities of aesthetic experience and of denial of the will-to-live. However, as Schopenhauer himself acknowledges, his account of the latter appears inconsistent with his determinism, and we argue that this is no less the case with regard to his account of the former. After outlining what we take to be the basis and extent of Schopenhauer’s deterministic picture of human (...)
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  13. Alex Neill (2005). Poetry. In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. OUP Oxford
     
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  14.  40
    Alex Neill (1999). Hume's ‘Singular Phenomenon‘. British Journal of Aesthetics 39 (2):112-125.
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  15.  10
    Alex Neill, The Pornographic, the Erotic, the Charming and the Sublime.
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  16.  17
    Alex Neill (1989). Locke on Habituation, Autonomy, and Education. Journal of the History of Philosophy 27 (2):225-245.
  17.  3
    Alex D. Neill, Schopenhauer on Tragedy and Value.
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  18. Alex Neill (1991). Noel Carroll, The Philosophy of Horror, or Paradoxes of the Heart Reviewed By. Philosophy in Review 11 (4):233-235.
     
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  19. Alex Neill & Aaron Ridley (1990). Kristin Thompson, Breaking the Glass Armor: Neoformalist Film Analysis Reviewed By. Philosophy in Review 10 (9):345-351.
     
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  20.  5
    Alex Neill, Schopenhauer on Tragedy and the Sublime.
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  21.  10
    Alex Neill (1994). Film and Phenomenology. Philosophy and Phenomenological Research 54 (2):486-488.
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  22.  16
    Alex Neill (1995). Fear and Belief. Philosophy and Literature 19 (1):94-101.
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  23.  3
    Alex Neill (2003). Art and Emotion. In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press
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  24.  2
    Alex Neill, Schopenhauer and the Foundations of Aesthetic Experience.
  25. Alex Neill & Aaron Ridley (1990). Richard Abel, Ed., French Film Theory and Criticism 1907-1939: A History/Anthology Reviewed By. Philosophy in Review 10 (9):345-351.
     
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  26.  8
    Alex Neill (1992). Who's Afraid of Virginia Woolf? Ratio 5 (1):94-97.
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  27.  9
    Christopher Janaway & Alex Neill (2008). Editorial. European Journal of Philosophy 16 (2):163-163.
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  28.  2
    Alex Neill (1987). Kinship and Separation in Cavell's Pursuits of Happiness. Philosophy and Literature 11 (1):136-147.
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  29. Alex Neill & Aaron Ridley (1990). Robert Lapsley and Michael Westlake, Film Theory: An Introduction Reviewed By. Philosophy in Review 10 (9):345-351.
     
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  30.  1
    Alex Neill (1999). Review: Appreciation and Feeling. [REVIEW] Journal of Aesthetics and Art Criticism 57 (1):67 - 71.
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  31.  1
    Alex Neill (1992). Wittgenstein, Ethics and Aesthetics: The View From Eternity By B. R. Tilghman Basingstoke: Macmillan Press, 1991, Xiv + 193 Pp., $35.00, $14.99 Paper. [REVIEW] Philosophy 67 (261):412-.
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  32.  45
    Alex Neill & Aaron Ridley (eds.) (2002). Arguing About Art: Contemporary Philosophical Debates. Routledge.
    Arguing about Art, 2nd Edition is an expanded and revised new edition of this highly acclaimed anthology. This lively collection presents twenty-seven readings in a clear and accessible format discussing the major themes and arguments in aesthetics. Alex Neill and Aaron Ridley's introductions provide a balanced account of each topic and highlight the important questions that are raised in the readings. The new sections of the book are: The Art of Food; Rock Music and Culture; Enjoying Horror; Art and Morality (...)
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  33. Alex Neill & Aaron Ridley (eds.) (2002). Arguing About Art, Second Edition. Routledge.
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  34. Alex Neill & Aaron Ridley (eds.) (2013). Arguing About Art: Contemporary Philosophical Debates. Routledge.
    Offering a unique 'debate' format, the third edition of_ _the bestselling_ Arguing About Art_ is ideal for newcomers to aesthetics or philosophy of art. This lively collection presents an extensive range of short, clear introductions to each of the discussions which include: sentimentality appreciation interpretation understanding objectivity nature food horror. With revised introductions, updated suggestions for further reading and new sections on pornography and societies without art, _Arguing About Art _provides_ _a stimulating and accessible anthology suitable for those coming to (...)
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  35. Alex Neill & Aaron Ridley (eds.) (2007). Arguing About Art: Contemporary Philosophical Debates. Routledge.
    Offering a unique 'debate' format, the third edition of_ _the bestselling_ Arguing About Art_ is ideal for newcomers to aesthetics or philosophy of art. This lively collection presents an extensive range of short, clear introductions to each of the discussions which include: sentimentality appreciation interpretation understanding objectivity nature food horror. With revised introductions, updated suggestions for further reading and new sections on pornography and societies without art, _Arguing About Art _provides_ _a stimulating and accessible anthology suitable for those coming to (...)
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  36.  39
    Alex Neill & Christopher Janaway (eds.) (2009). Better Consciousness: Schopenhauer's Philosophy of Value. Wiley-Blackwell.
    Better Consciousness: Schopenhauer's Philosophy of Value reassesses Schopenhauer's aesthetics and ethics and their contemporary relevance. Features a collection of new essays from leading Schopenhauer scholars Explores a relatively neglected area of Schopenhauer's philosophy Offers a new perspective on a great thinker who crystallized the pessimism of the nineteenth century and has many points of contact with twenty-first century thought.
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  37. Alex Neill & Christopher Janaway (eds.) (2010). Better Consciousness: Schopenhauer's Philosophy of Value. Wiley-Blackwell.
    _Better Consciousness: Schopenhauer's Philosophy of Value_ reassesses Schopenhauer's aesthetics and ethics and their contemporary relevance. Features a collection of new essays from leading Schopenhauer scholars Explores a relatively neglected area of Schopenhauer's philosophy Offers a new perspective on a great thinker who crystallized the pessimism of the nineteenth century and has many points of contact with twenty-first century thought.
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  38. Alex Neill (1989). Book Reviews. [REVIEW] British Journal of Aesthetics 29 (1):90-92.
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  39. Alex Neill (1990). Book Reviews. [REVIEW] British Journal of Aesthetics 30 (1):90-92.
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  40. Alex Neill (1998). Book Reviews. [REVIEW] British Journal of Aesthetics 38 (4):90-92.
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  41. Alex Neill & Aaron Ridley (1990). Constance Penley, Ed., Feminism and Film Theory Reviewed By. Philosophy in Review 10 (9):345-351.
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  42. Alex Neill & Aaron Ridley (1990). Constance Penley, Ed., Feminism and Film Theory. [REVIEW] Philosophy in Review 10:345-351.
     
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  43. Alex Neill (1990). "Fiction and Emotion: A Study in Aesthetics and the Philosophy of Mind": Bijoy H. Boruah. [REVIEW] British Journal of Aesthetics 30 (1):76.
     
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  44. Alex Neill & Aaron Ridley (1990). Graeme Turner, Film as Social Practice Reviewed By. Philosophy in Review 10 (9):345-351.
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  45. Alex Neill & Aaron Ridley (1990). Graeme Turner, Film as Social Practice. [REVIEW] Philosophy in Review 10:345-351.
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  46. Alex Neill (1987). Jan Zwicky, Wittgenstein Elegies Reviewed By. Philosophy in Review 7 (9):386-387.
     
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  47. Alex Neill (1987). Jan Zwicky, Wittgenstein Elegies. [REVIEW] Philosophy in Review 7:386-387.
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  48. Alex Neill & Aaron Ridley (1990). Noël Carroll, Philosophical Problems of Classical Film Theory Reviewed By. Philosophy in Review 10 (9):345-351.
     
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  49. Alex Neill & Aaron Ridley (1990). Noël Carroll, Philosophical Problems of Classical Film Theory. [REVIEW] Philosophy in Review 10:345-351.
     
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  50. Alex Neill (1991). Noel Carroll, The Philosophy of Horror, or Paradoxes of the Heart. [REVIEW] Philosophy in Review 11:233-235.
     
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1 — 50 / 61