18 found
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  1.  7
    Allen S. Weiss, John Cage & Joan Retallack (1998). MUSICAGE: Cage Muses on Words * Art * Music. Substance 27 (1):133.
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  2.  6
    Lawrence R. Schehr & Allen S. Weiss (1996). Perverse Desire and the Ambiguous IconFlamme Et Festin. Une Poetique de la Cuisine. Substance 25 (2):152.
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  3.  6
    Allen S. Weiss, John Harvith & Susan Edwards Harvith (1992). Edison, Musicians, and the Phonograph: A Century in Retrospect. Substance 21 (2):127.
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  4.  6
    Allen S. Weiss, William Howard Adams, Monique Mosser & Georges Teyssot (1994). The Poetics of GardensNature Perfected: Gardens Through HistoryThe Architecture of Western Gardens: A Design History From the Renaissance to the Present Day. Substance 23 (1):117.
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  5.  6
    Allen S. Weiss (1979). The Symbolism and Celebration of the Earth in Nietzsche's "Zarathustra". Substance 8 (1):39.
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  6.  16
    Allen S. Weiss (1986). An Eye for an I: On the Art of Fascination. Substance 15 (3):87.
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  7.  4
    Allen S. Weiss (1981). Merleau-Ponty's Concept of the "Flesh" as Libido Theory. Substance 10 (1):85.
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  8.  20
    Allen S. Weiss (1983). Merleau-Ponty's Interpretation of Husserl's Phenomenological Reduction. Philosophy Today 27 (4):342-351.
    An investigation of the eidetic and transcendental phenomenological reductions as productive (and not merely descriptive) activities, Hence as a praxis generative of meaning. The eidetic reduction is a metaphoric system, Describing the movement from topos to tropes: the primal ontological structure is found to be that of distortion, Of a "coherent deformation," a breaking of forms, Which maintains the phenomenological horizon's openness. This founds a theory of decentered being, Ex-Centric subjectivity, And an anti-Ideologic critique.
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  9.  6
    Allen S. Weiss (1991). The Primacy of Matter. Substance 20 (2):21.
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  10. Allen S. Weiss (1994). Flamme Et Festin Une Poétique de la Cuisine. Monograph Collection (Matt - Pseudo).
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  11. Allen S. Weiss (1992). Miroirs de l'Infini le Jardin À la Fraçaise Et la Métaphysique au Xviie Siecle.
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  12. Allen S. Weiss (1995). Mirrors of Infinity the French Formal Garden and 17th-Century Metaphysics.
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  13. Allen S. Weiss (1994). Perverse Desire and the Ambiguous Icon. Monograph Collection (Matt - Pseudo).
     
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  14.  2
    Allen S. Weiss (1995). Phantasmic Radio. Duke University Press.
    In this original work of cultural criticism, Allen S. Weiss explores the meaning of radio to the modern imagination.
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  15.  1
    Allen S. Weiss (1992). Shattered Forms: Art Brut, Phantasms, Modernism. State University of New York Press.
    A thorough history of the involvement of Australia's Northern Territory in World War II. Includes photos, extensive notes and bibliography.
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  16.  10
    Allen S. Weiss (1984). The Aesthetics of Excess. State University of New York Press.
    Possession Trance and Dramatic Perversity Dionysus arrives as a stranger, enigmatic, disquieting, contagious, spreading an epidemic of mania leading to ...
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  17. Allen S. Weiss (1980). The Relation Between Ontology and Semiology in the Later Writings of Maurice Merleau-Ponty. Dissertation, State University of New York at Stony Brook
    The following conclusions have been reached: The phenomenological concept of the "horizon" calls into question both the traditional philosophical concepts of Truth and Being, and it provides the basis for a new, non-hierarchical and non-ideological ontology. On the basis of the new ontology that Merleau-Ponty founds, the ontology of the "Flesh," Merleau-Ponty's thought provides the basis for a strong hermeneutic tool for the critique of ideological systems. Such a critique is not merely a linguistic technique; it is equally based upon (...)
     
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  18. Allen S. Weiss (1998). Unnatural Horizons Paradox and Contradiction in Landscape Architecture.
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