Eric Watkins argues that a grasp of Leibnizian and anti-Leibnizian thought in eighteenth-century Germany helps one to see how Kant (in his critical period) argued for causal principles that have both metaphysical and epistemological elements. According to this interpretation, Kant's model of causality does not consist of events, but rather of substances endowed with causal powers that are exercised according to their natures and circumstances.
Sellars and McDowell, among others, attribute a prominent role to the Myth of the Given. In this paper, I suggest that they have in mind two different versions of the Myth of the Given and I argue that Kant is not the target of one version and, though explicitly under attack from the other, has resources sufficient to mount a satisfactory response. What is essential to this response is a proper understanding of (empirical) concepts as involving unifying functions that can (...) take sensations as input and deliver normative representations as outputs. By understanding concepts in this way, one need not, as the second version of the Myth of the Given maintains, take sensations to be both natural and normative. Instead, they can be understood as the natural effects of external objects on us, but natural effects that can nonetheless play a role in a normative process because the concepts that are responsible for the normativity of the results can require that such natural effects be present as inputs into the process. (shrink)
: This paper argues that Kant's model of causality cannot consist in one temporally determinate event causing another, as Hume had thought, since such a model is inconsistent with mutual interaction, to which Kant is committed in the Third Analogy. Rather causality occurs when one substance actively exercises its causal powers according to the unchanging grounds that constitute its nature so as to determine a change of state of another substance. Because this model invokes unchanging grounds, one can understand how (...) Kant could have thought that causal laws could be justified. Further, because this model, along with the broader ontology it presupposes, is radically different from Hume's, Kant's Second Analogy cannot be understood as a refutation of Hume's position on Hume's own terms; instead, Kant must be proposing an alternative view that competes against Hume's thoroughgoing empiricist account. (shrink)
By treating colours as sui generis intrinsic properties of objects we can maintain that (1) colours are causally responsible for colour experiences (and so agree with the physicalist) and (2) colours, along with the similarity and difference relations that colours bear to one another, are presented to us by casual observation (and so agree with the dispositionalist). The major obstacle for such a view is the causal overdetermination of colour experience. Borrowing and expanding on the works of Sydney Shoemaker and (...) Stephen Yablo, the paper offers a solution. (shrink)
Recent criticisms of non-reductive accounts of color assume that the only arguments for such accounts are a priori arguments. I put forward a posteriori arguments for a non-reductive account of colors which avoids those criticisms.
The dominant view about the nature of aesthetic value holds it to be response-dependent. We believe that the dominance of this view owes largely to some combination of the following prevalent beliefs: 1 The belief that challenges brought against response-dependent accounts in other areas of philosophy are less challenging when applied to response-dependent accounts of aesthetic value. 2 The belief that aesthetic value is instrumental and that response-dependence about aesthetic value alone accommodates this purported fact. 3 The belief that response-dependence (...) about aesthetic value alone accommodates the widely acknowledged anthropocentricity of aesthetic value. 4 The belief that response-dependence about aesthetic value alone accommodates aesthetic normativity. We argue that each of these beliefs is false, and that the dominance of response-dependent accounts of aesthetic value is therefore largely without foundation. (shrink)
"Human, All Too Human" and the problem of culture -- "Daybreak" and the campaign against morality -- "The Gay Science" and the incorporation of knowledge -- The later works: beyond the free spirit.
The leading anthology of its kind, this volume provides the key works of seven major philosophers, along with a rich selection of associated texts by other ...
This paper considers Kant's conception of force and causality in his early pre-Critical writings, arguing that this conception is best understood by way of contrast with his immediate predecessors, such as Christian Wolff, Alexander Baumgarten, Georg Friedrich Meier, Martin Knutzen, and Christian August Crusius, and in terms of the scientific context of natural philosophy at the time. Accordingly, in the True estimation Kant conceives of force in terms of activity rather than in terms of specific effects, such as motion (as (...) unnamed Wolffians had done). Kant's explicit arguments in the Nova dilucidatio for physical influx (in the guise of the principle of succession) are directed primarily against the conception of grounds and existence held by Wolff, Baumgarten, and Meier, and only secondarily against Leibniz (by asserting the priority of bodies over mind rather than vice versa). Finally, Kant's reconciliation of the infinite divisibility of space and the unity of monads in the Physical monadology is designed to respond to objections that could be raised naturally by Wolff and Baumgarten. (shrink)
I develop resources from Hume to account for moral knowledge in the qualified sense developed by Bernard Williams, according to which the proper application of thick ethical terms constitutes moral knowledge. By applying to moral discernment the criteria of the good aesthetic critic, as explained in Hume's “ Of the Standard of Taste ”, we can see how Humean moral knowledge might be possible. For each of these criteria, an analogous trait would contribute to moral discernment. These traits would enable (...) moral judges to distinguish valid from invalid uses of thick moral terms. The deliverances of such judgments constitute mitigated moral knowledge, as opposed to knowledge in the stricter sense that Hume clearly says cannot be had of moral distinctions. This account has the potential to explain how moral judgments may be valid or invalid without appealing to unique operations of the understanding and how moral knowledge might escape the threat, identified by Williams, of reflective destruction. (shrink)
This paper considers criticisms of the author's Science and Scepticism advanced (in a Festchrift volume) by Fred D' Agostino, Graham Oddie, Elie Zahar, Alan Musgrave, and John Worrall. The criticisms concern the following topics: the aim of science, unified theoryhood, the empirical basis, corroboration by already known evidence, the idea that scientific theories need be no more than possibly (as opposed to probably or certainly) true, and the pragmatic problem of induction. Various clarifications and improvements result, and on the (...) last topic the author significantly modifies his position. (shrink)
Abstract Kant claims that the basis of a judgment of taste is a merely subjective representation and that the only merely subjective representations are feelings of pleasure or displeasure. Commentators disagree over how to interpret this claim. Some take it to mean that judgments about the beauty of an object depend only on the state of the judging subject. Others argue instead that, for Kant, the pleasure we take in a beautiful object is best understood as a response to its (...) qualities, and that, accordingly, feelings of pleasure or displeasure are no different from other representations, such as colors or smells. While I agree that the judgment of taste is best understood as asserting a claim about an object's qualities, I argue that the distinction Kant makes between feelings of pleasure or displeasure and other representations should not be ignored. I show that one's liking or disliking for an object is merely subjective in the sense that its significance depends on what one has made of oneself through one's aesthetic education. The judgment of taste, then, is merely subjective because one must first become the kind of person whose feelings have the right significance at the right time before one can determine whether an object's qualities make it beautiful. (shrink)
The purpose of this research is to examine the impact of individual and firm moral philosophies on marketing exchange relationships. Personal moral philosophies range from the extreme forms of true altruists and true egoists, along with three hybrids that represent middle ground (i.e., realistic altruists, tit-for-tats, and realistic egoists). Organizational postures are defined as Ethical Paradigm, Unethical Paradigm, and Neutral Paradigm, which result in changes to personal moral philosophies and company and industry performance. The study context is a simulation of (...) an exchange environment using a variation of the prisoners' dilemma game. A literature review is provided in the opening section, followed by details on the simulation, discussion of the results, and the implications for theory and practice. (shrink)
A number of philosophers have suggested that acts of forgiveness are pointless if the wrongdoer has atoned for his offence (since there is nothing to be forgiven) and unjustified if no atonement has been forthcoming (since there are no grounds for forgiveness). My aim in this paper is twofold. First, I try to remove this dilemma and show that forgiveness has a proper place in ethics by providing an account of its nature and justification. Second, I argue that the dilemma (...) is apt to emerge from an exclusively utilitarian outlook or an exclusively retributivist outlook, and that it is only by adopting a ’mixed approach’ towards the treatment of wrongdoers that it can be removed. (shrink)
Intentionalism holds that two experiences differ in their representational content if and only if they differ in phenomenal character. It is generally held that Intentionalism cannot allow for the possibility of spectrum inversion without systematic error, unless it abandons the idea that, for example, the qualitative character of color experience is inherited from the qualitative character of colors. The paper argues that the conjunction of all three -- the possibility of spectrum inversion, Intentionalism, and the inheritance thesis -- can be (...) consistently, and plausibly, accepted. (shrink)
While much of James O. Young’s Art and Knowledge is devoted to showing how works of art might be of cognitive value, we will focus on a prior claim, defended in the first chapter of Art and Knowledge, that “art” ought to be defined such that only works with cognitive value count as artworks. We begin by noting that it is not very clear—despite the considerable attention Young devotes to the matter—just what it is for an artwork to have cognitive (...) value. If by this claim he means only that we can learn something from a work, then the claim is trivial. We might learn from Marcel Duchamp’s Fountain, for example, that a urinal can become an artwork. But Young assumes that if Fountain is a work of art, then some works of art do not have cognitive value. So he must have a richer, narrower conception of cognitive value in mind. For the moment let us not worry what this richer, narrower conception of cognitive value is. Rather, let us just assume, along with Young, that Fountain does not have cognitive value. Why, then, is this not a counterexample to Young’s claim that “art” ought to be defined such that only works with cognitive value counts as artworks? Shouldn’t we define “art,” if we are going to define it, such that all and only works of art count as art? Why ought we adopt a definition of something which excludes from the category being defined things that, on the definer’s own grounds, are properly within that category. Surely, for any definiendum the definiens ought to pick out all and only those things that have the necessary and sufficient properties for being labeled by the definiendum. (shrink)
Machine generated contents note: Introduction; 1. From the mine to the shrine: the critical origins of musical depth; 2. Adolf Bernhard Marx and the inner life of music; 3. Robert Schumann and poetic depth; 4. Richard Wagner and the depths of time; 5. Heinrich Schenker and the apotheosis of musical depth; 6. Schoenberg's interior designs; Bibliography.
In 1988, Colorado instituted a new regulatory system that was opposed by psychologists and social workers. We surveyed 306 psychotherapists about their attitudes regarding this system, which included profession-specific licensing boards and an omnibus (multiprofession) board to handle grievances. Social workers and psychologists, members of more established professions, opposed creating an omnibus licensing board and favored the return of profession-specific grievance functions. Members of the newer professions (professional counseling and marriage and family therapy) and unlicensed psychotherapists were not as opposed (...) to omnibus boards. All groups agreed in their positive ratings of the performance of the Colorado grievance structure. These results are discussed in terms of "capture" theory, which postulates that professions capture governmental regulation and use it for their own interests. (shrink)
Archaeologists employed in governmental positions often deal with issues that produce conflicts between their professional duties to their employer, their ethical responsibilities to the resource, and their obligations as established by legislation. The paper examines some of the conflicts imposed on governmental archaeologists by each of these systems but focuses on the conflicts imposed by federal legislation and regulations on governmental archaeologists, using “Kennewick Man” as an example.
Recent moral philosophy emphasizes both the particularity of ethical contexts and the complexity of human character, but the usual abstract examples make it difficult to communicate to students the importance of this particularity and complexity. Extended study of a literary text in ethics classes can help overcome this obstacle and enrich our students’ understanding and practice of mature ethical reflection. Jane Austen’s Persuasion is an ideal text for this kind of effort. Persuasion augments the resources for ethical reflection that students (...) bring to our courses, provides a multitude of fecund examples to inspire discussion, and introduces philosophical points of its own. I explain specific ways to integrate this novel into courses and why some approaches work better than others, and I highlight themes for three different levels of study: reflection on particular virtues and vices, illustration of broader ethical issues, and discussion of virtues that the philosophical literature neglects. In each case, I discuss a particular example in detail: the question of whether or not pride can be a virtue, the varieties of friendship and their relation to virtue, and the virtue of proper persuadability. These examples suggest ways in which ethics teachers might explore the resources of other literary works towards similar ends. (shrink)
In a short and much-neglected passage in the second Critique, Kant discusses the threat posed to human freedom by theological determinism. In this paper we present an interpretation of Kant’s conception of and response to this threat. Regarding his conception, we argue that he addresses two versions of the threat: either God causes appearances (and hence our spatio-temporal actions) directly or he does so indirectly by causing things in themselves which in turn cause appearances. Kant’s response to the first version (...) is that God cannot cause appearances directly because they depend essentially on the passive sensibility of finite beings. Kant’s response to the second version is that human beings are endowed with transcendental freedom, which blocks the causal transitivity that is presupposed by this version. We also contrast his position on this topic with Leibniz’s and Spinoza’s. (shrink)
This article compares the political philosophies of Michael Oakeshott and Isaiah Berlin, probably the two most important political philosophers in postwar Britain, who, strangely, had very little to do with one another during their illustrious careers. The article focuses on their respective critiques of rationalism and theories of liberal pluralism, arguing that Oakeshott provides the more consistent and philosophically satisfying account in both instances.
