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Profile: Andreas Dorschel (University of the Arts Graz (Austria))
  1. Andreas Dorschel (2013). Denktagebücher: Zur Poetik des philosophischen Journals. Philosophische Rundschau 60 (4):264-298.
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  2. Andreas Dorschel, Gerhard Eckel & Deniz Peters (eds.) (2013). Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity, 2nd. Ed. Routledge.
     
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  3. Andreas Dorschel (2012). Der Getäuschte im Garten. La Nouvelle Héloïse: Rousseaus Aporetik der Liebe. Zeitschrift Für Ideengeschichte 6 (2).
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  4. Andreas Dorschel (2012). Furcht Und Angst. In Dietmar Goltschnigg (ed.), Angst. Lähmender Stillstand und Motor des Fortschritts. Stauffenburg. 49-54.
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  5. Andreas Dorschel (2012). The Idea of Order: Enlightened Revisions. Archiv für Rechts-Und Sozialphilosophie 98 (2).
  6. Andreas Dorschel & Philip Alperson (2012). Vollkommenes hält sich fern. Ästhetische Näherungen. Universal Edition.
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  7. Andreas Dorschel & Federico Celestini (2012). Objective Music: Traditions of Soundmaking Without Human Expression. In Andreas Dorschel, Deniz Peters & Gerhard Eckel (eds.), Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity. Routledge. 130-139.
     
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  8. Andreas Dorschel, Deniz Peters & Gerhard Eckel (eds.) (2012). Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity. Routledge.
     
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  9. Andreas Dorschel (2011). A Promise of Happiness. Recent Philosophical Studies of Beauty. Philosophische Rundschau 58 (3):226 - 247.
     
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  10. Andreas Dorschel (2011). Ein Versprechen von Glück. Neuere philosophische Studien über das Schöne. Philosophische Rundschau 58 (3):226 - 247.
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  11. Andreas Dorschel (2011). Form. In Armin G. Wildfeuer & Petra Kolmer (eds.), Neues Handbuch philosophischer Grundbegriffe. Alber. 771-786.
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  12. Andreas Dorschel (2010). Über Ausdruck, insbesondere den musikalischen. In Andreas Dorschel & Elisabeth Kappel (eds.), Friedrich von Hausegger, Die Musik als Ausdruck. Universal Edition. 152-177.
    To call a piece of music sad or joyous need not imply reference to a subjective state. Speaking in this vein, we do not have to attribute sad or joyous feelings to the composer or to the performer. Nor do we predict that listeners will become sad or joyful when they will listen to a performance of that composition. Musical expression is not a mode of consciousness in those who produce it and it is not an effect of music either. (...)
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  13. Andreas Dorschel (2010). Der allgemeine Wille. Zu Rousseaus Contrat social (1762). Zeitschrift Für Didaktik der Philosophie Und Ethik 32 (1):31-33.
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  14. Andreas Dorschel (2010). Ideengeschichte. Vandenhoeck & Ruprecht.
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  15. Andreas Dorschel & Federico Celestini (2010). Arbeit am Kanon: Ästhetische Studien zur Musik von Haydn bis Webern. Universal Edition.
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  16. Andreas Dorschel & Elisabeth Kappel (eds.) (2010). Friedrich von Hausegger, Die Musik als Ausdruck. Universal Edition.
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  17. Andreas Dorschel (ed.) (2009). Kunst und Wissen in der Moderne. Böhlau.
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  18. Andreas Dorschel (2009). Metaphysisch malen: Philosophie und Bild bei Giorgio de Chirico. In , Kunst und Wissen in der Moderne. Böhlau. 123-132.
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  19. Andreas Dorschel (2009). Verwandlung: Mythologische Ansichten, Technologische Absichten. V&R Unipress.
    Die Alchimie setzte Menschen statt Gotter zu Herren der Verwandlung ein. Zuletzt sind auch Wissenschaft und Technologie auf sie gestossen. Was geschieht mit Verwandlung in diesem neuen, entzaubernden Zugriff?
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  20. Andreas Dorschel (2008). Historische Konjunktive: Zur Geschichtsschreibung des Möglichen. In Andreas Haug & Andreas Dorschel (eds.), Vom Preis des Fortschritts: Gewinn Und Verlust in der Musikgeschichte. Universal Edition. 33-52.
    Reference to past possibilities is not an additional luxury in writing history, after all facts have been established. For even facts become such only within a field of alternative options. What it means that one path was taken depends in part on answers to the question which other paths once open were not taken. Historical potential unrealized can be conceived of in a number of ways: as unfulfilled intentions, as unresolved problems, as suppressed endeavours, as waived alternatives within a context (...)
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  21. Andreas Dorschel (2008). Historical Subjunctives : Eight Theses on Understanding Past Possibilities. In Andreas Haug & Andreas Dorschel (eds.), Vom Preis des Fortschritts: Gewinn Und Verlust in der Musikgeschichte. Universal Edition.
     
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  22. Andreas Haug & Andreas Dorschel (eds.) (2008). Vom Preis des Fortschritts: Gewinn und Verlust in der Musikgeschichte. Universal Edition.
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  23. Andreas Dorschel (ed.) (2007). Verwandlungsmusik. Über komponierte Transfigurationen. Universal Edition.
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  24. Andreas Dorschel (2006). Einwände gegen das Vergleichen. Ein Versuch, sie zu beantworten. Philosophisches Jahrbuch 113 (1).
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  25. Andreas Dorschel (ed.) (2006). Resonanzen. Vom Erinnern in der Musik. Universal Edition.
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  26. Andreas Dorschel (2005). Sentimentalität. Über eine Kategorie ästhetischer und moralischer Abwertung. Perspektiven der Philosophie 31 (1):11-22.
    Sentimentality: this term has had an odd career that converted it from an expression of praise into one of abuse. The obvious suspicion is that the word ‚sentimental‘ has had an entirely different meaning in the 20th and 21st centuries (when it has been deployed for abuse) as compared to the 18th century (when it had been used for praise). Scrutiny shows, however, that this is not the case. Rather the very same aspects of sentimentality that had appeared to, e.g., (...)
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  27. Andreas Dorschel (2005). Tonspuren. Musik im Film: Fallstudien 1994 - 2001. Universal Edition.
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  28. Andreas Dorschel (ed.) (2004). Dem Ohr voraus. Erwartung und Vorurteil in der Musik. Universal Edition.
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  29. Andreas Dorschel (ed.) (2004). Gemurmel unterhalb des Rauschens. Theodor W. Adorno und Richard Strauss. Universal Edition.
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  30. Andreas Dorschel (2004). Vom Genießen. Reflexionen zu Richard Strauss. In , Gemurmel unterhalb des Rauschens. Theodor W. Adorno und Richard Strauss. Universal Edition. 23-37.
    The work of Richard Strauss has been disparaged as a music designed to be relished (“Genußmusik” was Adorno’s term), lacking any dimension of ‘transcendence’. The notion of ‘relish’ or ‘pleasure’ (“Genuß”), used for characterization rather than disparagement, can disclose crucial aspects of Strauss’s art, though it does not exhaust it. To oppose ‘relish’ or ‘pleasure’ (“Genuß”) to ‘transcendence’, however, either uses hidden theological premises or disregards that ‘relish’ or ‘pleasure’ (“Genuß”), bound to be pervious to its object, does transcend towards (...)
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  31. Andreas Dorschel (2003). Andreas Bächli / Andreas Graeser, Grundbegriffe der Antiken Philosophie. [REVIEW] Philosophical Books 44 (2):162-162.
  32. Andreas Dorschel (2003). Gestaltung – Zur Ästhetik des Brauchbaren, 2nd ed. Universitätsverlag Winter.
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  33. Andreas Dorschel, Richard A. Watson, Tom Sorell, David M. A. Campbell & Bernard Linsky (2003). History of Philosophy. Philosophical Books 44 (2):162-168.
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  34. Andreas Dorschel (2002). Gestaltung – Zur Ästhetik des Brauchbaren. Universitätsverlag C. Winter.
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  35. Andreas Dorschel (2002). The Authority of the Will. Philosophical Forum 33 (3-4):425-442.
  36. Andreas Dorschel (2000). Rethinking Prejudice. Ashgate.
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  37. Andreas Dorschel (1999). Emotion and Rational Intelligence. Philosophisches Jahrbuch 106 (1):18-40.
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  38. Andreas Dorschel (1999). Emotion und Leib. Philosophia Naturalis 36 (1):35-52.
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  39. Andreas Dorschel (1999). Emotion und Verstand. Philosophisches Jahrbuch 106 (1):18-40.
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  40. Andreas Dorschel (1997). Über die Intentionalität von Emotionen. International Studies in Philosophy 29 (4):11-21.
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  41. Andreas Dorschel (1997). Bilder und Worte. Weimarer Beiträge: Zeitschrift Für Literaturwissenschaft, Ästhetik Und Kulturwissenschaften 43 (1):110-122.
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  42. Andreas Dorschel (1996). Darwinismus als Kritikverbot. Zu Friedrich August von Hayeks Theorie der Moralevolution. Aufklärung Und Kritik 3 (1):31-40.
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  43. Andreas Dorschel & Matthias Kettner (1996). Systemrationalität? In Karl-Otto Apel & Matthias Kettner (eds.), Die eine Vernunft und die vielen Rationalitäten. Suhrkamp. 349-372.
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  44. Andreas Dorschel (1995). Das anthropologische Argument in der praktischen Philosophie und die Logik des Vergleichs. Logos 2 (1):19-40.
    Arnold Gehlen's attempt to give anthropological grounds for morality stems from Kant's idea that being freed from the compulsion of instinct left human beings in need of compensation for the loss of the practical guidance which instinct had hitherto provided. Whereas Kant thought this compensation was to found only in reasoned morality, Gehlen would argue that morality provides recompense by becoming a quasi-instinct that functions without reflection and that needs to be bred into human beings. The author maintains that in (...)
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  45. Andreas Dorschel (1995). Gestaltung und Ethik. Conceptus 28 (72):63-81.
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  46. Andreas Dorschel (1994). Über moralische Bemühungen um Leben. Zeitschrift Für Didaktik der Philosophie Und Ethik 16 (4).
  47. Andreas Dorschel (1994). Empfindung, Gefühl und Emotion. In Karl-Otto Apel & Matthias Kettner (eds.), Mythos Wertfreiheit? Neue Beiträge zur Objektivität in den Human- und Kulturwissenschaften. Campus. 157-173.
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  48. Andreas Dorschel (1994). The Anthropological Argument in Practical Philosophy and the Logic of Comparison. History of European Ideas 18 (3):387-400.
    Arnold Gehlen's attempt to give anthropological grounds for morality stems from Kant's idea that being freed from the compulsion of instinct left human beings in need of compensation for the loss of the practical guidance which instinct had hitherto provided. Whereas Kant thought this compensation was to found only in reasoned morality, Gehlen would argue that morality provides recompense by becoming a quasi-instinct that functions without reflection and that needs to be bred into human beings. The author maintains that in (...)
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  49. Andreas Dorschel (1993). Furcht und Angst. Il Cannocchiale. Rivista di Studi Filosofici (3):53-72.
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  50. Andreas Dorschel (1993). Gefühl Als Argument? In Andreas Dorschel, Matthias Kettner, Wolfgang Kuhlmann & Marcel Niquet (eds.), Transzendentalpragmatik. Ein Symposion für Karl-Otto Apel. Suhrkamp. 167-186.
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