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  1. Andreas Huyssen (2014). The Garden as Ruin. In Cornelia Klinger (ed.), Blindheit Und Hellsichtigkeit: Künstlerkritik an Politik Und Gesellschaft der Gegenwart. De Gruyter 117-130.
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  2. Andreas Huyssen (2003). Present Pasts: Urban Palimpsests and the Politics of Memory. Stanford University Press.
    Memory of historical trauma has a unique power to generate works of art. This book analyzes the relation of public memory to history, forgetting, and selective memory in Berlin, Buenos Aires, and New York—three late-twentieth-century cities that have confronted major social or political traumas. Berlin experienced the fall of the Berlin Wall and the city’s reemergence as the German capital; Buenos Aires lived through the dictatorships of the 1970s and 1980s and their legacy of state terror and disappearances; and New (...)
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  3. Andreas Huyssen (1997). The Voids of Berlin. Critical Inquiry 24 (1):57-81.
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  4. Andreas Huyssen (1995). The Inevitability of Nation: Germany After Unification. In John Rajchman (ed.), The Identity in Question. Routledge 73--92.
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  5. Andreas Huyssen & David Bathrick (eds.) (1989). Modernity and the Text: Revisions of German Modernism. Columbia University Press.
    The unique contribution of this volume is that it combines theory with an attempt to reintroduce an historical and contextual dimension.
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