56 found
Sort by:
Disambiguations:
Andrew Benjamin [46]Andrew E. Benjamin [10]
  1. Andrew Benjamin, The Style of Architecture.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  2. Andrew Benjamin (2014). Translation and the Nature of Philosophy (Routledge Revivals): A New Theory of Words. Routledge.
    This engrossing study, first published in 1989, explores the basic mutuality between philosophy and translation. By studying the conceptions of translation in Plato, Seneca, Davidson, Walter Benjamin and Freud, Andrew Benjamin reveals the interplay between the two disciplines not only in their relationship to language, but also at a deeper, cognitive level. Benjamin engages throughout with the central tenets of post-structuralism: the concept of a constant yet illusive ‘true’ meaning has lost authority, but remains a problem. The fact of translation (...)
    No categories
     
    My bibliography  
     
    Export citation  
  3. Andrew Benjamin (2013). Architecture and Technology: A Discontinuous Relation. [REVIEW] Foundations of Science 18 (1):201-204.
    Technology has a history structured by discontinuities. The first important philosophical expression of such a conception of technology was advanced by Walter Benjamin when he defined art works in relation to specific techniques of production. At the present art and architecture occur within an age defined by the move from ’technical reproducibility’ to digital reproducibility. The move has an impact on how technology is understood and its relation to architecture conceived. Adapting Walter Benjamin’s work in this area provides the basis (...)
    Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  4. Andrew Benjamin (2013). La démocratie et l'université. Notes sur les "Vorlesungen über die Bestimmung des Gelehrten" de Fichte. Revue Philosophique de Louvain 111 (2):267-282.
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  5. Andrew Benjamin, Working with Walter Benjamin: Recovering a Political Philosophy.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  6. Andrew Benjamin (2012). Matter and Movement's Presence: Notes on Heidegger, Francesco Mosca, and Bernini. Research in Phenomenology 42 (3):343-373.
    Abstract The role of actual works of art with philosophical writing is often reduced to the status of example or illustration. As such the materiality of art work is rarely discussed let alone deployed as the basis of philosophical reflection. In this paper works by Francesco Mosca, and Bernini are used to question Heidegger's writings on sculpture. What such an approach opens up is the possibility that art may set the measure for philosophy.
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  7. Andrew Benjamin (2012). Morality, Law and the Place of Critique: Walter Benjamin's The Meaning of Time in the Moral World. Critical Horizons 12 (3):281 - 301.
    Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
    Direct download (6 more)  
     
    My bibliography  
     
    Export citation  
  8. Andrew Benjamin, Of Jews, David Boucher, Andrew Vincent, British Idealism, G. de Callatay, B. Halflants & N. El-Bizri (2012). BADER Ralf M. And John MEADOWCROFT (Eds): The Cambridge. British Journal for the History of Philosophy 20 (1):213-216.
    Direct download  
     
    My bibliography  
     
    Export citation  
  9. Andrew Benjamin (2011). 8 Entry and Distance: Sublimity in Landscape. In Jeff Malpas (ed.), The Place of Landscape: Concepts, Contexts, Studies. Mit Press. 151.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  10. Andrew Benjamin (2011). Endles Touching: Herder and Scuplture. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 4 (1).
    No categories
    Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  11. Andrew Benjamin (2011). On the Image of Painting. Research in Phenomenology 41 (2):181-205.
    Painting can only be thought in relation to the image. And yet, with (and within) painting what continues to endure is the image of painting. While this is staged explicitly in, for example, paintings of St. Luke by artists of the Northern Renaissance—e.g., Rogier van der Weyden, Jan Gossaert, and Simon Marmion—the same concerns are also at work within both the practices as well as the contemporaneous writings that define central aspects of the Italian Renaissance. The aim of this paper (...)
    Direct download (8 more)  
     
    My bibliography  
     
    Export citation  
  12. Andrew Benjamin, Mark Howard & Christopher Townsend (2011). Informed Faces. Angelaki 16 (1):1 - 3.
    Angelaki, Volume 16, Issue 1, Page 1-3, 01Mar2011.
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  13. Emmanuel Levinas, Peter Hughes, Alison Ainley, Andrew Benjamin & Tamra Wright (2011). Le paradoxe de la moralité : Un entretien avec Emanuel Levinas. Philosophie 112 (4):12.
    No categories
    Translate to English
    | Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  14. Vlad Alexandrescu & Andrew Benjamin (2010). ALEXANDRESCU Vlad and Robert THEIS (Eds): Nature Et Surnaturel. British Journal for the History of Philosophy 18 (5):957-960.
    Direct download  
     
    My bibliography  
     
    Export citation  
  15. Andrew Benjamin (2010). Colouring Philosophy: Appel, Lyotard and Art's Work. Critical Horizons 11 (3):379-395.
    Colour plays a fundamental role in the philosophical treatments of painting. Colour while it is an essential part of the work of art cannot be divorced from the account of painting within which it is articulated. This paper begins with a discussion of the role of colour in Schelling's conception of art. Nonetheless its primary concern is to develop a critical encounter with Jean-François Lyotard's analysis of the Dutch painter Karel Appel. The limits of Lyotard's writings on painting, which this (...)
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  16. Andrew Benjamin, Knots and the Place of Experimentation : Minimaforms and Architectural Practice.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  17. Andrew Benjamin, Of Jews and Animals.
    No categories
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  18. Andrew Benjamin (2010). Porosity at the Edge : Working Through Walter Benjamin's "Naples". In Walter Benjamin & Gevork Hartoonian (eds.), Walter Benjamin and Architecture. Routledge.
     
    My bibliography  
     
    Export citation  
  19. Andrew Benjamin, Place, Commonality and Judgment. Continental Philosophy and the Ancient Greeks.
    No categories
    Direct download (2 more)  
     
    My bibliography  
     
    Export citation  
  20. Andrew Benjamin (2010). Possible Returns: Deconstruction and the Placing of Greek Philosophy. In Miriam Leonard (ed.), Derrida and Antiquity. Oup Oxford.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  21. Andrew Benjamin, Trauma Within the Walls : Notes Towards a Philosophy of the City.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  22. Andrew Benjamin, Writing Art and Architecture.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  23. Andrew Benjamin, What, in Truth, is Photography? Noted After Kracauer.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  24. Andrew Benjamin, Of Force.
    No categories
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  25. Andrew E. Benjamin & Charles Rice (eds.) (2009). Walter Benjamin and the Architecture of Modernity. Re.Press.
    Walter Benjamin's Politics of 'bad tasteMichael Mac Modernity as an unfinished Project: Benjamin and Political RomanticismRobert Sinnerbrink Violence, ...
    Direct download  
     
    My bibliography  
     
    Export citation  
  26. Andrew Benjamin (2008). Another Naming, a Living Animal: Blanchot's Community. Substance 37 (3):207-227.
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  27. Andrew Benjamin, A Precursor : Limiting the Future, Affirming Particularity.
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  28. Andrew Benjamin (2008). Indefinite Play and 'The Name of Man'. Derrida Today 5 (1):1-18.
    This paper is an attempt to take up the prompt in Derrida's work concerning the necessity for a deconstruction of anthropocentrism. Working through an example from Hegel's Philosophy of Right concerning animality, the paper takes up Derrida's project and connects it to the larger concern of what happens to the philosophical once it is no longer premised on the animal's exclusion but has to acknowledge the inclusion of an already present thus recalcitrant animality.
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  29. Andrew Benjamin (2007). Perception, Judgment and Individuation: Towards a Metaphysics of Particularity. International Journal of Philosophical Studies 15 (4):481 – 500.
    The aim of this paper is to develop a new theory of particularity. In so doing it redefines the concepts 'perception' and 'judgment'. The redefinition occurs once perception is understood as recognition. The move to recognition entails the centrality of repetition. Recognition, it is argued, is a form of repetition. Allowing for repetition necessitates changing the way the relationship between universals and particulars is understood. This is developed via an engagement with Hume and Plato. The article concludes with the outline (...)
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  30. Andrew Benjamin (2007). What If the Other Were an Animal? Hegel on Jews, Animals and Disease. Critical Horizons 8 (1):61-77.
    The question of the other appears to be a uniquely human concern. Engagement with the nature of alterity and the quality of the other are philosophical projects that commence with an assumed anthropocentrism. This anthropocentrism will be pursued by way of Hegel's discussion of "disease" in his Philosophy of Nature. Disease is implicitly bound up with race, racial identity and animality, and provides an opening to the question: what if the other were an animal? Any answer to this question should (...)
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  31. Andrew Benjamin (2006). Commonality and Human Being. Angelaki 11 (3):5 – 19.
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  32. Andrew Benjamin (2006). Literary Potential: The Release of Criticism. In David Rudrum (ed.), Literature and Philosophy: A Guide to Contemporary Debates. Palgrave Macmillan.
     
    My bibliography  
     
    Export citation  
  33. Andrew Benjamin, Placing Philosophy: Heidegger's Hut.
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  34. Andrew E. Benjamin (2006). Style and Time: Essays on the Politics of Appearance. Northwestern University Press.
     
    My bibliography  
     
    Export citation  
  35. Andrew Benjamin (2005). Spacing as the Shared: Heraclitus, Pindar, Agamben. In Andrew Norris (ed.), Politics, Metaphysics, and Death: Essays on Giorgio Agamben's Homo Sacer. Duke University Press.
  36. Andrew Benjamin, Disclosing Spaces : On Painting.
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  37. Andrew Benjamin, Performing, Effecting Surfaces.
    No categories
    Translate to English
    | Direct download  
     
    My bibliography  
     
    Export citation  
  38. Andrew benjamin (2004). Placing Speaking. Angelaki 9 (2):55 – 66.
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  39. Andrew benjamin & Dimitris vardoulakis (2004). Editorial Introduction. Angelaki 9 (2):1 – 3.
    Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  40. Andrew Benjamin (2003). Being Roman Now: The Time of Fashion A Commentary on Walter Benjamin's 'Theses on the Philosophy of History' XIV. Thesis Eleven 75 (1):39-53.
    Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield a (...)
    No categories
    Direct download (4 more)  
     
    My bibliography  
     
    Export citation  
  41. Andrew benjamin (2003). Lines and Colours. Angelaki 8 (1):27 – 41.
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  42. Andrew Benjamin (2001). After Postmodernism. The Philosophers' Magazine 13:2.
    No categories
     
    My bibliography  
     
    Export citation  
  43. Andrew Benjamin (2000). Having to Exist. Angelaki 5 (3):51 – 56.
    Direct download (5 more)  
     
    My bibliography  
     
    Export citation  
  44. Andrew Benjamin (2000). L'altro della filosofia: l'evento plurale come "letteratura". Iride 13 (3):467-488.
    No categories
    Translate to English
    | Direct download (3 more)  
     
    My bibliography  
     
    Export citation  
  45. Andrew E. Benjamin (2000). Architectural Philosophy: Repetition, Function, Alterity. Athlone Press.
    Architectural Philosophy is the first book to outline a philosophical account of architecture and to establish the singularity of architectural practice and ...
    No categories
    Direct download  
     
    My bibliography  
     
    Export citation  
  46. Andrew E. Benjamin & Peter Osborne (eds.) (2000). Walter Benjamin's Philosophy: Destruction and Experience. Clinamen Press.
    Why read Walter Benjamin today? There as many answers to this question as there are "Walter Benjamins"--Benjamin as critic, Benjamin as modernist, Benjamin as marxist, Benjamin as Jew. . . . Yet it is Benjamin as philosopher that in one way or another stands behind all these. This collection explores, in Adorno's description, Benjamin's "philosophy directed against philosophy." The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through his cultural criticism, (...)
     
    My bibliography  
     
    Export citation  
  47. Andrew E. Benjamin (1997). Present Hope: Philosophy, Architecture, Judaism. Routledge.
    Present Hope is a compelling exploration of how we think philosophically about the present. Andrew Benjamin considers examples in philosophy, architecture and poetry to illustrate crucial themes of loss, memory, tragedy, hope and modernity. The book uses the work of Walter Benjamin and Martin Heidegger to illustrate the ways the notion of hope was weaved into their philosophies. Andrew Benjamin maintains that hope is a vital part of the present, rather than an expression only of the future. Present Hope shows (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  48. Andrew E. Benjamin (ed.) (1995). Complexity: Architecture, Art, Philosophy. Distributed to the Trade in the United States of America by National Book Network.
    JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. Complexity, therefore, (...)
     
    My bibliography  
     
    Export citation  
  49. Andrew E. Benjamin (1993). The Plural Event: Descartes, Hegel, Heidegger. Routledge.
    Nothing is more simple or more complicated than the event. In recent years, the attack on any attempts to provide a foundation for philosophy has focused on the "logic of the event." In The Plural Event , Andrew Benjamin reconsiders and reworks philosophy in terms of events and how they are judged. Benjamin offers a sustained philosophical reworking of ontology, providing important readings of key canonical texts in the history of philosophy. In order to avoid the charge of positivism, he (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
  50. Andrew E. Benjamin (ed.) (1992). Judging Lyotard. Routledge.
    Best known for his book The Postmodern Condition , Jean-Francois Lyotard is one of the leading figures in contemporary French philosophy. This is the first collection of articles to offer an estimation and critique of his work, with particular focus on the importance to Lyotard of the question of judgement. Lyotard's interest in judgement is evident in his continuing engagement with the work of Kant. Lyotard's own essay, Sensus Communis , which opens the volume, investigates through Kant the presuppositions of (...)
    Direct download  
     
    My bibliography  
     
    Export citation  
1 — 50 / 56