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Andrew Benjamin [94]Andrew E. Benjamin [20]
  1. Andrew Benjamin (1988). Reviews : Rodolphe Gasché, The Tain of the Mirror: Derrida and the Philosophy of Reflection, London: Harvard University Press, 1986, £22.25, Viii × 348 Pp. John Sallis, Spacings - Of Reason and Imagination: In Texts of Kant, Fichte, Hegel, London: University of Chicago Press, 1987, £19.95, Paper £8.75, Xvi + 177 Pp. [REVIEW] History of the Human Sciences 1 (2):283-287.
  2.  5
    Andrew Benjamin (forthcoming). The Problem of Authority in Arendt and Aristotle in Advance. Philosophy Today.
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  3.  2
    Andrew Benjamin (2016). The Problem of Authority in Arendt and Aristotle. Philosophy Today 60 (2):253-276.
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  4.  49
    Andrew Benjamin, Towards an Affective Structure of Subjectivity. Notes on Kant's an Answer to the Question: What is the Enlightenment?
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  5.  4
    Andrew Benjamin (2016). Barring Fear. Epoché: A Journal for the History of Philosophy 20 (2):307-326.
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  6.  8
    Andrew Benjamin, And Color?: Sallis on Art's Coloring.
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  7.  43
    Andrew Benjamin (2013). Architecture and Technology: A Discontinuous Relation. [REVIEW] Foundations of Science 18 (1):201-204.
    Technology has a history structured by discontinuities. The first important philosophical expression of such a conception of technology was advanced by Walter Benjamin when he defined art works in relation to specific techniques of production. At the present art and architecture occur within an age defined by the move from ’technical reproducibility’ to digital reproducibility. The move has an impact on how technology is understood and its relation to architecture conceived. Adapting Walter Benjamin’s work in this area provides the basis (...)
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  8.  5
    Andrew Benjamin, Leben Und Gluck: Modernity and Tragedy in Walter Benjamin, Hölderlin, and Sophocles.
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  9.  10
    Andrew Benjamin, To Touch: Herder and Sculpture.
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  10.  15
    Andrew Benjamin, The Absolute as Translatability: Working Through Walter Benjamin on Language.
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  11.  42
    Andrew Benjamin (2012). Morality, Law and the Place of Critique: Walter Benjamin's The Meaning of Time in the Moral World. Critical Horizons 12 (3):281 - 301.
    Critique as a philosophical concept needs to be recast once it is linked to the possibility of a productive opening. In such a context critique has an important affinity to destruction and forms of inauguration. Working through writings of Marx and Walter Benjamin, specifically Benjamin's 'The Meaning of Time in the Moral World', destruction and inauguration are repositioned in terns of othering and the caesura of allowing.
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  12.  48
    Andrew Benjamin (2007). Perception, Judgment and Individuation: Towards a Metaphysics of Particularity. International Journal of Philosophical Studies 15 (4):481 – 500.
    The aim of this paper is to develop a new theory of particularity. In so doing it redefines the concepts 'perception' and 'judgment'. The redefinition occurs once perception is understood as recognition. The move to recognition entails the centrality of repetition. Recognition, it is argued, is a form of repetition. Allowing for repetition necessitates changing the way the relationship between universals and particulars is understood. This is developed via an engagement with Hume and Plato. The article concludes with the outline (...)
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  13.  9
    Andrew Benjamin, Art's Work: Derrida and Artaud and Atlan.
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  14.  37
    Andrew Benjamin (2011). On the Image of Painting. Research in Phenomenology 41 (2):181-205.
    Painting can only be thought in relation to the image. And yet, with (and within) painting what continues to endure is the image of painting. While this is staged explicitly in, for example, paintings of St. Luke by artists of the Northern Renaissance—e.g., Rogier van der Weyden, Jan Gossaert, and Simon Marmion—the same concerns are also at work within both the practices as well as the contemporaneous writings that define central aspects of the Italian Renaissance. The aim of this paper (...)
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  15.  16
    Andrew Benjamin, Benjamin and the Baroque: Posing the Question of Historical Time.
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  16.  34
    Andrew Benjamin (2010). Colouring Philosophy: Appel, Lyotard and Art's Work. Critical Horizons 11 (3):379-395.
    Colour plays a fundamental role in the philosophical treatments of painting. Colour while it is an essential part of the work of art cannot be divorced from the account of painting within which it is articulated. This paper begins with a discussion of the role of colour in Schelling's conception of art. Nonetheless its primary concern is to develop a critical encounter with Jean-François Lyotard's analysis of the Dutch painter Karel Appel. The limits of Lyotard's writings on painting, which this (...)
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  17.  5
    Andrew Benjamin, Place, Commonality and Judgment. Continental Philosophy and the Ancient Greeks.
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  18. Andrew Benjamin (2010). Porosity at the Edge : Working Through Walter Benjamin's "Naples". In Walter Benjamin & Gevork Hartoonian (eds.), Walter Benjamin and Architecture. Routledge
     
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  19.  10
    Andrew Benjamin (2003). Being Roman Now: The Time of Fashion A Commentary on Walter Benjamin's 'Theses on the Philosophy of History' XIV. Thesis Eleven 75 (1):39-53.
    Walter Benjamin’s writings on fashion need to be read as engagements with the problem of historical time and a related politics of time. The aim of this article is to develop this position. Its point of orientation is Thesis XIV from the Theses on the Philosophy of History. What is argued is that close attention to the temporality of change and novelty within fashion may allow an insight into a conception of interruption and the ‘new’, however, it cannot yield a (...)
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  20.  6
    Andrew Benjamin (2014). Writing on Proust Today: Notes on Mauro Carbone’s An Unprecedented Deformation. Research in Phenomenology 44 (3):421-431.
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  21.  40
    Andrew Benjamin (2007). What If the Other Were an Animal? Hegel on Jews, Animals and Disease. Critical Horizons 8 (1):61-77.
    The question of the other appears to be a uniquely human concern. Engagement with the nature of alterity and the quality of the other are philosophical projects that commence with an assumed anthropocentrism. This anthropocentrism will be pursued by way of Hegel's discussion of "disease" in his Philosophy of Nature. Disease is implicitly bound up with race, racial identity and animality, and provides an opening to the question: what if the other were an animal? Any answer to this question should (...)
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  22.  6
    Andrew Benjamin, Hermeneutics and Judaic Thought.
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  23.  11
    Andrew Benjamin (2011). Endles Touching: Herder and Scuplture. Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 4 (1).
  24.  37
    Andrew E. Benjamin (2000). Architectural Philosophy: Repetition, Function, Alterity. Athlone Press.
    Architectural Philosophy is the first book to outline a philosophical account of architecture and to establish the singularity of architectural practice and ...
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  25.  11
    Andrew Benjamin, Notes on the Line.
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  26.  10
    Andrew Benjamin (1988). The Place of the Ethical. Irish Philosophical Journal 5 (1/2):31-45.
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  27.  10
    Beatrice Hanssen & Andrew Benjamin, Walter Benjamin's Critical Romanticism: An Introduction.
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  28.  9
    Andrew Benjamin, Of Jews, David Boucher, Andrew Vincent, British Idealism, G. de Callatay, B. Halflants & N. El-Bizri (2012). BADER Ralf M. And John MEADOWCROFT (Eds): The Cambridge. British Journal for the History of Philosophy 20 (1):213-216.
  29.  6
    Andrew Benjamin, Benjamin's Modernity.
  30.  9
    Andrew Benjamin, Democracy and the University: Notes on Fichte's 'Some Lectures Concerning the Scholar's Vocation'/[La Democratie Et l'universiteNotes Sur les 'Vorlesungen Uber Die Bestimmung des Gelehrten' de Fichte].
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  31.  2
    Andrew E. Benjamin (2006). Style and Time: Essays on the Politics of Appearance. Northwestern University Press.
  32.  9
    Andrew Benjamin, Trauma Within the Walls: Notes Towards a Philosophy of the City.
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  33.  8
    Emmanuel Levinas, Peter Hughes, Alison Ainley, Andrew Benjamin & Tamra Wright (2011). Le paradoxe de la moralité : Un entretien avec Emanuel Levinas. Philosophie 112 (4):12.
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  34.  10
    Andrew Benjamin, Disclosing Spaces: On Painting.
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  35.  8
    Andrew Benjamin (2005). Spacing as the Shared: Heraclitus, Pindar, Agamben. In Andrew Norris (ed.), Politics, Metaphysics, and Death: Essays on Giorgio Agamben's Homo Sacer. Duke University Press
  36.  5
    Andrew Benjamin (2015). Responding. Philosophy Today 59 (1):147-153.
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  37.  5
    Andrew Benjamin, Notes on the Surfacing of Walls: NOX, Kiesler, Semper.
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  38.  13
    Andrew Benjamin (2012). Matter and Movement's Presence: Notes on Heidegger, Francesco Mosca, and Bernini. Research in Phenomenology 42 (3):343-373.
    Abstract The role of actual works of art with philosophical writing is often reduced to the status of example or illustration. As such the materiality of art work is rarely discussed let alone deployed as the basis of philosophical reflection. In this paper works by Francesco Mosca, and Bernini are used to question Heidegger's writings on sculpture. What such an approach opens up is the possibility that art may set the measure for philosophy.
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  39.  7
    Andrew Benjamin, Recovering Holiness and the Place of Others: Notes on Vayikra 19:34.
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  40. Andrew E. Benjamin, J. R. R. Christie & G. N. Cantor (1987). The Figural and the Literal Problems of Language in the History of Science and Philosophy, 1630-1800. Monograph Collection (Matt - Pseudo).
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  41.  4
    Andrew Benjamin, The Illusion of the Future.
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  42.  14
    Andrew Benjamin, Mark Howard & Christopher Townsend (2011). Informed Faces. Angelaki 16 (1):1 - 3.
    Angelaki, Volume 16, Issue 1, Page 1-3, 01Mar2011.
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  43.  6
    Andrew Benjamin, What, in Truth, is Photography? Noted After Kracauer.
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  44.  6
    Andrew Benjamin, Anonymity and Fear: Threatening Within Universality. Notes After Hegel's Philosophy of Right.
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  45. Andrew E. Benjamin & Peter Osborne (eds.) (2000). Walter Benjamin's Philosophy: Destruction and Experience. Clinamen Press.
    This collection explores, in Adorno's description, `philosophy directed against philosophy'. The essays cover all aspects of Benjamin's writings, from his early work in the philosophy of art and language, through to the concept of history. The experience of time and the destruction of false continuity are identified as the key themes in Benjamin's understanding of history.
     
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  46.  14
    Andrew benjamin (2003). Lines and Colours. Angelaki 8 (1):27 – 41.
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  47.  2
    Andrew Benjamin (1986). Innovation/Renovation: New Perspectives on the Humanities (Review). Philosophy and Literature 10 (1):111-112.
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  48.  2
    John Fletcher, Andrew Benjamin & Julia Kristeva (1992). Abjection, Melancholia, and Love: The Work of Julia Kristeva. Journal of Aesthetics and Art Criticism 50 (3):270-271.
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  49.  3
    Andrew Benjamin, Introduction: "Being on Line".
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  50.  3
    Andrew Benjamin, The Matter of a Materialist Philosophy of Art: Bataille's Manet.
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