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Profile: Andrew Bowie (Royal Holloway University of London)
  1. Andrew Bowie (2013). Adorno and the Ends of Philosophy. Polity.
    This compelling book is also set to ignite debate surrounding the reception of Adorno’s philosophy and bring him into the mainstream of philosophical debate at a time when the divisions between analytical and European philosophy are ...
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  2. Andrew Bowie (2010). German Philosophy: A Very Short Introduction. Oxford University Press.
    The book also highlights the ideas of early German Romantic philosophy, including the works of Friedrich Schlegel, Novalis, Schleirmacher, and Schelling, ...
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  3. Andrew Bowie (2009). Review of Lydia Goehr, Elective Affinities: Musical Essays on the History of Aesthetic Theory. [REVIEW] Notre Dame Philosophical Reviews 2009 (5).
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  4. Andrew Bowie (2009). Unreduced Experience in the Medium of Conceptual Reflection: Adorno and the Future of Post-Analytical Philosophy. Danish Yearbook of Philosophy 44:7-33.
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  5. Andrew Bowie, Friedrich Wilhelm Joseph Von Schelling. Stanford Encyclopedia of Philosophy.
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  6. Andrew Bowie (2007). Music, Philosophy, and Modernity. Cambridge University Press.
    Modern philosophers generally assume that music is a problem to which philosophy ought to offer an answer. Andrew Bowie’s Music, Philosophy, and Modernity suggests, in contrast, that music might offer ways of responding to some central questions in modern philosophy. Bowie looks at key philosophical approaches to music ranging from Kant, through the German Romantics and Wagner, to Wittgenstein, Heidegger and Adorno. He uses music to re-examine many current ideas about language, subjectivity, metaphysics, truth, and ethics, and he suggests that (...)
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  7. Andrew Bowie (2004). Adorno, Pragmatism, and Aesthetic Relativism. Revue Internationale de Philosophie 1:25-45.
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  8. Andrew Bowie (2004). Schleiermacher and Post-Metaphysical Thinking. Critical Horizons 5 (1):165-200.
    Schleiermacher rarely features in the now widespread discussion of the relevance of the German Idealist and Romantic traditions for contemporary philosophy because he has mainly been regarded as a theologian and theorist of textual interpretation. This essay shows that his most important philosophical work, the Dialectic, involves many ideas concerning truth and language which are generally regarded as belonging to what Habermas terms 'post-metaphysical thinking'. Schleiermacher's views of truth and language are contrasted with those of Habermas and Rorty, and are (...)
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  9. Andrew Bowie (2003). Aesthetics and Subjectivity: From Kant to Nietzsche. Manchester University Press.
    This new, completely revised and re-written edition of Aesthetics and subjectivity brings up to date the original book's account of the path of German philosophy from Kant, via Fichte and Holderlin, the early Romantis, Schelling, Hegel, Schleimacher, to Nietzsche, in view of recent historical research and contemporary arguments in philosophy and theory in the humanities.
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  10. Andrew Bowie (2003). Introduction to German Philosophy: From Kant to Habermas. Distributed in the Usa by Blackwell Pub..
  11. Andrew Bowie (2003). What Comes After Art? In John J. Joughin & Simon Malpas (eds.), The New Aestheticism. Manchester University Press. 72.
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  12. Andrew Bowie (2000). Fichte's Transcendental Philosophy. The Original Duplicity of Intelligence and Will by Günter Zöller Cambridge University Press, 1998, ISBN 0-521-59160-0 (Hb) £30. [REVIEW] Philosophy 75 (2):296-312.
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  13. Andrew Bowie (2000). German Idealism and the Arts. In Karl Ameriks (ed.), The Cambridge Companion to German Idealism. Cambridge University Press. 239--257.
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  14. Andrew Bowie (2000). The Romantic Connection: Neurath, the Frankfurt School, and Heidegger. British Journal for the History of Philosophy 8 (2):275 – 298.
  15. Andrew Bowie (1999). German Philosophy Today: Between Idealism, Romanticism, and Pragmatism. Royal Institute of Philosophy Supplement 44 (3):357-398.
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  16. Andrew Bowie (1998). Review of Adorno. A Critical Introduction by Simon Jarvis. [REVIEW] European Journal of Philosophy 6 (3):356–385.
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  17. Andrew Bowie (1997). From Romanticism to Critical Theory: The Philosophy of German Literary Theory. Routledge.
    From Romanticism to Critical Theory explores the philosophical origins of literary theory via the tradition of German philosophy that began with the Romantic reaction to Kant. It traces the continuation of the Romantic tradition of Novalis, Friedrich Schlegel and Schleiermacher, in Heidegger's approaches to art and thruth, and in the Critical Theory of Benjamin and Adorno. Andrew Bowie argues, against many current assumptions, that the key aspect of literary theory is not the demonstration of how meaning can be deconstructed, but (...)
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  18. Andrew Bowie (1996). John McDowell's Mind and World, and Early Romantic Epistemology. Revue Internationale de Philosophie 50 (197):515-554.
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  19. Andrew Bowie (1996). The Meaning of the Hermeneutic Tradition in Contemporary Philosophy. Royal Institute of Philosophy Supplement 41:121-144.
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  20. Andrew Bowie (1993). Schelling and Modern European Philosophy: An Introduction. Routledge.
    This is the first book in English to present F. W. J. Schelling (1775-1854) as a major European philosopher in his own right. Schelling and Modern European Philosophy surveys the whole of Schelling's philosophical career and lucidly reconstructs his key arguments, drawing from highly complex, often inaccessible and untranslated texts. Andrew Bowie argues that Schelling, usually considered an interesting but eccentric precursor to Hegel, actually offered serious alternatives to Hegel's thinking. Bowie shows that central ideas and conceptual strategies in the (...)
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